American IV: The Man Comes Around – Johnny Cash

Johnny Cash - American IV: The Man Comes Around  artwork

American IV: The Man Comes Around

Johnny Cash

Genre: Country

Price: $ 10.99

Release Date: November 4, 2002

© ℗ 2002 American Recording Company, LLC

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Johnny English – Peter Howitt

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Johnny English

Peter Howitt

Genre: Comedy

Price: $ 9.99

Rental Price: $ 3.99

Release Date: July 18, 2003


He knows no fear. He knows no danger. He knows… nothing! When the priceless Crown Jewels are stolen, bumbling Johnny English (Rowan Atkinson) is the only Secret Agent in the country (literally!) who can solve the crime. His prime suspects: a sinister businessman (John Malkovich) and a beautiful woman (Natalie Imbruglia) with a mysterious interest in Johnny's top-secret mission. Can the clueless super spy save the day without denting the nation's pride… or his super-cool Aston Martin spy car? Your whole family will howl with laughter as the clumsiest secret agent ever unleashes an onslaught of outlandish stunts, hair-brained heroics and outrageous goof-ups in this hilarious spy spoof!

© © 2003 Universal Studios. All Rights Reserved.

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Await Further Instructions – Johnny Kevorkian

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Await Further Instructions

Johnny Kevorkian

Genre: Horror

Price: $ 12.99

Rental Price: $ 6.99

Release Date: October 5, 2018


It's Christmas Day and the Milgram family wake to find a mysterious black substance surrounding their house. Something monumental is clearly happening right outside their door, but what exactly – an industrial accident, a terrorist attack, nuclear war? Descending into terrified arguments, they turn on the television, desperate for any information. On screen a message glows ominously: 'Stay Indoors and Await Further Instructions'. As the television exerts an ever more sinister grip, their paranoia escalates into bloody carnage. A powder keg of throat-grabbing intensity and mind-bending body horror, AWAIT FURTHER INSTRUCTIONS is an unmissable tour-de-force from rising star filmmaker Johnny Kevorkian and the BAFTA-nominated producer of God’s Own Country.

© © 2018 Further Instructions Ltd

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Johnny English Strikes Again

Johnny English Strikes Again Opens Friday, Oct 26, 2018

A cyber-attack reveals the identity of all active undercover agents in Britain, leaving Johnny English as the Secret Service’s last hope. Called out of retirement, English dives head first into action with the mission to find the mastermind hacker.

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What I Call Me – EP – Johnny Jensen

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What I Call Me – EP

Johnny Jensen

Genre: Blues

Price: $ 3.96

Release Date: September 8, 2018

© ℗ 2018 Johnny Jensen

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The Beam: Season One – Sean Platt & Johnny B. Truant

Sean Platt & Johnny B. Truant - The Beam: Season One  artwork

The Beam: Season One

Sean Platt & Johnny B. Truant

Genre: High Tech

Publish Date: April 24, 2015

Publisher: Realm & Sands

Seller: Draft2Digital, LLC


When all of humanity is connected, the network's hub is the true seat of power. In the year 2097, the only stable nation is the NAU: a dystopia exploding with new technologies and ruled by two political parties. The choices are Enterprise (sink-or-swim ; effort and luck determine whether members prosper or starve) or Directorate, where members are guaranteed safety but can never rise above their station. Above it all is The Beam: an AI-built computer network that serves every whim and connects citizens through implants and biological add-ons. The Beam anticipates every need and has created a world within the world. It permeates everything. It is everywhere. But now the NAU's power is shifting. The Beam seems to be taking on a life of its own as immersion becomes as real as reality itself. New powers are making their moves while others hang in the balance … and behind it all, a shadowy group is pulling strings. But if the NAU's true power goes unchecked, the actions of a shadowy few will shape the fate of millions for years to come …

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Johnny Manziel Hated Cleveland, ‘Can I Go Back to College?’

Johnny Manziel says he was initially EXCITED about being drafted by the Browns — but when he finally got to Cleveland … all he wanted to do was leave.  “Once I landed and went to Berea, Ohio for the first time, I was like, ‘Can I go back to…

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The Essential Highwaymen – Highwaymen, Johnny Cash, Kris Kristofferson, Waylon Jennings & Willie Nelson

Highwaymen, Johnny Cash, Kris Kristofferson, Waylon Jennings & Willie Nelson - The Essential Highwaymen  artwork

The Essential Highwaymen

Highwaymen, Johnny Cash, Kris Kristofferson, Waylon Jennings & Willie Nelson

Genre: Country

Price: $ 14.99

Release Date: October 26, 2010

© ℗ This Compilation (P) 2010 Sony Music Entertainment

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Johnny Frank Garrett’s Last Word – Simon Rumley

Simon Rumley - Johnny Frank Garrett's Last Word  artwork

Johnny Frank Garrett’s Last Word

Simon Rumley

Genre: Horror

Price: $ 4.99

Rental Price: $ 3.99

Release Date: March 7, 2017


When a young man is executed for committing a murder for which he always maintained his innocence, he leaves behind a curse letter in which he promises to take vengeance on all those connected to his trial.

© © 2014 Omega Films , LLC. All Rights Reserved. 2016 Momentum Pictures , LLC. All Rights Reserved.

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The Maid With the Flaxen Hair: A Tribute to Johnny Smith – Mary Halvorson

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The Maid With the Flaxen Hair: A Tribute to Johnny Smith

Mary Halvorson

Genre: Jazz

Price: $ 9.99

Release Date: July 27, 2018

© ℗ 2018 Tzadik

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Breakin’ It Up, Breakin’ It Down (Live) – Muddy Waters, Johnny Winter & James Cotton

Muddy Waters, Johnny Winter & James Cotton - Breakin' It Up, Breakin' It Down (Live)  artwork

Breakin’ It Up, Breakin’ It Down (Live)

Muddy Waters, Johnny Winter & James Cotton

Genre: Blues

Price: $ 9.99

Release Date: June 1, 2007

© ℗ 2007 SONY BMG MUSIC ENTERTAINMENT

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Johnny (Unabridged) – D. J. Molles

D. J. Molles - Johnny (Unabridged)  artwork

Johnny (Unabridged)

D. J. Molles

Genre: Sci Fi & Fantasy

Price: $ 29.95

Publish Date: July 24, 2018

© ℗ © 2018 Audible Studios

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Johnny Depp Sued After Allegedly Assaulting City of Lies Crew Member

Johnny Depp Johnny Depp has a whole new legal situation to deal with before his upcoming film is released.
The actor is facing a lawsuit from a crew member of the upcoming crime film City of Lies who…


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Johnny Depp’s Ex Vanessa Paradis Marries Director Samuel Benchetrit in France

Vanessa Paradis, Samuel BenchetritShe’s a married woman…
French model and actress Vanessa Paradis, well known for her lengthy relationship with Johnny Depp, has moved on, marrying French film director Samuel…


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Johnny Depp ‘Fantastic Beasts’ character as Lego figurine

Lego unveiled their new series of Harry Potter figurines including characters from the latest film starring Johnny Depp as villain Grindelwald. Jayson Mansaray reports.


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Call The Comet – Johnny Marr

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Call The Comet

Johnny Marr

Genre: Alternative

Price: $ 10.99

Release Date: June 15, 2018

© ℗ 2018 New Voodoo

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Johnny Manziel Crushed Beers with Gronk Before Patriots Pre-Draft Visit

[[tmz:video id=”0_rqtzxeru”]] Johnny Manziel did just what you’d expect him to before his pre-draft visit with the Patriots — he raged with Gronk and trashed his hotel room with wine!! The now-CFL QB gave a play-by-play of the incident leading up…

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J.S. Bach: Complete Sonatas & Partitas for Violin – Johnny Gandelsman

Johnny Gandelsman - J.S. Bach: Complete Sonatas & Partitas for Violin  artwork

J.S. Bach: Complete Sonatas & Partitas for Violin

Johnny Gandelsman

Genre: Classical

Price: $ 19.99

Release Date: January 19, 2018

© ℗ 2017 In a Circle Records

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John Coltrane and Johnny Hartman – John Coltrane & Johnny Hartman

John Coltrane & Johnny Hartman - John Coltrane and Johnny Hartman  artwork

John Coltrane and Johnny Hartman

John Coltrane & Johnny Hartman

Genre: Jazz

Price: $ 6.99

Release Date: December 31, 1962

© ℗ 2011 The Verve Music Group, a Division of UMG Recordings, Inc.

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John Coltrane and Johnny Hartman – John Coltrane & Johnny Hartman

John Coltrane & Johnny Hartman - John Coltrane and Johnny Hartman  artwork

John Coltrane and Johnny Hartman

John Coltrane & Johnny Hartman

Genre: Jazz

Price: $ 6.99

Release Date: December 31, 1962

© ℗ 2011 The Verve Music Group, a Division of UMG Recordings, Inc.

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Johnny Depp Sued by Ex-Bodyguards for Unpaid Wages, Toxic Work Environment

Johnny Depp used and abused a couple of his security guards, then screwed them over on payday … according to a new suit. The now former bodyguards, Eugene Arreola and Miguel Sanchez, claim they took personal jobs with the actor in early 2016 after…

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Johnny Manziel Still Angling for Patriots QB Job

Johnny Manziel has made it clear he wants to play for the New England Patriots — and on Wednesday night, he sent the team a reminder … via his sweatshirt.  Remember … Manziel previously told TMZ Sports he’d love to play for Bill Belichick,…

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Johnny Cash: Forever Words – Various Artists

Various Artists - Johnny Cash: Forever Words  artwork

Johnny Cash: Forever Words

Various Artists

Genre: Country

Price: $ 10.99

Release Date: April 6, 2018

© ℗ 2018 Sony Music Entertainment

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Johnny Manziel’s two-year football drought is ending, but it’s a long road back to NFL

It’s been two years since Johnny Football last played competitive football. Here’s a play-by-play of what’s happened between his last snap for the Browns and the Spring League, and why he faces an unprecedented path back to the NFL.
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Johnny Manziel & Odell Beckham Jr. Mentoring Christian Kirk On What NOT To Do

[[tmz:video id=”0_rmfi8fwt”]] Odell Beckham Jr. and Johnny Manziel are mentoring one of the biggest prospects in the NFL Draft on what NOT to do — so says Christian Kirk, who told us he’s learning from both of his “Big Bros.” Kirk — who tore it up at…

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Johnny Manziel Selling Spring League Jerseys on Comeback SZN Site

Johnny Manziel’s Comeback SZN is just days from hitting the football field … so naturally, the ex-Cleveland Browns QB stocked his clothing website with some fresh, new Spring League merch!! FYI — Johnny Football’s been selling clothes on his website…

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Could Devin Really Take Out Challenge Legend Johnny Bananas?

