Here’s The Kanye West Song Where He Says He’d Smash Kim’s Sisters

Maybe Kanye West is just trolling us all? Yeezy dropped a new song called “XTCY” and everyone (okay, mainstream media outlets, mostly) is talking about how he raps about smashing his sister-in-laws.

Apparently, DJ Clark Kent was in the studio with West, who asked him to share the song, and he obliged.

As for the tune’s content: “You got sick thoughts, I got more of them, you got a sister in law you would smash, I got four of them,” raps West.

He adds, “Damn, those is your sisters. You did something unholy to them pictures.”

If you’re keeping tabs, that’s Khloe, Kourtney, Kendall and Kylie.

You gotta wonder what the Kardashian clan thinks of this. Travis Scott, too. Let us know what you think in the comments.

Photo: WENN.com

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Kanye’s New Track Suggests He Wants to Have Sex with Kim’s Sisters

Kanye West’s new song says he’s got “sick thoughts” … and some of them involve all 4 of his sisters-in-law. Ye released a brand new track Saturday morning on Twitter — “XTCY” — and along with obvious lyrics about ecstasy … there’s a very…

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Brody Jenner Says Sisters Kendall & Kylie Aren’t Going To His Wedding: ‘We Never Even Heard From Them’

Apparently, Brody Jenner’s wedding won’t be a complete
family affair.


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Tiffany Haddish Down with Doing ‘Blues Brothers’ Reboot Called ‘Soul Sisters’

[[tmz:video id=”0_e7ujlnfe”]] Tiffany Haddish is down with doing a ‘Blue Brothers’ reboot with Cardi B … if the money is right. We got Tiff Friday at LAX and followed up on our convo last month with Dan Aykroyd, who told us about a script — “Soul…

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Gayle Shepherd of the Singing Shepherd Sisters Dies at 81

Ms. Shepherd and her three siblings rode their harmonious style to chart success in 1957 with “Alone (Why Must I Be Alone).”
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Khloe Kardashian’s Sisters Head to Cleveland to See Baby True Thompson

Khloe KardashianKnock, knock! The Kardashian-Jenners have arrived.
Less than a week after Khloe Kardashian welcomed her baby girl, it appears a few family members have made their way back to Cleveland to…


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Butthole Sisters

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Desiigner Sued for Blasting Woman Over His Sister’s Belongings, College Experience

Desiigner is being sued by a woman who says he put her on blast, calling her a fraud after she helped his sister get into college … TMZ has learned. Jessica Brown is pissed about the rapper’s Instagram post from last August … where he referred…

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Pregnant Khloe Kardashian Hits up Tokyo With Kim and Kourtney for Sisters Trip

Khloe Kardashian, TokyoThe Kardashians are big in Japan!
Kim Kardashian and Kourtney Kardashian hit up Toyko on Monday for one last sister trip with Khloe Kardashian, who is 8-months pregnant, before she gives…


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Sisters Like Us: Mischief Bay (Unabridged) – Susan Mallery

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Sisters Like Us: Mischief Bay (Unabridged)

Susan Mallery

Genre: Romance

Price: $ 26.95

Publish Date: January 23, 2018

© ℗ © 2018 Harlequin Audio

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Bennett Sisters Mysteries – Lise McClendon