Devin is on a mission to eliminate Johnny Bananas from ‘The Challenge: Vendettas.’
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The Legend of Johnny Cash – Johnny Cash

Johnny Cash - The Legend of Johnny Cash  artwork

The Legend of Johnny Cash

Johnny Cash

Genre: Country

Price: $ 11.99

Release Date: October 25, 2005

© ℗ 2005 Universal Music Enterprises, a Division of UMG Recordings, Inc.

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Delirium – Johnny Martin

Johnny Martin - Delirium  artwork

Delirium

Johnny Martin

Genre: Horror

Price: $ 12.99

Rental Price: $ 6.99

Release Date: January 19, 2018


The Hell Gang, an exclusive club made up of a group of school friends, promise their classmate Eddie that he can join the gang if he can just make it to the porch of a legendary local mansion with a dark, sinister past. Others have tried but none have made it within sight of the mansion before fleeing back in terror. And Eddie, who is rigged with a camera to prove he did it, does not return at all! Five members of the gang must now go in to find him. They set off, confident that Eddie is trying to prank them, but what they find in the old mansion is even more terrifying than the campfire stories and legends of murdered children that once lived there.

© © 2017 HG Productions LLC

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Poll: Did Johnny Bananas Deserve The Latest Champs vs. Stars MVP Distinction?

Johnny Bananas thought he deserved the MVP title on this week’s ‘Challenge: Champs vs. Stars.’
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The Essential Johnny Cash – Johnny Cash

Johnny Cash - The Essential Johnny Cash  artwork

The Essential Johnny Cash

Johnny Cash

Genre: Country

Price: $ 11.99

Release Date: February 12, 2002

© ℗ This compilation (P) 2002 Sony Music Entertainment

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‘Great American Baking Show’ pulled amid Johnny Iuzzini allegations

ABC has pulled “The Great American Baking Show” after one of the show’s judges was accused of sexual misconduct.


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Why France Loved Johnny Hallyday

The singer represented a very French idea of the American dream. He cast a spell at home but was never really understood abroad.
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The Star Power of Johnny Hallyday (Jimi Hendrix Was His Opening Act)

In a previously unpublished interview, the French rock star, who died this week, discussed his favorite musicians, fame and discovering Hendrix in a London club.
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Johnny Manziel Still Ballin’ Out in Pimped Out Rolls-Royce

No job? No problem! Johnny Manziel is still living VERY large — despite the fact he hasn’t had an NFL paycheck in a very long time.  The embattled QB pulled up Wednesday to Barneys in Beverly Hills — one of the most expensive stores in town — in…

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Here’s Johnny!: My Memories of Johnny Carson, The Tonight Show, and 46 Years of Friendship – Ed McMahon

Ed McMahon - Here's Johnny!: My Memories of Johnny Carson, The Tonight Show, and 46 Years of Friendship  artwork

Here’s Johnny!: My Memories of Johnny Carson, The Tonight Show, and 46 Years of Friendship

Ed McMahon

Genre: Comedy

Price: $ 14.95

Publish Date: October 15, 2005

© ℗ © 2005 Oasis Audio

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Johnny Hallyday, the Elvis of France, dies at 74

Johnny Hallyday, France’s rock ‘n’ roll icon has died, the French president’s office said in a statement on Wednesday.


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Jenni Rivera’s Son Johnny Lopez Addresses His Sexuality: ”I am in a Gay Relationship”

Johnny LopezJenni Rivera’s youngest son Johnny Lopez has come out as bisexual.
The 16-year-old star shared a video of himself along with his older sister Chiquis Rivera to address the…


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Johnny Manziel’s Fiancee At War With Ex Involving FBI, Diamonds, Louis Vuitton

Before Bre Tiesi said “yes” to Johnny Manziel … she was engaged to another man — and the backstory involves everything from money to diamonds to the FBI.  Bre’s ex-fiance is Chris Anzalone — who was a BALLER in Southern California until he was…

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Elon Musk Sings Johnny Cash Around a Campfire

[[tmz:video id=”0_g1oace8t”]] Elon Musk geeked out to Johnny Cash … and he never looked cooler. The brains behind Tesla and SpaceX sang along to “Ring of Fire” … while firing up some s’mores with one hand and holding a cup ‘O whiskey…

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Paradigm Lost – Kai Lenny & Johnny DeCesare

Kai Lenny & Johnny DeCesare - Paradigm Lost  artwork

Paradigm Lost

Kai Lenny & Johnny DeCesare

Genre: Sports

Price: $ 12.99

Release Date: October 10, 2017


Poor Boyz Productions presents a Kai Lenny & Johnny DeCesare film, PARADIGM LOST in co-production with Red Bull Media House. Filmed over three years, in six countries, it captures the highest level of water sports action in beautiful 4K. What defines a surfer? Is it the art of wave riding or the equipment you ride? For Kai Lenny, the ocean is a playground and the only rule is to have fun. In PARADIGM LOST, Kai shares incredible sessions with World Champions in BIG WAVE, PROGRESSIVE SURFING, KITE SURFING, WINDSURFING and SUP—and shows the endless possibilities that come with a wide open mind. Kai also introduces the world’s best pro surfers to a new chapter in surfing with one of the most exciting developments in years – the SURF FOIL. Enjoy the ride!

© © 2017 Poor Boyz Productions – Red Bull Media House

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Johnny Mathis Sings the Great New American Songbook – Johnny Mathis

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Johnny Mathis Sings the Great New American Songbook

Johnny Mathis

Genre: Pop

Price: $ 10.99

Release Date: September 29, 2017

© ℗ 2017 Jon Mat Records, Inc.

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In the Moment – Johnny O’Neal

Johnny O'Neal - In the Moment  artwork

In the Moment

Johnny O’Neal

Genre: Jazz

Price: $ 9.99

Release Date: October 6, 2017

© ℗ 2017 Smoke Sessions Records

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The Essential Highwaymen – Highwaymen, Johnny Cash, Kris Kristofferson, Waylon Jennings & Willie Nelson

Highwaymen, Johnny Cash, Kris Kristofferson, Waylon Jennings & Willie Nelson - The Essential Highwaymen  artwork

The Essential Highwaymen

Highwaymen, Johnny Cash, Kris Kristofferson, Waylon Jennings & Willie Nelson

Genre: Country

Price: $ 14.99

Release Date: October 26, 2010

© ℗ This Compilation (P) 2010 Sony Music Entertainment

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American II: Unchained – Johnny Cash

Johnny Cash - American II: Unchained  artwork

American II: Unchained

Johnny Cash

Genre: Country

Price: $ 9.99

Release Date: November 5, 1996

© ℗ 1996 American Recordings, LLC

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Johnny Sandlin, 72, Allman Brothers Band Producer, Is Dead

A onetime band mate of Duane and Gregg Allman, Mr. Sandlin worked with their band and many other artists in a career that began at Capricorn Records.
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Vengeance: A Love Story – Johnny Martin

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Vengeance: A Love Story

Johnny Martin

Genre: Action & Adventure

Price: $ 6.99

Release Date: March 16, 2017


On the Fourth of July, single mother Teena is brutally assaulted by a local gang in front of her 12-year-old daughter Bethie. Despite Bethie's ability to identify the perpetrators, the criminals hire a local hot-shot defense attorney who manipulates the law to their advantage, and they are set free. Gulf War veteran Officer John Dromoor, played by Nicolas Cage, is disgusted by the lack of justice and plots revenge against the men on Teena’s behalf.

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Yo Mama Jokes Bible: Funny & Hilarious Yo Mama Jokes – Johnny B. Laughing

Johnny B. Laughing - Yo Mama Jokes Bible: Funny & Hilarious Yo Mama Jokes  artwork

Yo Mama Jokes Bible: Funny & Hilarious Yo Mama Jokes

Johnny B. Laughing

Genre: Fiction & Literature

Publish Date: August 4, 2015

Publisher: Hey Sup Bye Publishing

Seller: Smashwords


Yo Mama Jokes Bible! 350+ Funny & Hilarious Yo Mama Jokes Yo mama is so fat… Yo mama is so skinny… Yo mama is so old… Yo mama is so tall… Yo mama is so short… Yo mama is so stupid… Yo mama is so poor… Yo mama is so ugly… Yo mama is so bald… Yo mama is so hairy… Yo mama is so lazy… Other Yo mama jokes… ALL NEW YO MAMA JOKES! Yo mama is so stupid… she thought Christmas wrap was Snoop Dogg’s new song! Yo mama is so fat… she posted a picture on Instagram and it crashed! Yo mama is so tall… Shaq looks up to her! Yo mama is so ugly… she looks like she has been bobbing for apples in hot grease! Yo mama is so skinny… when she wears skinny jeans, they look like bell-bottoms! Yo mama is so old… she has an autographed Bible! Yo mama is so short … you can see her feet on her driver’s license! Yo mama is so hairy… that Bigfoot tried to take her picture! Yo mama is so fat… she sat on an iPhone and turned it into an iPad! Yo mama is so stupid… she went to a dentist to fix her Bluetooth! Yo mama is so old… her memory is in black and white! Yo mama is so poor… she put a Happy Meal on layaway! Yo mama is so ugly… she’s the reason blind dates were invented! Yo mama is so short… she can use a sock for a sleeping bag! Yo mama is so bald… you can see what’s on her mind! Best-Selling Author ~ Johnny B. Laughing The Joke King is back with another hilarious joke book full of funny, laugh-out-loud, crazy comedy and MASSIVE assortment of yo mama jokes!

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Master Johnny Hall

Four scenes showcasing Master Johnny Hall and two of his slaveboys.

Watch the Full Length, High Quality Movie!

Master Johnny Hall and two of his slaveboys.