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Bennett Sisters Mysteries

Volume 1 & 2

Lise McClendon

Genre: Fiction & Literature

Publish Date: December 3, 2017

Publisher: Thalia Press

Seller: Lise M Webb


It's Eat Pray Love meets murder mystery in Lise McClendon's deliciously cozy chronicles of sisterhood, international travel … and a soupçon of danger. A sprawling, exuberant, generous-spirited cozy mystery series with a yummy side of international adventure. A little bit chick lit, a touch of cozy mystery, a whole lot of humor, romance, suspense–all in one box set! 5 ★ "This is a charming series of the adventures of 5 sisters. Merle the middle sister is the predominant focus of the books and one falls in love with her! Then we meet the rest of the clan. It is impossible to put the books down (my kind of books)! Merle's adventures alone and with her sisters are simply wonderful. There is just enough intrigue to keep one interested and to move on to the next book. I hope you find the books to be as grand as I did." BLACKBIRD FLY – Book One A dead husband might be sadder except that once Harry dies, his widow, Merle Bennett realizes almost immediately it was no wonder she didn't know anything about him. They'd pretty much been leading separate lives–several of them, as it turns out. Still, the will's quite a shock. And so is an intriguing surprise–Harry left her a family home in a tiny French village. Or maybe a family home. Because who was Harry's family? Finding out is half the fun. Merle sets out to claim her inheritance, adolescent son in tow, and thus begins a sojourn reminiscent of A Year in Provence mixed up with something by Carolyn Hart, maybe, or M.C. Beaton. Because Malcouziac, Merle's tiny Dordogne town, is the quintessential village–just perfect for a murder. And a rollicking good time. THE GIRL IN THE EMPTY DRESS – Book Two Law practice is in the Bennett sisters' blood–along with designer suits and stilettos. But they've decided to ditch the more predictable Caribbean cruise or spa weekend at a five star hotel to celebrate Merle Bennett's 50th birthday hiking the French countryside of Dordogne. There's just one catch: Merle's little sister Francie has decided to bring along a sixth wheel: a work colleague named Gillian Sargent, whose utter aloofness wouldn't be so bad. Except she seems to be hiding something…

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Kylie Jenner’s Sisters Are Wondering Where She Is, Just Like Everyone Else

Kylie Jenner didn’t appear in the annual Kardashian/Jenner family Christmas card, and now Kourtney Kardashian, like everyone else, is pointing out her absence…
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Mater Eucharistiae – Dominican Sisters of Mary, Mother of the Eucharist

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Mater Eucharistiae

Dominican Sisters of Mary, Mother of the Eucharist

Genre: Classical

Price: $ 10.99

Release Date: January 1, 2013

© ℗ 2013 The Dominican Sisters of Mary, Mother of the Eucharist/De Montfort Music

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A Throne for Sisters (A Throne for Sisters—Book One) – Morgan Rice

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A Throne for Sisters (A Throne for Sisters—Book One)

Morgan Rice

Genre: Epic

Publish Date: October 6, 2017

Publisher: Morgan Rice

Seller: Lukeman Literary Management


“Morgan Rice's imagination is limitless. In another series that promises to be as entertaining as the previous ones, A THRONE OF SISTERS presents us with the tale of two sisters (Sophia and Kate), orphans, fighting to survive in a cruel and demanding world of an orphanage. An instant success. I can hardly wait to put my hands on the second and third books!” –Books and Movie Reviews (Roberto Mattos) From #1 Bestseller Morgan Rice comes an unforgettable new fantasy series.  In A THRONE FOR SISTERS (Book one), Sophia, 17, and her younger sister Kate, 15, are desperate to leave their horrific orphanage. Orphans, unwanted and unloved, they nonetheless dream of coming of age elsewhere, of finding a better life, even if that means living on the streets of the brutal city of Ashton.  Sophia and Kate, also best friends, have each other’s backs—and yet they want different things from life. Sophia, a romantic, more elegant, dreams of entering court and finding a noble to fall in love with. Kate, a fighter, dreams of mastering the sword, of battling dragons, and becoming a warrior. They are both united, though, by their secret, paranormal power to read other’s minds, their only saving grace in a world that seems bent to destroy them. As they each embark on a quest and adventure their own ways, they struggle to survive. Faced with choices neither can imagine, their choices may propel them to the highest power—or plunge them to the lowest depths. A THRONE FOR SISTERS is the first book in a dazzling new fantasy series rife with love, heartbreak, tragedy, action, magic, sorcery, fate and heart-pounding suspense. A page turner, it is filled with characters that will make you fall in love, and a world you will never forget.  Book #2—A COURT FOR THIEVES—is also now available! “[A THRONE FOR SISTERS is a] powerful opener to a series [that] will produce a combination of feisty protagonists and challenging circumstances to thoroughly involve not just young adults, but adult fantasy fans who seek epic stories fueled by powerful friendships and adversaries.” –Midwest Book Review (Diane Donovan)

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Jesu, Joy of Man’s Desiring: Christmas with The Dominican Sisters of Mary – Dominican Sisters of Mary, Mother of the Eucharist

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Jesu, Joy of Man’s Desiring: Christmas with The Dominican Sisters of Mary

Dominican Sisters of Mary, Mother of the Eucharist

Genre: Classical

Price: $ 9.99

Release Date: October 13, 2017

© ℗ 2017 De Montfort Music, LLC, under exclusive license to Sony Music Entertainment

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Dance Upon the Air: Three Sisters Island Trilogy, Book 1 (Unabridged) – Nora Roberts

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Dance Upon the Air: Three Sisters Island Trilogy, Book 1 (Unabridged)

Nora Roberts

Genre: Romance

Price: $ 17.95

Publish Date: June 10, 2008

© ℗ © 2008 Brilliance Audio

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His Sister’s Lover 3

Italian stud Roman Todd is engaged to be married to a gorgeous older woman Diana Devoe. But when eh meets his fianc’s brother for the first time he feels an unmistakable attraction to his muscular, well-hung future brother in law. Meanwhile Roman’s younger brother is also mesmerized by Noah and seduces the sexy older man after a night tryst with boyfriend Billie Ramos. When Roman and Noah finally get up the nerve to share a first kiss unsuspecting Diana walks in on them and then storms out of the house in despair. Can this family ever be put back together? And do these lustful, sex crazed men even care?

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Three Little Sisters

When Lily Jordan feels homesick being alone in her fathers house, she calls her new school friend Jenna Sativa. Teen stepsister Gina Valentina gets teased by her little stepsister Kenna James after disclosing her sex dream about big stepsister Ashley Adams. Elsa Jean looks for solace from her sisters girlfriend Jill Kassidy after she moves away. Jenna Sativa plays a game of truth or dare with sorority sisters Gia Paige, Kasey Warner and Jojo Kiss after she delivers them pizza.

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Elsa Jean looks for solace from her sister’s girlfriend Jill Kassidy after she moves away.

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Jesu, Joy of Man’s Desiring: Christmas with The Dominican Sisters of Mary – Dominican Sisters of Mary, Mother of the Eucharist

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Jesu, Joy of Man’s Desiring: Christmas with The Dominican Sisters of Mary

Dominican Sisters of Mary, Mother of the Eucharist

Genre: Classical

Price: $ 9.99

Release Date: October 13, 2017

© ℗ 2017 De Montfort Music, LLC, under exclusive license to Sony Music Entertainment

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Sisters (Unrated) – Jason Moore

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Sisters (Unrated)

Jason Moore

Genre: Comedy

Price: $ 9.99

Rental Price: $ 3.99

Release Date: December 18, 2015


Tina Fey (TV’s Saturday Night Live, 30 Rock) and Amy Poehler (TV’s Saturday Night Live, Parks and Recreation) reunite in the hysterical Unrated version of Sisters, the story of two disconnected sisters summoned home to clean out their childhood bedroom before their parents sell the family house. Looking to recapture their glory days, they throw one final high-school-style party for their classmates, which turns into the cathartic rager that a bunch of ground-down adults really need.

© © 2015 Universal Studios. All Rights Reserved.

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The Ayoub Sisters – The Ayoub Sisters

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The Ayoub Sisters

The Ayoub Sisters

Genre: Classical Crossover

Price: $ 11.99

Release Date: September 22, 2017

© A Decca Records release;℗2017 Universal Music Operations Limited

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Hamlin Sisters Don’t Compete With Hadid Sisters

[[tmz:video id=”0_bz5i5gx3″]] Sisters Amelia and Delilah Hamlin — their parents are Harry Hamlin and Lisa Rinna — have things in common with Bella and Gigi Hadid that go beyond their blonde and brunette hair, but the gals say there’s…

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Rodarte sisters go deep into the woods for film debut ‘Woodshock’

Laura and Kate Mulleavy, the sisters behind fashion label Rodarte, break into film. Bob Mezan reports.


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Protecting Dakota: Sleeper SEALs, Book 1 (Unabridged) – Susan Stoker & Suspense Sisters

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Protecting Dakota: Sleeper SEALs, Book 1 (Unabridged)

Susan Stoker & Suspense Sisters

Genre: Romance

Price: $ 17.95

Publish Date: August 25, 2017

© ℗ © 2017 Susan Stoker

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Kylie Jenner Rings in 20th Birthday by Showing Off Her Bikini Bod, Celebrates with Sisters

Kylie Jenner’s smokin’ hot body is now 20 years in the making — and she decided to show off the goods a day before the big 2-0 … to all of our delight. Kylie posted these shots of herself Wednesday — the day before her 20th birthday –…

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Sisters (2015)

Sisters (2015) Opens Friday, Dec 18, 2015

Tina Fey and Amy Poehler reunite for “Sisters,” a new film from “Pitch Perfect” director Jason Moore.