Stars: Johnny Hall Mikael Bradshaw Paul Shayne

Categories: Bareback Anal Gay International BDSM Euro Fetish

Scene Number: 1

Orientation: Gay

Studio Name: Shoot Productions

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Johnny Manuel Performs a Fiery Original, DaNell Daymon & Greater Works Cover Aerosmith on ‘America’s Got Talent’ Semis: Watch

A little blind faith can go a long way in a TV talent quest. Johnny Manuel knows that.
The former child star impressed in the early rounds of America…
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Johnny Carson (Unabridged) – Henry Bushkin

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Johnny Carson (Unabridged)

Henry Bushkin

Genre: Arts & Entertainment

Price: $ 15.95

Publish Date: October 15, 2013

© ℗ © 2013 Brilliance Audio

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Frankie & Johnny – Garry Marshall

Garry Marshall - Frankie & Johnny  artwork

Frankie & Johnny

Garry Marshall

Genre: Romance

Price: $ 7.99

Rental Price: $ 0.99

Release Date: October 11, 1991


Al Pacino and Michelle Pfeiffer light up the screen in this captivating romantic comedy. Pfeiffer plays Frankie, a waitress at a N.Y.C. coffee shop. After a series of hurtful relationships, the last thing Frankie's looking for is a new man…until he comes looking for her. Pacino is an outgoing ex-con who's hired as the new short-order cook. He's head-over-heels crazy for Frankie. But to Frankie, they're as different as scrambled and hard-boiled. What can he mean when he says, "We were a couple before we ever met"? Directed by Garry Marshall(Pretty Woman), Frankie & Johnny is a "delightfully unique love story with a delightfully unique sense of fun" (David Sheehan, KNBD-TV, Los Angeles).

© © 2001 Paramount Pictures

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The Progressive Blues Experiment (Remastered) – Johnny Winter

Johnny Winter - The Progressive Blues Experiment (Remastered)  artwork

The Progressive Blues Experiment (Remastered)

Johnny Winter

Genre: Blues

Price: $ 5.99

Release Date: February 15, 2005

© ℗ 2005 Capitol Records, Inc.

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John Coltrane and Johnny Hartman – John Coltrane & Johnny Hartman

John Coltrane & Johnny Hartman - John Coltrane and Johnny Hartman  artwork

John Coltrane and Johnny Hartman

John Coltrane & Johnny Hartman

Genre: Jazz

Price: $ 5.99

Release Date: December 31, 1962

© ℗ 2011 The Verve Music Group, a Division of UMG Recordings, Inc.

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Johnny Rapid: Repeat Offender

Johnny Rapid gets his asshole reamed by some of his favorite buds in this all anal stretching affair. Watch as cut Johnny takes his tight asshole and rides hard pieces of man meat like he has never done before. With men this hot it’s only a matter of time until you lose control and blow your hot wad!!

Watch the Full Length, High Quality Movie!

Johnny Rapid gets his asshole reamed by some of his favorite buds in this all anal stretching affair.

Stars: Jaxton Wheeler Johnny Rapid

Categories: Safe Sex High Definition Compilation Anal Gay Twink International

Scene Number: 1

Orientation: Gay

Studio Name: Men

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Invasion – Sean Platt & Johnny B. Truant

Sean Platt & Johnny B. Truant - Invasion  artwork

Invasion

Sean Platt & Johnny B. Truant

Genre: Science Fiction

Publish Date: February 26, 2015

Publisher: Sterling & Stone

Seller: Draft2Digital, LLC


THEY ARE COMING. THE COUNTDOWN HAS BEGUN. The discovery of objects approaching from Jupiter orbit sets humanity on edge, sending cities into panic. Most is unknown, but thanks to the popular Astral space app, everyone knows the few facts the government has tried to hide: The objects are enormous spheres numbering in the dozens, maybe hundreds. They are on an approach vector toward Earth … and they will arrive in six days. Entrepreneur Meyer Dempsey is in New York, realizing the time has come to act on all the preparations he’s made without ever consciously knowing why. For years Meyer has been preoccupied by a dreamlike sense of coming peril and knows where he must take his family … if, that is, they can make it before society eats itself alive with fear.  This relentless, page-turning tale of apocalyptic dawn is the first in the Alien Invasion series by masters of story Truant & Platt, authors of The Beam, Robot Proletariat, and many more.

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Nicki Hunter, Johnny Thrust, Scott Lyons

Nicki Hunter has one of the neighborhood boys over. After her son went off to college and she was left home with her husband all day she wanted to entertain some of her friends and she’s gotten in the habit of fucking them. She knows most of them have probably told each other by now, but she doesn’t care. So long as they keep coming when she calls and she keeps getting a steady stream of young pecker. When Scott Lyons is over though, she gets caught by her hubby Johnny Thrust and it turns into a threesome.

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Johnny Depp Once Booted from White House Reception for Showing ‘Disrespect’

Johnny Depp’s disdain for the White House runs deep … so deep he was once corralled by Secret Service agents who refused to let him shake the President’s hand. Depp, who’s taking heat for his Trump assassination crack, was at 1600 Pennsylvania Ave.…

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Johnny Depp Apologizes For Joke About Assassinating President Trump

Johnny Depp is apologizing for his joke about assassinating President Trump, saying he didn’t mean any harm by it. Johnny released a statement admitting the “bad joke” he told Thursday to the Glastonbury Festival crowd was in poor taste. “It did…

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Selena Steele, Johnny Thrust

Selena sucks and bangs her son’s best friend now that he’s all grown up and legal. Watch as this college boy lives out his earliest fantasizes by nailing the neighborhood milf.

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Nina Whett, Johnny Toxic

Rock man Johnny Toxic wakes to discover that one of his groupies has snuck into his room. She’s dressed in a sexy maid’s outfit, bent over on all fours on the couch with her butt stuck up in the air, begging with Johnny for sex. Johnny always likes to start the day with a good fuck, so he unzips his pants, jerking his 12 inches of dude meat a couple of times to get it rock hard. Then he tells the bitch to give him an extended sucking and she eagerly does so, gobbling down his pecker like the manhood starving tart that she is. Then he gives her a hardcore rump banging, pummeling her backside hole until he ejaculates inside.

Anal / Ass Porn

Nina Whett, Johnny Toxic

Rock man Johnny Toxic wakes to discover that one of his groupies has snuck into his room. She’s dressed in a sexy maid’s outfit, bent over on all fours on the couch with her rump stuck up in the air, begging with Johnny for sex. Johnny always likes to start the day with a good fuck, so he unzips his pants, jerking his 12 inches of stud meat a couple of times to get it rock hard. Then he tells the bitch to give him an extended sucking and she eagerly does so, gobbling down his pecker like the shlong hungry tart that she is. Then he gives her a hard core rump banging, pummeling her backside hole until he cums inside.

Big Asses Porn

Nina Whett, Johnny Toxic

Rock guy Johnny Toxic wakes to discover that one of his groupies has snuck into his room. She’s dressed in a sexy maid’s outfit, bent over on all fours on the couch with her ass stuck up in the air, pleading with Johnny for sex. Johnny always likes to start the day with a good bang, so he unzips his pants, jerking his 12 inches of dude meat a couple of times to get it rock hard. Then he tells the bitch to give him an extended blowing and she eagerly does so, gobbling down his penis like the weiner starving tart that she is. Then he gives her a wild rump fucking, pummeling her butt hole until he cums inside.

Big Asses Porn

Nina Whett, Johnny Toxic

Rock dude Johnny Toxic wakes to discover that one of his groupies has snuck into his room. She’s dressed in a sexy maid’s outfit, bent over on all fours on the couch with her ass stuck up in the air, pleading with Johnny for sex. Johnny always likes to start the day with a good bang, so he unzips his pants, jerking his 12 inches of dude meat a couple of times to get it rock hard. Then he tells the bitch to give him an extended blowing and she eagerly does so, gobbling down his wang like the manhood hungry tart that she is. Then he gives her a hardcore rump banging, pummeling her backside hole until he cums inside.

Big Asses Porn

Nina Whett, Johnny Toxic

Rock stud Johnny Toxic wakes to discover that one of his groupies has snuck into his room. She’s dressed in a sexy maid’s outfit, bent over on all fours on the couch with her backside stuck up in the air, begging with Johnny for sex. Johnny always likes to start the day with a good bang, so he unzips his pants, jerking his 12 inches of dude meat a couple of times to get it rock hard. Then he tells the bitch to give him an extended blowing and she eagerly does so, gobbling down his penis like the dickhead starving tart that she is. Then he gives her a passionate ass fucking, pummeling her backside hole until he creams inside.

Big Asses Porn

Nina Whett, Johnny Toxic

Rock dude Johnny Toxic wakes to discover that one of his groupies has snuck into his room. She’s dressed in a sexy maid’s outfit, bent over on all fours on the couch with her booty stuck up in the air, begging with Johnny for sex. Johnny always likes to start the day with a good bang, so he unzips his pants, jerking his 12 inches of dude meat a couple of times to get it rock hard. Then he tells the bitch to give him an extended blowing and she eagerly does so, gobbling down his shaft like the shlong hungry tart that she is. Then he gives her a xxx ass pounding, pummeling her butt hole until he ejaculates inside.

Big Asses Porn

The Progressive Blues Experiment (Remastered) – Johnny Winter

Johnny Winter - The Progressive Blues Experiment (Remastered)  artwork

The Progressive Blues Experiment (Remastered)

Johnny Winter

Genre: Blues

Price: $ 5.99

Release Date: February 15, 2005

© ℗ 2005 Capitol Records, Inc.

iTunes Store: Top Albums in Blues

The Progressive Blues Experiment (Remastered) – Johnny Winter

Johnny Winter - The Progressive Blues Experiment (Remastered)  artwork

The Progressive Blues Experiment (Remastered)

Johnny Winter

Genre: Blues

Price: $ 5.99

Release Date: February 15, 2005

© ℗ 2005 Capitol Records, Inc.

iTunes Store: Top Albums in Blues

Chats with Lynyrd Skynyrd’s Johnny Van Zant, Pentatonix’s Avi Kaplan, Ben Rector and Widespread Panic’s John Bell, Plus We/Or/Me and HPnB/Dan Zanes Exclusives

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A Conversation with Lynyrd Skynyrd’s Johnny Van Zant

Mike Ragogna: Johnny, the new one is titled Lynyrd Skynyrd Live In Jacksonville. Using the old term f there’s really such thing as a blast from the past, this would be it, right?

Johnny Van Zant: Yeah, you know, it was something that we talked about doing for a while. Actually we had the thought a few years ago but it just never panned out. This year it worked for us. We did it in a really cool place down here, an old theater that’s been here for years called the Florida Theatre, it holds about eighteen or nineteen hundred people. We did it over a period of two nights and it was a great time. We went back and tried to have as much fun doing it and doing it in the same order as it was on the record, which was really cool because “Sweet Home” starts out Second Helping. [laughs] For that particular part of the show it was like, “Okay, we’re starting the show with ‘Sweet Home Alabama’ which we never do,” so it was a hoot. Then we had a bunch of songs that we’ve done in a medley because there are so many great Skynyrd songs but we’d never played them all together. We were up in Canada earlier this year at a sound check and we went through the whole thing, so when we got prepared we finally booked the dates and we had a great time. It was awesome for me…I was home every night. [laughs] The bands were awesome, they were there from all ages, that was a pretty cool thing to see. I hope the fans love it, man. We had a good time doing it, I’m looking forward to seeing what the response of the fans are.

MR: You have a couple of dates left in November, right?

JVZ: We just have those few shows, we usually try to take off this time of year and spend it with our immediate family instead of our Skynyrd Nation. Try to catch up on things.

MR: What have you learned about your first two albums from the tour and playing the songs often?

JVZ: Probably just tempos and stuff like that. We were like, “Wow, that was recorded really fast!” Either in our old age we’re getting slower or we we’re just like, “Wow, that’s really booking it on the album.” There’s just different little intimate parts where you go, “Wow, okay, maybe we could’ve done this,” or “Maybe we should’ve done that,” but again, man, it was just a blast going back. For us just doing our record set, of course you play “Free Bird” and “Sweet Home Alabama,” so we’ve been playing those for a long, long time, but then you have songs like “Curtis” and “I Need You” which was really cool because the band’s never done “I Need You” live. It was really cool to go back and do that one, it’s a great song. Looking at the fans singing along with it was awesome.

MR: I imagine you guys might have discovered a couple of new favorites.

JVZ: You know what, we hadn’t done “Poison Whiskey,” which was really neat. We never figured it would go over that great live, and I don’t know if it was just particularly that night, but it just went over really well that night. Those two nights, I should say, because it was done over a period of two nights.

MR: You said it was a multi-generational crowd. What do you think is leading the younger crowd to Lynyrd Skynyrd other than their parents introducing them to you?

JVZ: Yeah, forcing them to listen to it. [laughs] I always go, “Did your parents force you to listen to it?” and you’d be surprised, a lot of them say, “No, I love the music!” I think it’s just that Skynyrd songs are timeless. “Free Bird” is timeless, “Sweet Home” is timeless, they’re just timeless songs. I think people relate to Skynyrd, it’s a working class band. They’re just songs with messages. To this day there’s never been a song written that didn’t have a message.

MR: It’s been said that you guys were the smartest southern band there ever was when you came around.

JVZ: [laughs]

MR: Songs like “Workin’ For MCA” were pretty controversial, considering it was your home label. What kind of memories are coming back to you from those days as you revisit these two albums?

JVZ: Well, I think just a band getting its act together and growing as a band. There was an album called First And Last that was put out years later that was done before these two albums, but these were the first two albums that were successful. Of course, Pronounced… came out and “Free Bird” did pretty good for that record, and when “Sweet Home” came out it flip-flopped and made people start catching on to the first record from “Sweet Home.” They went back and went, “Wow, there’s another record out there called Pronounced…” and both of them went rapidly platinum and the band just exploded from there.

MR: Was it like Al Kooper was a member at the time?

JVZ: Yeah, he was. He guided the band. Al’s a great musician. If it wasn’t for Al Kooper there might not be a Lynyrd Skynyrd. He’s the one who found us at Pinocchio’s in Atlanta, Georgia and signed us to Sounds Of The South through MCA, brought the band to attention.

MR: “Sweet Home Alabama” is probably your classiest, most classic single, whereas “Free Bird” has grown even beyond you; it’s not just the band’s anthem, it’s a southern anthem. What was that?

JVZ: Way back when, there was FM radio, and jocks used to say, “Man, we love “Free Bird” and “Stairway To Heaven” because we can put it on and use the bathroom and when we come back it’ll still be playing.” [laughs]

MR: So you have DJs’ bowels to thank for this.

JVZ: Yes, there’s a lot of them out there that appreciate those two songs. That was a time when radio played whole albums instead of just singles. Singles were new to FM radio when “Sweet Home” came out. The biggest single for Lynyrd Skynyrd was actually “What’s Your Name.” That was the highest charting single for Lynyrd Skynyrd, which kind of amazes me because “Sweet Home” was a single, too, and it’s the one that’s been played for years and years in movies, we’ve got our buddy Kid Rock who had it in his song “All Summer Long,” along with “Werewolves Of London” by Warren Zevon. It’s just amazing to me. It’s pretty funny, we were over in Europe a few years ago and we’re all Beatles fans so we went on The Beatles’ Liverpool tour, we rented a bus and took our crew and we had a guide telling us all about their houses and, “Oh, this is the field where ‘Strawberry Fields’ was written.” We went to John Lennon’s house and there were these kids in the neighborhood on their bicycles and they said, “Hey, who are you?” because they could tell we were some band. We were like, “Lynyrd Skynyrd” and somebody said, “Yeah, ‘Sweet Home Alabama,'” and one of the kids spoke up and said, “Oh yeah, Kid Rock’s ‘Sweet Home Alabama!'” [laughs] We were laughing our butts off. We said, “Thank you, Bobby, for introducing us to some eight year-olds in London.”

MR: But that points out that you have an international audience. What is it about Lynyrd Skynyrd that gives it this kind of presence?

JVZ: I think it’s just common people, man. People love the songs. You hear a song like “Simple Man” or “That Smell” and people relate to it. Hell, these days “Saturday Night Special” with all the gun stuff going on, it’s just relatable man. There’s an old saying, “Hey, the music will be around a lot longer than we will.” That’s a cool thing about playing music, that music will be here long after we’re gone.

MR: Johnny, what advice do you have for new artists?

JVZ: I don’t know, man, it’s such a difficult time, first of all if you’re going to do this have plan A and plan B. So many people are great singers, great players and never make it, so have that plan B, but follow your dreams and work hard at it and keep your nose clean, that means don’t be into drugs and drinking and all that stuff, man, because that’s ruined a lot of my friends and almost tried to ruin myself with it. Just keep at it, man. If you believe in yourself, give it a time period and see what you can come up with.

MR: In your case, it’s really also been about family, hasn’t it?

JVZ: It has. We always tell people when we were young we didn’t have six hundred channels and video games and computers and iPhones and stuff, we had an old swing set out in the front yard and that was our entertainment. We would listen to the Grand Ole Opry and the Ed Sullivan show and learn the songs and go out and sing them on the swing set during the day. That was our entertainment, it was very common. We weren’t a rich family, but we were rich in family. We didn’t have a lot of money, but hell, money don’t make you who you are.

MR: I imagine the pain doesn’t go away, the loss of Ronnie and everybody in that crash.

JVZ: Oh yeah. October twentieth was thirty eight years, I believe, and it just doesn’t seem that long. I guess time flies, but it just really doesn’t seem that long to me. It still seems like yesterday.

MR: Since you guys planted those seeds, look at all that’s sprouted. You ended up with not just your band, but Rossington Collins, 38 Special, Skynyrd left a mark.

JVZ: Yeah, and hopefully we still keep on keepin’ on. We’re getting ready to start recording for a new record and all that good stuff, it’s what we do. I had a conversation with Gary Rossington the other day, he’s had some heart trouble, so he said, “I went out by my lake and I’ve been kind of meditating and I figured out what’s really important to me–my grandkids, my family, and playing guitar.” I went, “Yeah, that’s pretty much all of us.” That’s what we love. You asked me what it is about Lynyrd Skynyrd; I think it’s that the fans see who we are. There’s no faking it or trying to be something else. No makeup–no offense to anybody who wears it. But as far as artists go, if you see us on the stage, that’s who we are and when we come off it’s still who we are.

MR: So you’re still okay with being the Kings of Southern Rock?

JVZ: [laughs] You know what, man? I have to put the Allmans in there, too.

MR: [laughs]

JVZ: We all grew up in Jacksonville, Florida, so there was something in the water. Hey, that’s a good song title, I may use that. [laughs]

Transcribed by Galen Hawthorne

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A Conversation with Pentatonix’s Avi Kaplan

Mike Ragogna: Avi, on your new self-titled Pentatonix album, you’re exploring some new technology and stretching out a little more vocally. So how did you approach this album differently than past projects?

Avi Kaplan: In terms of production, I think that the goal for this album was to show how we write songs and how eclectic we are, but it’s also an album to really compete in the pop world. As for the new technology, we actually haven’t used too much more than our other albums, we’ve just been a little bit more liberal with some different types of effects, some filters and reverb. What we wanted to do was push the boundaries a little bit, but also make sure that anything we do on this album is something we can recreate live. That is something that is super, super important as a band. Regardless of what we do on the album, we want to make sure that we can do every single track justice.

MR: How did these songs come together?

AK: Our record label put us with a bunch of different songwriters, we wrote in duos and trios. Honestly we just wrote a bunch of songs, I’d say around forty, and then at the end, we just chose the ones we thought accentuated what we do best.

MR: Were there any songs or their recordings that really pushed you?

AK: I think that with originals, everyone is going to be more emotionally invested, so with these songs I wouldn’t say that it was trying to figure out how it was done but actually getting everyone to agree on how it should be finished.

MR: Avi, Pentatonix recently won the Grammy for Best Arrangement, Instrumental Or A Cappella. That has to relaunch you differently than if you were still going the independent route, like after the group’s initial Sony signing years ago. How did that propel you as a group creatively or professionally?

AK: Professionally, I think it made us feel like we had been doing the right thing. It felt so good, we were so proud of it. I wouldn’t say that we’ve gotten any new opportunities because of it, but it’s really just an amazing thing for us to have under our belt, and for us to be able to say as an a cappella group and as individual artists.

MR: What’s the relationship between Pentatonix and its fans? Are you aware of who they are in the bigger sense?