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The Prettiest Beauty Gifts for Sisters, No Matter Your Budget

Whether your sister is a girly girl or a tomboy at heart, we’ve got loads of beauty ideas to inspire your holiday present here.


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Jazmine Sullivan Performs Live At For Sisters Only Event

Jazmine Sullivan performed at the 16th annual For Sisters Only event on Halloween, taking a deep dive into her catalog for a memorable evening. Other performers included Vivian Green, Dru Hill and Rare Essence, along with Bern Nadette Stanis and a panel with the men of BET’s Being Mary Jane!
Sullivan’s latest album, Reality Show, landed in January.
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Captain Willy’s Amateur Moms, Sisters And Daughters #2

Captain Willy's Amateur Moms, Sisters And Daughters #2

There is nothing hotter than a mom, sister or daughter fucking and sucking a guy to orgasm.

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Amateur hardcore action with the whole family!

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Finale: The Five Fendi Sisters

Fendi, as seen on this week’s cover, has always been a benchmark for cool Italian luxury, knowing what’s right at the moment. Take this 1987 photograph, in which the five Fendi sisters — Anna, Paola, Carla, Franca and Aida — attend a Carnevale-style dinner-dance to mark the launch of their signature fragrance, festooned in fur and masks. After all, it was February in New York, in the go-go Eighties.

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Frozen: Sisters Unite – Rene Lin

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Frozen: Sisters Unite

Rene Lin

Genre: Fiction & Literature

Publish Date: August 7, 2014

Publisher: Rene Lin

Seller: Natasha Chou


A side story of the movie Frozen, focused on the relationship between Elsa and Anna and the obstacles they overcome together.

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Face the Fire: Three Sisters Island Trilogy, Book 3 (Unabridged) – Nora Roberts

Nora Roberts - Face the Fire: Three Sisters Island Trilogy, Book 3 (Unabridged)  artwork

Face the Fire: Three Sisters Island Trilogy, Book 3 (Unabridged)

Nora Roberts

Genre: Romance

Price: $ 19.95

Publish Date: June 10, 2008

© ℗ © 2008 Brilliance Audio

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7 Reasons Ariana Grande And Sarah Jessica Parker Are Soul Sisters

These seven examples prove Ariana Grande and Sarah Jessica Parker are soul sisters.
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Mater Eucharistiae – Dominican Sisters of Mary, Mother of the Eucharist

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Mater Eucharistiae

Dominican Sisters of Mary, Mother of the Eucharist

Genre: Classical

Price: $ 11.99

Release Date: August 13, 2013

© ℗ 2013 The Dominican Sisters of Mary, Mother of the Eucharist/De Montfort Music

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Sisters Divided and Other Stories / Sisters Divided and Other Stories – Video 2

Sisters Divided and Other Stories – Video 2

Brace yourself for some of the highest rated scenes Webyoung has ever produced.

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Sisters Divided and Other Stories / Sisters Divided and Other Stories – Video 3

Sisters Divided and Other Stories – Video 3

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Sisters Divided and Other Stories / Sisters Divided and Other Stories – Video 5

Sisters Divided and Other Stories – Video 5

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Sisters Divided and Other Stories / Sisters Divided and Other Stories – Video 6

Sisters Divided and Other Stories – Video 6

Brace yourself for some of the highest rated scenes Webyoung has ever produced.

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Sisters in Love – Melissa Foster