AK: Absolutely. Our fanbase is definitely a family. A lot of them have been with us from the beginning, really. I feel like one of the reason it’s so close is because we’re an a cappella group in the pop industry, we’re trying to compete with all of these acts, we’re obviously going to be the underdog in every way. Our fans also feel that way, they want to be able to prove to the world that they can make us everything that we think we can be. We’ve gone on this journey together and just gotten so much closer. We love to say that our fans are the nicest fans in the world. They’re just the most supportive. It’s really just an amazing family, we’ve become friends with our fans, we know them by name and by face, it’s just a really beautiful thing.

MR: What do you think has evolved over the course of the records? Can you see a difference between where you started and where you are now?

AK: I think that overall, we’ve just come a little more into our own as artists trying to figure out our sound. Even this album was a little experimental, trying to figure out exactly what our sound is. I think we’re still refining it, but through all these processes, all the albums we’ve done and all the things we’ve done, I think we’ve just been refining our sound, and I’m excited to see where it goes.

MR: What are your thoughts on Pentatonix’s association with Cracker Barrel?

AK: Well, first of all, I love Cracker Barrel. We all love Cracker Barrel. I know that the trio who grew up in Texas went to Cracker Barrel growing up, Kevin’s from Kentucky, he went to Cracker Barrel all the time, we’ve been to Cracker Barrel as a group, I’ve fallen in love with it, I love southern food, I love southern comfort, I just love the vibe. As a group I feel like it totally resonates with what Cracker Barrel stands for and the vibe that they have. As far as how it came about, they’re fans of the group, we’re fans of Cracker Barrel, it just kind of worked out.

MR: Are there any fun or interesting collaborations that will happen in the future with the organization? Maybe surprise some Cracker Barrel crowd one night with an impromptu performance?

AK: That’s exactly what’s going to be happening, we’re doing surprise performances at Cracker Barrels, singing for fans, eating some food, it’s going to be a really great time. At the end of the day when you put together a scene in Cracker Barrel it’s going to be amazing.

MR: “First Thing’s First” is a great song, it’s like, “Okay, you want to get rich and all that, but first thing’s first, get your house in order, get your heart in order.” That’s sort of the message of Pentatonix in a lot of ways, isn’t it?

AK: Absolutely. The thing about it is we really pride ourselves in being grounded and really keeping the right things in the forefronts of our minds and our hearts, it’s something that we really care about as a group and want to continue, and something we really want to extend to our fans and really anybody. We want to have a positive message. There’s a lot of music out there that isn’t positive, it doesn’t really talk about the greatest things. When it comes to music in general I personally feel that music is around to bring life to others, and I feel that that’s what we personally try to do nonstop with our voices. Singing is such an organic and vulnerable and humble thing, it just makes sense. If we were trying to be cocky and talk about terrible things I feel like it just wouldn’t make sense with what we do. It’s just our vibe and what we care about.

MR: And that theme carries through when you listen to something like “Ref” or “Misbehavin,” which, if you listen to the lyrics, of course, you’re not misbehaving.

AK: Yeah, it’s funny because when you hear the aesthetic of “Ref” or “First Thing’s First,” you think it could be a little bit of a cocky song or talk about some bad things, but it really doesn’t, the messages behind both of those songs are really great.

MR: By the way, I think “Ref” might be my favorite song on the album. With regards to a relationship, saying, “I’m not going to be the ref here,” is a subtle, cool concept. I don’t think I’ve heard that said in such a way before.

AK: Honestly, I was so happy and proud of everyone in the group for the writing we did.

MR: If you only had time to show a person one song on the album, what would that one song in your opinion be?

AK: Man, that is really, really tough. I would say either “Cracked” or “Na Na Na.” I think both of those are really our vibe, really our style and it kind of accentuates the happiness and the fun in “Na Na Na” and the seriousness and the soul and grit in “Cracked.”

MR: Now that you have set the bar at this level of songwriting, does it tend to make you want to stretch the boundaries even further? I’m not suggesting taking on anything like religion or politics, but are there bigger concepts that you’d like to tackle?

AK: I think we’re always trying to expand. As far as religion and politics, I don’t think we’d ever take a stance on that type of thing because honestly everyone in the group is very, very different. We all have the same values, but we don’t all agree on the same issues. We wouldn’t ever do anything that would make anybody uncomfortable. If there ever was something that we felt really strongly about, like music in schools, that’s something we can all get behind, if there was ever an issue that we all felt really passionate about and could all get behind, one hundred percent we’d expand and really take a stance on that.

MR: Of course, you all have music education when you were in school.

AK: Yeah, we were all classically trained, I was actually an opera major in college, Scott was a pop music major, Mitch had actually just graduated, he was going to be a music major, Kirstin was a music theater major in college. Kevin was actually pre-med and East Asian studies but he has been doing music and is an extremely amazing talented musician, he’s classically trained, he played at Carnegie Hall, he’s done a lot of great things in music.

MR: I think a big point in the debates on music education in school is the grade school level. Did you all have grade school music programs?

AK: I’m sure we all did music in grade school. I know that I was in band, I played trumpet, Kevin was in Orchestra, he did cello, the trio definitely did choir in grade school as well.

MR: Who oversees the vocal arrangements?

AK: You know, we actually have a different overseer for every arrangement because we all have such different and eclectic musical styles and tastes. For instance, if we’re going to be covering an R&B song I would say that Scott would take over for that sort of thing. If we’re doing a real chill, vibe-y, emotionally type of thing, or if it’s choral and has a lot of beautiful harmonies I would say I would arrange it. Kevin is the leader when it comes to beats and all those different groove changes and stuff. Everybody has a different strength. It might even just be because of what song it is. If Kevin’s super in love with a song he can lead that one, you know?

MR: I’m sure people have thrown all kinds of musical comparisons at you guys.

AK: Oh yeah, there are a bunch of different groups that people talk about, absolutely.

MR: Have you taken any cues or inspiration from any of those notes?

AK: Absolutely. I would say that I’m the biggest a cappella nerd of anybody, I would say that I listen to a cappella groups more than anybody else. I know that we definitely have our own style but there are times where we say, “Oh my gosh, we should definitely have a Take Six moment here,” or “We should do an old school Manhattan Transfer-y type of thing here.” We definitely have knowledge of that stuff and we do a bunch of different styles, we like to lean in different directions, it’s a lot of fun. At the end of the day, if it wasn’t for those groups doing their thing and having those different styles, we really wouldn’t be here.

MR: I think this is a great time for Pentatonix because there are so many boundary-pushing productions out now that are grounded in pop.

AK: Honestly, it’s really cool that they’re getting more creative and experimental when it comes to production, but also you’ll notice that while there are a bunch of dance songs out there a million tracks in them, there’s also stuff like Adele, or this new Drake song that are very, very minimal. There’s a lot of minimal tracks coming out and that’s something that’s very exciting for us because at the end of the day we have five voices, one who beatboxes and sings at the same time. It’s really cool to know that there are some tracks out there that are pretty minimal that we could definitely compete with.

MR: Pentatonix’s That’s Christmas To Me is one of the best-selling Christmas albums of recent years. Just thought I’d mention that.

AK: Yeah, it’s surreal to hear that.

MR: And on your new album, you have a New Year’s song that accentuates its complicated vocal arrangement. Was it fun to record?

AK: That was a lot of fun to sing! It was really cool, actually. I run an a cappella camp and we actually brought in the A Cappella Academy Choir, which is all of my students. That was really amazing to have them sing on that song, so it was extra fun to record that.

MR: So you’re into mentoring?

AK: Oh absolutely, running that camp is definitely my favorite thing that I do in my life right now.

MR: Avi, you fell right into my devious trap! What advice do you have for new artists?

AK: I would say to really, really think about what your strengths are, play to those, doing try to compare yourself to other people. If music is your heart, put everything you possibly have into it. Don’t let any opportunity go by, make sure you do everything possible to make sure that you can succeed in it. Not everyone has success in music, not everyone gets rich and famous from it, but at the end of the day you can remember why you’re doing music, to bring life to others and to lift people up. Just keep that in mind.

MR: So what’s coming in Pentatonix’s future?

AK: Honestly, there are so many different thing that we want to do. We really want to have a hit song on the radio, we’re working on that now, more touring, expanding our fanbase, there are so many things we want to do.

Transcribed by Galen Hawthorne

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A Conversation with Ben Rector

Mike Ragogna: Ben, your brand new album Brand New went Top Ten! And you’re positioned in the Top Ten on like five other Billboard charts. You’re a superstar!

Ben Rector: You’re kind to say that. I’m not sure I’d agree, but I’m really glad people have enjoyed the record!

MR: Alright mister, how did you do it? Did it have something to do with your voice, maybe the songs?

BR: I hope so. I’m not sure what else I’ve got going on that people would buy the record for!

MR: Okay, so it took a few albums and singles, but what would the documentary say about how you got to this level of superstarfulness? Leave out no detail!

BR: If there were a documentary, it probably wouldn’t be terribly exciting, as it’s mostly been slow and steady growth over the past 8-10 years. I started traveling and playing music professionally early on in college and ever since it has grown steadily. There wasn’t one thing that drastically changed my trajectory or brought a whole bunch of new fans on board at once, I think it’s just now getting to the place where it’s a little more visible.

MR: Kidding aside, it’s like “Make Something Beautiful” is the theme of the album, as in when something goes wrong in life, you’ve got to make something beautiful. Can you pull the curtain on some of these songs, how you came up with some of their topics and maybe a story or two of their creation?

BR: So glad you noticed that song! Basically, for this record, I wanted to make a first record again. The longer you do something, the harder it is for it to feel fresh and new, the way it did when you were starting out. I wanted to get back to when I was in college skipping class to write songs, looking forward to Thursday afternoon when I’d drive to another state and play for free hoping I’d sell enough CDs to pay for the gas home. That’s the central theme of Brand New, which is also the single. I actually wrote that song after the record was finished, it always ends up that a few weeks after you’re done with an album something special shows up and usually there’s no time to record it. Since that had happened a few times already, I built in a little extra time to see if anything like that would show up, and thankfully it did!

MR: By this point, and since you released the last couple of albums yourself, do you enjoy recording and releasing albums yourself? Are you at least grinning a teensy bit that you beat the system and sold thousands of CDs without a major label?