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Sisters in Love

Love in Bloom: Snow Sisters, Book 1

Melissa Foster

Genre: Contemporary

Publish Date: September 9, 2013

Publisher: World Literary Press

Seller: Melissa Foster


BOOK ONE, SNOW SISTERS (Love in Bloom Series) Danica Snow has always been the smart, practical, and appropriate sister. As a therapist, she prides herself on making reasonable, conservative choices, even if a bit boring, and as part of the Big Sister Program, she has little time for anything more in her life. Blake Carter is a player. He never gets bored of conquering women, and with his sexy good looks and successful lifestyle, he has no trouble finding willing participants. When his friend and business partner dies in a tragic accident, he suddenly, desperately, wants to change his ways. The problem is, he doesn't know how to stop doing what he does best. When Blake walks into Danica's office, the attraction between them is white hot, but Danica isn't the type to give into the heat and risk her career. Danica's desire sets her on a path of self-discovery, where she begins to question every decision she's ever made. Just this once, Danica wants to indulge in the pleasures of life she's been so willingly ignoring, but with her Little Sister in turmoil and her biological sister's promiscuousness weighing heavily on her heart, she isn't sure it's the right time to set her desires free. SISTERS IN LOVE is a light, uplifting work of women's fiction and will resonate with readers who enjoy emotional journeys of the heart with strong heroines and sexy, lovable heroes. Readers of books by Jane Porter and Beth Kendrick will enjoy Danica and Blake's story. . Watch for the full LOVE IN BLOOM series: SNOW SISTERS Sisters in Love Sisters in Bloom Sisters in White . THE BRADENS Lovers at Heart (Treat & Max) Destined for Love (Rex & Jade) Friendship on Fire (Josh & Riley) Sea of Love (Dane & Lacy) Bursting with Love (Savannah & Jack) Hearts at Play (Hugh & Bree) . THE REMINGTONS Game of Love (Dex) Stroke of Love (Sage) Flames of Love (Siena) Slope of Love (Rush) Read, Write, Love (Kurt) . THE BRADENS BOOK 15: Taken by Love (Luke) BOOK 16: Fated for Love (Wes) BOOK 17: Romancing My Love (Pierce) BOOK 18: Flirting with Love (Ross)  BOOK 19: Dreaming of Love (Emily) BOOK 20: Crashing into Love (Jake)  . SEASIDE SUMMERS BOOK 21: Seaside Dreams (Bella)  BOOK 22: Seaside Hearts (Jenna)  BOOK 23: Seaside Sunsets (Jamie)  BOOK 24: Seaside Secrets (Amy) ABOUT THE AUTHOR Melissa Foster is a New York Times & USA Today bestselling and award-winning author. She writes contemporary and new adult romance with emotionally compelling characters that stay with you long after you turn the last page. Melissa also co-writes the Love on Rockwell Island series with Bella Andre. Her books have been recommended by USA Today's book blog, Hagerstown Magazine, The Patriot, and several other print venues. Melissa is available to chat with book clubs and welcomes comments and emails from her readers. Visit Melissa on social media or her personal website.

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Kim & Kourtney Kardashian — Upstage Kid Sisters … Moms Got Legs! (PHOTOS)

The elder Kardashian girls will not go quietly — Kim and Kourtney Kardashian slipped into leg (and nearly crotch) revealing outfits to take the whole fam bam out for dinner. All 5 Kardashian-Jenner sisters (plus Tyga) ate out at Il Mulino in NYC ……

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Karlie Kloss, Kendall Jenner, and the Hadid Sisters Light Up the DVF Runway

Kendall Jenner, Karlie Kloss and Gigi Hadid back stage at the Diane von Furstenberg show this afternoon. We're in one of those blink-and-you'll-miss-it times in fashion. Trends are fresh and bold as designers feel…


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Heaven and Earth: Three Sisters Island Trilogy, Book 2 (Unabridged) – Nora Roberts

Nora Roberts - Heaven and Earth: Three Sisters Island Trilogy, Book 2 (Unabridged)  artwork

Heaven and Earth: Three Sisters Island Trilogy, Book 2 (Unabridged)

Nora Roberts

Genre: Romance

Price: $ 17.95

Publish Date: June 10, 2008

© ℗ © 2008 Brilliance Audio

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Live In Lyon – Bryan Ferry, Nile Rodgers, Dave Stewart, Marcus Miller, David Gilmour, Flea & The Scissor Sisters

Bryan Ferry, Nile Rodgers, Dave Stewart, Marcus Miller, David Gilmour, Flea & The Scissor Sisters - Live In Lyon  artwork

Live In Lyon

Bryan Ferry, Nile Rodgers, Dave Stewart, Marcus Miller, David Gilmour, Flea & The Scissor Sisters

Genre: Concert Films

Price: $ 12.99

Release Date: January 1, 2013


From his earliest recordings with Roxy Music at the beginning of the 1970s, Bryan Ferry has taken his place as one of the most iconic and innovative musicians and songwriters to emerge in popular music. Ferry's "Olympia" tour traveled the world in 2011, including this spectacular performance filmed on July 25 at the ancient Roman amphitheatre in Lyon, France as part of the Nuits de Fourviere Festival. The show features tracks from across Ferry's 40 year career including classic Roxy Music songs, solo hits and his renowned interpretations of other writer's material all delivered with the style and panache that is uniquely Bryan Ferry.