BR: It’s definitely really satisfying to see something work and find an audience without a machine behind it. On paper there definitely shouldn’t be as many people coming to shows and buying records as there are. I’m really grateful people are seeking it out!

MR: Who are some of your favorite artists and who inspired you creatively?

BR: I love a lot of old singer songwriters, James Taylor, Paul McCartney, Randy Newman, Billy Joel. I love new music too, but those are probably my favorites.

MR: What’s your favorite song on the album and don’t claim, “Oh, they’re all my children, I couldn’t do that,” because that won’t work.

BR: I think mine is probably “The Men That Drive Me Places.”

MR: In “Almost Home,” you lost your shoes in New York City. And there’s a guy talking obnoxiously on a flip phone in “The Men That Drive Me Places” who’s from where? New York. Is there something with you and New York?

BR: That’s a great question! I think both of those were actual events. I did lose a pair of shoes in New York City on a tour, and my best honest guess about where Howard was from was New York. I don’t know if that means that me wanting to mention it is just evidence that New York is cool and iconic?

MR: I love that you wrote a song about a huge gathering…you know, in “30,000 Feet.” Is this yet another New York City song? Maybe about the Halloween parade? By the way I’m kidding.

BR: At first, I didn’t understand the question, and I now see that it is a pretty good pun.

MR: I can’t help it, sorry. What advice do you, Mr. Ben Rector, have for new artists?

BR: Spend as much time and energy as you can getting better at writing songs, that’s what will separate you from other artists–at least in my opinion. Work hard and having high expectations for your work.

MR: And lastly, how do you think you’ve grown as an artist?

BR: I think on this record cycle my goal was to be able to soak things in a little more. It’s easy for me to focus on what needs to improve or what isn’t good enough about a show or a record or anything really, and I’m realizing I don’t want to look up in ten years and realize I spent all my time worrying and none of my time enjoying what is a really rare and awesome season.

******************************

WE/OR/ME’S “THE LONG GOOD-BYE” EXCLUSIVE

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photo credit: Liza Mitchell

According to We/Or/Me aka Bahhaj Taherzadeh…

“‘The Long Good-Bye’ is a song about detachment. We live out our days as if in constant denial of our own mortality. We attach ourselves to this world as if we will never leave it. We bury ourselves in jobs, in relationships, in so many things that tie us to a reality that is in truth temporary and fleeting. This song is an acknowledgment of the ephemeral nature of our lives, but it has never felt sad or morbid to me. It is about embracing the unknown and letting go of the worries and attachments that we carry around in our daily lives.”

website: http://weorme.com/

******************************

2015-11-09-1447108686-5717822-91pXsQEBFL._SX522_.jpg

A Conversation with Widespread Panic’s John Bell

Mike Ragogna: John! Mr. Panic! How did your new one, Street Dogs, come together?

John Bell: We’ve been moving in a direction of capturing on our studio recordings as live a feeling as possible. It’s a departure from what we’ve done in the past, because we do so much live stuff with our regular touring performances, and those recordings are available as well, but still, in sometimes if you get too bogged down in the technology of the studio things can tend to homogenize. There’s a tendency to maybe lose some of those moments that just pop up spontaneously, so we’re making an effort to keep that in the mix, so to speak. We just made a conscious effort to do these songs one at a time and keep as much of everybody’s original performance on a track as possible. To a large extent, we accomplished that. Some of the tunes were brand new, so they were put together in a more studio, traditional way, but for the most part even the vocals we cut mostly live while the band was playing. More of the spontaneity comes through, there’s more of a magic moment in there when you’ve played the song enough to know how to be in the groove but you haven’t played it so much that you’ve over thought it.

MR: You’re a very respected group.

JB: By some. [laughs]

MR: And you’ve been together for thirty years. To me, that shows respect for each other in the band. What do you think has kept Widespread Panic going strong?

JB: We started out together pretty green. This is the first and only band that I’ve ever been a member of. For years we just had each other as far as our musical support and our performance experience and songwriting experience. We were already pretty solidified before we got into the whole record industry and some of that stuff that would jostle a band in its early beginnings loose. We already knew we could count on each other, everything else was more of an outside world than the world we were aspiring to. There was some early glue there that I think helped out. Beyond that, our mission is to perform music on stage and have fun doing that and do it in an improvisational sense, so it’s always fresh to us. You’ve got a blueprint of how you’re going to approach things before you go on stage, but then the thing kind of takes on a life of its own. That freshness takes the boredom out of the situation. It’s like going to sleep every night; you know you’re probably going to dream, but you don’t know what’s going to happen.

MR: Nicely said. Improvisation is so much more common in jazz and blues, your New Orleans style is pretty unique.

JB: All those musical genres fill up at the same family reunion. They’re cousins, blues and jazz. Rock ‘n’ roll is…oh, I don’t know, just the less intelligent cousin.

MR: [laughs]

JB: But the elements of improvisation are the same. You have to have a certain command of your instrument, even if that’s vocals. The next thing is you’ve got to be listening, and able to hear five other guys at once and what conversation is taking place at the time and be able to enter into that conversation without interrupting. And to be able to let go a little bit. Be in control, but at the same time let go and flow with what’s happening, because it’s not all under your control. All that’s under your control really is being a mindful steward of what you’re doing.

MR: You start the album with “Sell Sell,” and that seems to set the paradigm for the whole record. Why did you choose to start with it, other than my theories?

JB: You know, I respect anybody’s interpretation of how things are laid out. I can tell you that we didn’t really think about it in terms of making a statement or anything. Basically, we looked at the songs that we had accumulated for this record and tried to come up with an order that seemed to flow and have some cohesiveness. We just decided that one seemed like a good way to kick-off the first sounds you hear when you put on the record.

MR: So I’m over-thinking it when I see connections between many of these songs?

JB: Well there is something; by the time you get in to do a record, it’s a snapshot of the band’s collective mindset, where you are in that period of your career or your life together. There could be some underlying subliminal cohesiveness that we’re not even aware of ourselves.

MR: You’re also an old fan of folks like Dr. John, Van Morrison and you’ve even cited George Carlin as an influence.

JB: First record I ever bought, yup. Class Clown.

MR: Do you think that that set your humor and view of the world?

JB: By the time it got to that album and some of his work as he continued to evolve, he was more than a comedian. There was a funny, cynical philosopher kind of guy in there, too. Kind of like Lenny Bruce, close, but not as caustic, and a little bit easier to understand. I bought the record because I think I was eight or nine and he was doing this funny thing where it looked like he was putting his finger up his nose. You used to buy albums for their covers and then see what was inside. But there’s a rhythm in the way he tells a joke, the way he colors a scene for you, and obviously there’s the way words can be looked at differently and fit together in a way you hadn’t used them in everyday language. Those were the things that were coming through, but again I was just a kid, I didn’t know things were coming through, but when I look back I can say listening to comic records–Firesign Theatre was another one–it was just kind of blowing up your mind and letting you know that there are other ways to treat our Americanized English language.

MR: “Street Dogs For Breakfast” and “Poorhouse Of Positive Thinking” seem like they could’ve been written after a George Carlin show.

JB: [laughs] This is an interesting bit… Those came from Jojo’s brain. So I don’t know, play with that. I’m not trying to blow the theory, but I didn’t want to silently sound like I was taking credit for those.

MR: How has the group evolved over the years? What has changed from the beginning until now?

JB: Hmm. Something I take for granted: for years we were flying by the seat of our pants as far as where we were gigging, where we were staying, the equipment we were working with. For years now we’re working on a level where we don’t worry about any of that stuff now. We’re thirty people on the road and usually it’s eighty or ninety percent of the same faces on every tour. It’s been like that for a while so you’re very grateful and there’s a point where you might have taken it for granted, but that makes it so you can get out and just focus on the music. But that’s been in place for probably twenty year, twenty five years. But that’s a big deal, having the stability and professionalism behind the scenes. I also go to bed earlier. We don’t go out after the show and raise hell ’til sunrise.

MR: Dirty Side Down was one of your most critically-acclaimed albums, and then you took five years off. Was that a reaction to it being your most critically-acclaimed album?

JB: We really don’t think in terms of a timetable or anything. We spend a lot of time on the road, we try to spend as much time with our families as we can when we’re not on the road. Deciding to go in and put another record out just pops up when you get the itch. It doesn’t seem that long to us, because your last album feels like a new album for about a year, and then we did pre-production on this thing about two years ago, then we came back and recorded it. This album’s been finished since February and now it just came out. For us it doesn’t seem like five years, it seems like two years if you look at it formulaically like that, but beyond that we don’t really even think about it. We put out and album when we feel like putting out an album.

MR: Yeah, and then thirty years go by and you’re not really thinking about that either.

JB: We’ve got material out there, because of the new way that music is listened to, over the internet. All of our shows are available to download and listen to the day after the show. You can pluck the songs out or you can buy the whole show. Then sometimes we go in with some of the live material and put it through a full studio ringer and create a live album like that.

MR: I think it’s great that Widespread Panic has realized how to support yourselves with your music on the internet by selling the concerts, et cetera, whereas a lot of other seasoned bands still haven’t figured out what to do next.

JB: We’re lucky that there would be an interest to buy the show, or buy multiple shows of the tour or listen to it on the couch while it’s streaming in your living room, or do pay-per-view. We’re really lucky that the way we did our stage show was that every show was going to be different. It’s not like we’re going to throw the same fifteen songs at you every night. These last three nights we played probably seventy songs and there wasn’t a repeat in the whole night. I guess what I’m saying from a marketing standpoint is we’re fortunate that the way we approach it we’ve got a different product every night that somebody might be interested in buying.

MR: What do you care about in music these days? What are you listening to? Are there contemporaries you listen to or is it mostly the stuff that you already love?

JB: Mostly, my personal teddy bear of a collection, the stuff that I’m familiar and comfortable with. But there’s so much out there. Lately I’ve been trying to get back and listen to some older stuff–like Woody Guthrie kind of things–start just revisiting the stuff of the past that were the building blocks of folk music, which overlapped with the emerging rock ‘n’ roll scene. Things that I might have overlooked. I’m just being curious about the musical lineage.

MR: Would that include folks going forward like Bob Dylan and Arlo Guthrie and Joni Mitchell? Folk music was the role model for most of the singer-songwriters who became popular in the sixties and seventies.