© © 2013 Dene Jesmond Enterprises Ltd

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The Family Who Poses Together, Stays Together: Lucky Blue’s Sisters Come into Their Own

smith family

With his millions of die-hard online followers and impressive media reach, seventeen-year-old Lucky Blue Smith (yes, that’s his real name) is arguably the year’s biggest male model. Smith’s musical talents and platinum hair may have won him an adoring following, but he’s far from the only pretty face in his household. Sisters Pyper America, Starlie Cheyenne, and Daisy Clementine are not only Smith’s bandmates in the surf-rock quartet The Atomics, they’re also budding models actively building impressive careers of their own. Meet the Smith women and find out how fashion’s new take on the Partridge Family is adjusting to life in the spotlight.

 



pyper america

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Photo: Courtesy of Pyper America / @pyperamerica

Pyper America

Though she’s been working for only a few months, several top-tier photographers (including Mert Alas and Marcus Piggott) have already shot Pyper America, whose white-blonde hair and lanky frame bear the strongest resemblance to her famous brother—a fact not unnoticed by the likes of Moncler, which recently tapped the pair to star in its dramatic Annie Leibovitz–lensed Fall campaign. Traveling to Iceland for the shoot provided a healthy dose of fun, one that Pyper describes as her favorite modeling experience thus far. Playing bass and singing backup in the family band provides an additional creative outlet.

 



starlie cheyenne

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Photo: Courtesy of Starlie Cheyenne / @queenstarlie

Starlie Cheyenne

As the eldest Smith sibling and lead singer of The Atomics, the raven-haired Starlie Cheyenne is a little different than her siblings—but that suits her just fine. Though comfortable in front of the camera, Starlie is driven by her lifelong passion for music, recalling the moment the band’s first single dropped as the high point of her whirlwind year. “I cried when we finally saw it on iTunes—so exciting,” Starlie shares. A fan of red lips and a well-done cat eye, Starlie’s retro allure seems destined to attract the attention of photographers just as interested in her looks as her music.

 



daisy clementine

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Photo: Courtesy of Pyper America / @pyperamerica

Daisy Clementine

It all comes back to Daisy Clementine: The first Smith sibling to be signed to an agency, at only 14. Two years later, she brought her family along to visit her Los Angeles agency, where the entire clan was subsequently signed. Daisy’s girl-next-door beauty has already garnered her attention from West Coast clients, but her family’s newfound success has given her a chance to see the whole world. “Being able to see places I have read and dreamed about in real life is pretty surreal,” says Daisy. So is a family this comely.

The post The Family Who Poses Together, Stays Together: Lucky Blue’s Sisters Come into Their Own appeared first on Vogue.

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Sisters Born of the Same Sperm: I Used a Disney Movie to Define Donor Siblings

By: Amber Leventry/The Next Family

2015-08-18-1439919531-4740833-Amber1.jpg

“Hey, Eva,” I said to my daughter a few nights ago. “Want to spend Thanksgiving with Molly, Ethan, and the kids?”

My partner, Amy, and I had just made a plan to visit the couple who used the same anonymous sperm donor as we did to build their family of five.

“Yeah, yeah! I can’t wait to see them! Can we go now?”

I knew it was risky to tell her about plans to see her donor siblings several months out and several states away, but I was excited too.

“Not now. But you’ll see your sisters born of the same sperm soon.”

“Mama, they are just my sisters who live far away.”

My four year old daughter articulated something she felt, not something we forced her to understand.

Using a sperm donor, my partner achieved two successful pregnancies resulting in three beautiful children. We have a four-year-old daughter and twin two-year-old sons. Our house is controlled chaos at best. The house of the other family who used the same donor is eerily familiar to our own. Ethan and his wife, Molly, have twin four-year-old daughters and a one year old son.