JB: And there’s something of a refined revival going on with Americana, where it’s more traditionally based and song based, there’s a little storytelling going on. If I’m trying to listen for new stuff I’ll watch Austin City Limits or there’s an NPR station on North Carolina that I listen to on a radio app on my iPad. They play stuff I’ve never heard, but they’re one after another, just blasting it. It’s called WNCW. I think they’re out of Asheville.

MR: Do you see yourself developing something out of that? Is there a future John Bell album inspired by this music?

JB: Oh, no plans along those lines. I was just trying to answer your question as truthfully as possible. Along with my Van Morrison and Leon Russell and Zeppelin and Talking Heads, that’s where my ears have started reaching out and finding some interest. I always feel fortunate that I’m still a fan and I can get excited by listening to the radio just like when I was a kid.

MR: And there are a billion internet stations to listen to.

JB: Oh yeah. I remember the fascination of having a short wave radio and that was like magic, when you got something you were really lucky, you’d be listening to some wack stuff from the Soviet Union or something. But here with the internet you can dial up stations all over the world clear as a bell. It’s amazing.

MR: What does the future look like for Widespread Panic? You said you put together projects when you feel like it, but there’s still a marketing side involved. How do you balance those?

JB: You coordinate things so they don’t get in each other’s way, but beyond that it’s just a byproduct of doing what we’re doing. Basically we’re writing songs, living our lives and we get on stage and play music and thankfully people are still coming out to support that or else we wouldn’t be able to do it at all. We write together, which is a blast. We’ve got the live and studio forms to put those down for people to look at. Beyond that the rest is just a byproduct of what we’re doing. Dare I say it’s an art form.

MR: You had Duane Trucks join the band for a little bit, filling in for Todd Nance. Fill me in on that.

JB: We’ve just been playing with Duane for a little bit. It’s basically a personal affair, so I’ll just leave it like that, but I will tell you to go out and have a kid enter the fold that’s half your age is really a gas. He comes with none of the cynicism that we’ve created in our worlds. His enthusiasm level is huge. Being from the Trucks family, and a generational music family his respect for music and his knowledge of how to communicate verbally as well as the way he plays, it’s really refreshing.

MR: Is there any mentoring going on?

JB: Yeah, him to us! No, the best thing we can do for him is mention movies and say, “You haven’t seen that yet?” Harold & Maude, Being There, stuff like that.

MR: Do you also like Robert Klein?

JB: Oh definitely.

MR: That was a really great period for comedy and comedy albums. It was like people were using their brains in addition to outrageousness.

JB: Oh, it was wild. I was exposed to Firesign Theatre when I was in high school but as I became a little better read going through college I’d listen to these things and there are contemporary literary references and things like that that I had no idea were underlying these bits. There were also references to pop culture that I wasn’t really privy to at the time. Firesign Theatre was kind of psychedelic comedy.

MR: Tom Lehrer did that, too. I’m getting off track here, though.

JB: Man, you’re right on track. I got kicked out of class in first grade for bringing in That Was The Year That Was. Man, if you listen to something like “Who’s Next?” about the proliferation of the atomic bomb, a couple of the players in the script are different, but it’s still very applicable to what’s going on today. It’s amazing.

MR: I think what’s going on politically today is pretty amazing. The parallels, some of the same fights and some of the weird stuff that’s happening in politics, it’s like the late fifties again.

JB: I don’t know, maybe when things were in a bit of a boom status before the housing crash and stuff like that, in times when the majority of folks are doing pretty okay and they don’t want their boat to be rocked, I think they might tend to not be so loud with airing their grievances and finding fault with other folks and stuff like that, but it seems like when times get pinched some of these old wounds hadn’t really healed and those same patterns bubble back up out of frustration.

MR: What advice do you have for new artists?

JB: Oh, wow. Try not to get distracted by any of the other byproducts that come up with what your artistic intentions are to begin with. The original inspiration is what got you locked in in the first place. If you’re a painter or a sculptor or a musician or poet, you’re excited because something’s happening through you and you’re getting to experience something kind of magical. If you’re able to sustain that and involve that receptivity in yourself as an artist and you do it long enough that people start to notice and you’ve got “a product” some other distractions can come in and really muck up what the original inspiration was. You can do both. You can stay in your artistic mindset and if the business part becomes a part of it, that can have a life of its own, too. But it’s easy to get distracted. You’ve got to keep exposing yourself to that feeling. Keep some breath in it, water those seeds.

MR: So I guess we’ll be talking again in five years?

JB: Maybe so. Who knows, there’s no big plan sketched out. As long as it’s fun and serving our collective soul, then there’s no reason not to do it. It’s helping with the quality of life. Our lives. Take it or leave it.

Transcribed by Galen Hawthorne

******************************

HOT PEAS ‘N BUTTER & DAN ZANE’S “AMISTAD” EXCLUSIVE

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According to Hot Peas ‘N Butter’s Danny Lapidus…

“‘Amistad’ is a video that has been a long time in the making and has been a labor of love. The general theme of the song is friendship and how friends are always there for each other…It features Hot Peas ‘n Butter’s new friend…Dan Zanes, who lends his awesome voice to the song and his awesome self to the video. While recording the song, we really hit it off and we are so proud to call Dan a true friend. He was the inspiration for this song and for the theme of our new album Put Our Heads Together.

“Every new year that we make music for kids and families we realize a little more how important our community is and how important it is to stand by your friends. Friendship has been a continuing theme for Hot Peas ‘N Butter all along.

“The recording of ‘Amistad’ at P.O.D. Noise Studios in NYC, was enhanced by performances by Clifford Carter on keyboards [Bill Evans, Paul Simon, James Taylor]; Rich Mercurio on drums [Sara Barreilles, Idina Menzel, Enrique Iglesias]; Oz Noy on guitars [Chick Corea, Eric Johnson, Warren Haynes]. HPnB band mate Francisco Cotto performs on bass. Lead vocals were by the two artists and real-life friends: HPnB leader Danny Lapidus and Dan Zanes. Lapidus also produced and mixed the song.”

— This feed and its contents are the property of The Huffington Post, and use is subject to our terms. It may be used for personal consumption, but may not be distributed on a website.




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Release Date: August 13, 2015

© ℗ 2015 Leroy Records

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Super Hits – Johnny Cash

Johnny Cash - Super Hits  artwork

Super Hits

Johnny Cash

Genre: Country

Price: $ 5.99

Release Date: November 1, 1994

© ℗ 1976, 1994 Sony Music Entertainment Inc.

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Dylan Ryder, Johnny Irons

When blond babe Dylan Rider goes for a therapeutic massage, she is surprised to find that her masseur for the day is an extremely well muscled stud with a ponytail, pornstar Johnny Irons. She feels herself getting moist between the legs as soon as he lays his hands on her, and she doesn’t resist when he pulls off her top to reveal her luscious breasts. She even goes down on the guy, sucking on his semi erect penis until it is bristling and full, engorged with blood. She takes a hard pussy pounding, pulling it out of her own cunt to stick the dirty cock in her mouth several times before her man finally spurts into her throat.

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Bob Johnston, Producer for Bob Dylan, Johnny Cash & More, Dies at 83

Bob Johnston, the producer behind iconic albums like Bob Dylan’s Highway 61 Revisited and Blonde on Blonde and Johnny Cash’s At Folsom…
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Johnny Depp’s D23 Surprise!

Disney fans gathered at the annual D23 Expo on Friday for the Disney Legends Award — but little did they know a major star surprise was about to happen!


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Invasion: Alien Invasion, Book 1 (Unabridged) – Sean Platt, Johnny B. Truant

Sean Platt, Johnny B. Truant - Invasion: Alien Invasion, Book 1 (Unabridged)  artwork

Invasion: Alien Invasion, Book 1 (Unabridged)

Sean Platt, Johnny B. Truant

Genre: Sci Fi & Fantasy

Price: $ 21.95

Publish Date: July 21, 2015

© ℗ © 2015 Podium Publishing

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Johnny Depp’s wife faces charges over dog scandal

Johnny Depp’s pet dogs dodged the threat of being put down by Australian authorities earlier this year, but the actor’s wife, Amber Heard, is now facing criminal charges over the canine controversy.


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Johnny Gill — Caitlyn’s Definitely NOT My Type (VIDEO)

Johnny Gill has declined to join the chorus praising Caitlyn Jenner for her looks. Our photog spotted Johnny Thursday in Bev Hills … he started out diplomatic, but diplomacy quickly gave way to honesty … he’s not into…

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Johnny Depp’s wife Amber Heard charged with illegally taking dogs into Australia – ABC

Johnny Depp’s wife, actress Amber Heard, has been charged over illegally bringing dogs Boo and Pistol into Australia on a private jet and is due in court in September, Australia’s ABC reported. Edward Baran reports.


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Johnny Depp surprises sick children in Australian hospital

Hollywood actor Johnny Depp dresses up as Captain Jack Sparrow in a surprise visit to sick children at a hospital in Brisbane. Rough Cut – no reporter narration


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Johnny Depp’s Incredible $26 Million French Village Estate Is For Sale—You Have to Take A Tour!

It doesn’t take a village for Johnny Depp anymore.

The Pirates of the Caribbean actor is parting ways with his enormous French estate for a not-too-shabby $ 26 million. Depp purchased…


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Breakin’ It Up, Breakin’ It Down (Live) – Muddy Waters, Johnny Winter & James Cotton

Muddy Waters, Johnny Winter & James Cotton - Breakin' It Up, Breakin' It Down (Live)  artwork

Breakin’ It Up, Breakin’ It Down (Live)

Muddy Waters, Johnny Winter & James Cotton

Genre: Blues

Price: $ 9.99

Release Date: June 1, 2007

© ℗ 2007 SONY BMG MUSIC ENTERTAINMENT

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Showdown! (Remastered) – Albert Collins, Robert Cray & Johnny Copeland

Albert Collins, Robert Cray & Johnny Copeland - Showdown! (Remastered)  artwork

Showdown! (Remastered)

Albert Collins, Robert Cray & Johnny Copeland

Genre: Blues

Price: $ 9.90

Release Date: December 31, 1984

© ℗ 2011 Alligator Records

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Johnny Winter – Johnny Winter

Johnny Winter - Johnny Winter  artwork

Johnny Winter

Johnny Winter

Genre: Blues

Price: $ 9.99

Release Date: December 31, 1968

© ℗ Originally Recorded 1969 & Released 2004, Originally Released 1969, (P) 2004 Sony Music Entertainment Inc.

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Bryan Ferry releases ‘Johnny & Mary’ video

Shot at the Chateau Marmont and Wolf’s Lair Castle – Hollywood and starring model Eliza Cummings, the video for ‘Johnny and Mary’ can be viewed below.
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Johnny Manziel — QB in Water Bottle Fight (PHOTOS)

10:08 AM PT — A rep for the Irving PD tells TMZ Sports … Johnny showed NO signs of intoxication. As for how the whole thing got started, Manziel told police he was being harassed by an 18-year-old man who was hounding him for an autograph. When the…

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John Coltrane and Johnny Hartman – John Coltrane & Johnny Hartman

John Coltrane & Johnny Hartman - John Coltrane and Johnny Hartman  artwork

John Coltrane and Johnny Hartman

John Coltrane & Johnny Hartman

Genre: Jazz

Price: $ 7.74

Release Date: March 6, 1963

© ℗ 2011 The Verve Music Group, a Division of UMG Recordings, Inc.

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Johnny Depp’s Daughter, Lily-Rose, Celebrates Her ”Sour Sixteen” With Family and Friends—See the Pics!

Lily-Rose Depp, InstagramThey just grow up way too fast.

Johnny Depp and Vanessa Paradis’ daughter, Lily-Rose, recently celebrated her sweet sixteen, er, sorry, her “sour sixteen” (as she called it)…


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Pat Benatar And Neil Giraldo Cover Johnny Cash

Pat Benatar and Neil Giraldo teamed up earlier this month for a special cover tribute to Johnny Cash. The pair, who are married and have two daughters together, took the stage together at Nashville’s Ryman Auditorium for the show to sing a mash-up of their signature hit “Heartbreaker” with Cash’s classic “Ring of Fire.”
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Johnny Depp — Dogs Boarding Flight for Life

Johnny Depp’s dogs ain’t no dummies — his Yorkies are getting the hell outta Dodge … just hours before Australian officials promised to put them down. TMZ has learned Boo and Pistol will be boarding a private jet back to U.S. soil within a few hours.…

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Back Seat Johnny

A woman was driving her old beat up car on the Highway with her 7 yr. old son, Little Johnny.

She tried to keep up with traffic but they were flying by her. After getting caught in a large group of car’s flying down the road she looked at her
speedometer to see she was doing 15 miles over the speed limit.

Slowing down, she moved over to the side and got out of the clump that soon left her behind. She looked up and saw the flashing lights of a police
car. Pulling over she waited for the officer to come up to her car.

As he did he said, “Ma’am do you know why I pulled you over?”

Little Johnny piped up from the back seat, “I do! Because you couldn’t catch the other cars!”

Received from Crosswalk.
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Johnny Depp’s dog saga continues in Australia

An Australian politician says it’s the administration who should be in the dog house over Johnny Depp’s dogs, not the actor. Julie Noce reports.


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Darius Rucker and Sara Evans Channel Johnny and June

Darius Rucker and Sara Evans are goin' down to "Jackson."
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Tatiana Brown, Johnny Nitro

Tatiana Brown is an 18 year old half-German, half-ebony mocha princess that needs a good fucking. She’s a serious model with a hard core side who likes smoking dick to take the edge off. Blessed with almost no gag reflex, this Virginian can it down all the way down to funky town. Watch her hairy cunt get tapped so hard she bites her bottom lip in pleasure. All good things must come to and end, and so does this vag meet its creampie conclusion.

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‘Black Mass’ Trailer: Johnny Depp Is Psychotic Whitey Bulger (Video)

The actor portrays the murderous crime boss in the drama from Warner Bros. and Cross Creek Pictures.

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Lily-Rose Depp, 15, Makes Modeling Debut—See the Photos of Johnny Depp’s Beautiful Daughter!

Lily-Rose DeppTo the surprise of no one, Johnny Depp and ex-partner Vanessa Paradis’ daughter, Lily-Rose Depp, has grown into a stunningly beautiful young woman.

The 15-year-old makes her modeling…


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Justin Bieber — Johnny Law’s My Dawg Now (PHOTO)

Justin Bieber’s had cops called on him so many times, he should be on a first name basis with ’em … which might explain why he’s suddenly super tight with a Bev Hills PD officer. Law enforcement sources tell us Justin was getting his usual Vitamin C…

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Johnny Manziel — Rehab Was Great … I’m a Changed Man

Johnny Manziel says he learned a “tremendous” amount about himself during his stint in rehab — and says he’s ready to prove he’s a changed man.  The Cleveland Browns QB just issued a statement … in which he apologizes for letting down the Browns…

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Penny Pax and Johnny Castle

Penny Pax and Johnny Castle Penny Pax and Johnny Castle want to explore the pleasures of the flesh with each other.
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WOW, Johnny Depp’s 15-Year-Old Daughter Is Basically A Model Now

Johnny Depp’s 15-year-old daughter, Lily-Rose, stepped out looking like a model at a rare public appearance with her mom, Vanessa Paradis.
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Johnny Depp’s Hand Injury Prolongs Delays on ‘Pirates of the Caribbean 5’


The crew on the Australia shoot have been stood down until mid-April.

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Johnny Depp Injures Hand on Set of ‘Pirates 5’


Captain Jack is leaving the Australian set of ‘Dead Men Tell No Tales’ and flying to the U.S. for surgery.

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Sarah Says Her ‘Battle Of The Exes 2′ Dome Vote Was Inspired By Johnny Himself

Sarah of ‘Battle of the Exes II’ explains why she voted her friend, Johnny Bananas, into the game’s final elimination round.
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Alice Cooper on Playing With Johnny Depp: ‘He Never Makes It About Him’

Alice Cooper has performed with Johnny Depp several times over the past couple of years, building a friendship and musical bond at various gigs, and the shock rocker tells Rolling Stone he’s always impressed by the actor’s lack of ego.

“We see each other a lot,” Cooper says of Depp. “He’s……
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An Annotated Guide To Johnny Bananas’ ‘Challenge’ Elimination Round Record

Look back at Johnny Bananas’ many elimination rounds in honor of his most recent ‘Challenge’ ousting.
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Johnny Ramone’s Guitar Sells for $71K at Auction

One of the nine Mosrites guitars Johnny Ramone owned over his career was sold at auction Thursday for $ 71,875, Boston-based auction RR Auction…
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Rare Johnny Ramone Guitar Brings $71,000 at Auction

Johnny Ramone’s Mosrite guitar, one of only nine Mosrites the legendary punk guitarist owned, sold at auction Thursday for a whopping $ 71,875, Boston-based auction RR Auction announced. The red guitar, personally owned and used by Ramone for at least seven years, was also autographed by the Rock and Roll Hall……
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Can Johnny And Averey Overcome Their ‘Exes’ Drama, Or Will It Be Their Undoing?

Johnny and Averey of ‘The Challenge: Battle of the Exes 2’ are strong, but can’t get their act together.
News

Johnny Manziel — Drinks Thrown at QB … at Houston Nightclub

Johnny Manziel was attacked with drinks at a Houston nightclub this weekend … after the Cleveland Browns QB got into it with a group of hecklers … TMZ Sports has learned. It all went down at Dekan nightclub in Houston late Sunday night –…

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Kaley Cuoco-Sweeting Forgets to Thank Husband at People’s Choice Awards, So Ex Johnny Galecki Does It For Her—Watch now!

Mayim Bialik, Simon Helberg, Kunal Nayyar, Melissa Rauch, Jim Parsons, Kaley Cuoco-Sweeting, Johnny GaleckiTalk about your friendly exes—check out the solid that Johnny Galecki just did for Kaley Cuoco-Sweeting!

“Hey, wow, thank you so much. Hey, just real quick, I’d like to…


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Johnny Manziel — Chuggin’ Champagne … During Miami Getaway

Johnny Manziel clearly does not think he’s got a drinking problem … ’cause the Cleveland Browns QB was chugging champagne right from the bottle in Miami on Wednesday. Manziel and his girlfriend Colleen Crowley were sitting poolside at a Miami…

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Phoenix Marie and Johnny Castle

Phoenix Marie and Johnny Castle Officer Phoenix Marie is all about the bust on Johnny Castle and he is willing to pay for what he did.
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Johnny Manziel — Hit Cleveland Bar Hard Friday Night … Multiple Witnesses Say

Multiple independent witnesses tell TMZ Sports … they each spotted Johnny Manziel partying well past midnight at a Cleveland bar on Friday … just hours before he missed a team treatment session.  Our sources — and they’re pretty solid — all…

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The Legend of Johnny Cash – Johnny Cash

Johnny Cash - The Legend of Johnny Cash  artwork

The Legend of Johnny Cash

Johnny Cash

Genre: Country

Price: $ 7.99

Release Date: October 25, 2005

© ℗ 2005 Universal Music Enterprises, a Division of UMG Recordings, Inc.

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The Essential Johnny Cash – Johnny Cash

Johnny Cash - The Essential Johnny Cash  artwork

The Essential Johnny Cash

Johnny Cash

Genre: Country

Price: $ 11.99

Release Date: February 12, 2002

© ℗ Originally Released 1955, 1956, 1958 Sun Entertainment Corporation, 1958, 1959, 1961, 1962, 1963, 1964, 1965, 1966, 1967, 1968, 1969, 1970, 1971 Sony Music Entertainment (P) 1987 Mercury Records, a Divison of UMG Recordings, Inc., 1993 Universal

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Brandy Aniston and Johnny Castle

Brandy Aniston and Johnny Castle Brandy Aniston finds maintenance man Johnny Castle needs a helping hand and she will do him up right.
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Johnny Weir, Tara Lipinski review 2014 (and try to predict what kind of king George will be)

Johnny Weir and Tara Lipinski took home gold at the 2014 Winter Olympics in Sochi — for commentating and fashion, that is. Here, Johnny and Tara continue the tradition by reviewing the year’s biggest moments in pop culture as part of “2014 Voices,” a special series of essays and interviews with newsmakers behind some of TODAY.com’s biggest moments of the year. Royal baby No. 2: Boy or girl?




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