We met this couple four years ago through the cyrobank’s sibling registry and have been building a beautiful relationship since. Our time spent together last Christmas has been used as a springboard to talk to our children about how they were made and about their biological connection.

Because their story is not mine to tell, know that details vary and conversations happen in different ways between our two families, but because our story is intertwined, some of theirs will be told here too. Bottom line: We’re all on the same page. And they talk about sperm a lot too.

Ethan is handsome, sweet, and smart. He carries himself with an approachability and kindness which makes you feel at ease. He is also a transgender man. Molly, who identifies as queer, is beautiful, confident and funny. I still find it fascinating that two open-minded, rainbow-loving, and card-carrying couples found each other, yet can still learn so much from shared and individual experiences.

Through candid conversations, questions asked by curious toddlers and stories told in books that reflect our families, the three oldest girls know they came from a sperm donor, sperm, their mama’s eggs and lots of love.

But when it came time to tell the girls that the sperm which made them came from the same donor, the adults wanted to provide a name to define what that meant. We wanted them to understand their relationship, but donor siblings seemed too clinical and informal. The kids shared a bed, tantrums and waffles while on vacation; they were more than that. We didn’t think the term sibling would make sense to toddlers and using the word sisters seemed potentially confusing. Not because we value their relationship as anything less than sisters, but because having a sister or brother who doesn’t live in the same house seemed like an abstract concept.

Sleep deprivation, ridiculous amounts of over-analyzing, and equating their relationship to a Disney movie gave us this: Our girls are sisters born of the same sperm, a spin on a mystery unfolded in the Disney Fairies movie, Secret of the Wings. In the movie the fairies Tinker Bell and Periwinkle learn they are born of the same baby’s first laugh. All three girls have seen the movie and if they understand anything it is a storyline about fictional fairies and talking animals.

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The same idea applies to our boys, but for so long it has been just the three girls. Their discovery of one another has been as magical as Tinker Bell and Periwinkle learning they are sisters.

Having not come up with anything better, we went with it. Within a few weeks after our two families’ time together in Florida, I told Eva that she, her twin brothers, and Molly and Ethan’s kids all had the same donor. She wasn’t fazed. The impact of biology meant little to an almost four year old. I tried to explain that since they shared genes, they were related, siblings, and part-sisters and brothers. As we thought, the words sisters and brothers didn’t seem to fit.

When I asked her what we should call the girls she said, “Family.” One night I tried out the phrase, sisters born of the same sperm. She thought that was hysterical, but it made sense to her. Of course she and the twins have so much in common. Of course they look similar. Of course their wings light up when they are close to each other. Okay, that last one only happened to Tink and Peri, but the excitement of learning the bigger connection she has between herself and the girls is real.
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Even though the scientific words don’t mean much to the girls right now, the concepts of love and family make complete sense. And after a few months of our Disney themed phrase, the girls now call each other sisters. The boys will grow up with this as common knowledge, so there won’t be as much dwelling on how to define our family.

The relationships between Amy and I, Molly and Ethan, and all of our children are results of one man’s willingness to be a donor. Leave it to fairies to help us add reason to it all. We’re families born of the same sperm.

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My Sister’s Husband / My Sister’s Husband – Video 2

My Sister's Husband – Video 2

At her going away party, Brett Rossi discovers some undiscovered feelings for her ex-boss Erik Everhard, who is now engaged to her sister Bibi Jones.

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Style Notes: Jagger Sisters Star in Sonia Rykiel Ads; Gucci Hits Dover Street Market


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My Sister’s Husband / My Sister’s Husband – Video 2

My Sister's Husband – Video 2

At her going away party, Brett Rossi discovers some undiscovered feelings for her ex-boss Erik Everhard, who is now engaged to her sister Bibi Jones.

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Kardashian-Jenner Sisters Support Caitlyn Jenner At The ESPY Awards

Kendall and Kylie Jenner sparkled on the red carpet at the 2015 ESPY Awards on Wednesday night, but the evening was not about them. 

The Jenner sisters attended the award show to support and celebrate their parent Caitlyn Jenner, who is set to receive the Arthur Ashe Courage Award, which is given to those “possessing strength in the face of adversity, courage in the face of peril and the willingness to stand up for their beliefs no matter what the cost.”

The 65-year-old former Olympian opted not to walk the red carpet, as a rep for the star explained to Gossip Cop, “It’s not about the press coverage. It’s an award for courage.”

Also in attendance and showing their support for Jenner, were stepdaughters Kim, Kourtney and Khloe Kardashian, who made the very uncharacteristic decision not to walk the red carpet, either. However, Kim’s hairstylist, Chris McMillan shared a sneak peek photo of the reality star’s look for the evening on Instagram. 

A photo posted by King Kylie (@kyliejenner) on

Jenner’s sons Burt, Brandon, Brody and daughter Casey from her previous marriages also showed up in celebration of Jenner’s award: 

A photo posted by King Kylie (@kyliejenner) on

It was truly a family affair, as Jenner’s 88-year-old mother Esther sat next to the star before she accepted her award.

The former athlete first came out as transgender in an interview with Diane Sawyer in April and formally introduced herself as Caitlyn to the world this past June with with a 22-page Vanity Fair cover story. Since that glamorous and inspiration introduction, Jenner has started her foray into advocacy work in the transgender community

 

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‘Sisters’ Trailer: Tina Fey, Amy Poehler Throw Most Destructive Party Ever


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Two Sisters, Four Kids … One Man

Angel and her boyfriend Brian had been together for seven years and had two kids together … when Brian started having an affair with Angel’s sister, Amber, who got pregnant. The two sisters, who have had a strained relationship for the last seven years, face each other on Wednesday’s episode of Dr. Phil.

“Brian and I were in love,” says Angel, who had two kids with Brian while they were dating. “I was hoping we would spend the rest of our lives together.” She had no idea that Brian was sleeping with her sister, until she found out Amber was pregnant. “Your family is supposed to be the one thing you can depend on in your time of need. You’re supposed to be able to trust that they will be there for you, no matter what,” says Angel, explaining that she had confided in her sister. “While I was trusting [Amber] to be there for me, she was helping herself to my future … Oh, my gosh, it turns my stomach just even thinking about it.” She says Amber still has not properly apologized for what happened. “Why would I want someone in my life that has no heart, and has no soul and can hurt someone they love without even blinking an eye, without remorse?”

Amber admits she made a mistake seven years ago, but thinks it’s time her sister moved on. “Brian and I were sleeping together for about a year before I got pregnant,” she recalls. “I didn’t want to tell Angel about the relationship … I didn’t think of it as long-term, but then I got pregnant.” She says she tried to apologize to her sister. “I even sent her a care package with homemade brownies. I put mint chips; I know that’s her favorite,” she explains. But she says her sister began leaving threatening voicemails, and the two have been in a bitter feud ever since.

Watch their story in the video above, and find out how Dr. Phil suggests they can move forward here.

Have a question for Dr. Phil? Ask it here!

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Future – “Real Sisters” (VIDEO)

Future, has released the official visual to his buzzing single “Real Sisters” today, produced by Zaytoven. The Rocksmith sponsored video directed by Spike Jordan comes after much success from the Atlanta based rappers most recent mix-tape “56 Nights” and the success of his latest radio single “Commas” — which landed itself nine consecutive weeks on Billboard’s “Hot 100 Chart”. Watch the video for “Real Sisters” below!

Filed under: Trending, Videos Tagged: Freebandz Entertainment, Future, Rocksmith, Spike Jordan, Zaytoven
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Dance Upon the Air: Three Sisters Island Trilogy, Book 1 (Unabridged) – Nora Roberts

Nora Roberts - Dance Upon the Air: Three Sisters Island Trilogy, Book 1 (Unabridged)  artwork

Dance Upon the Air: Three Sisters Island Trilogy, Book 1 (Unabridged)

Nora Roberts

Genre: Romance

Price: $ 17.95

Publish Date: June 10, 2008

© ℗ © 2008 Brilliance Audio

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Twin Sisters Have Worn Matching Clothes Every Day For Nearly 15 Years

One of the perks of having a sister is being able to raid each other’s closets and share clothes. But for twin sisters Kathy Heffernan and Rose Coles, sharing clothes has a completely different meaning.

twins
Identical twins Rosey Coles and Kathy Heffernan on vacation in 2013.

The sisters have been dressing alike for nearly 15 years — and they’re in their 60s. “The reaction is very good actually, and we get lots of nice remarks,” Coles told the UK’s Express. “People always say it is unusual to see twins that are our age dressing the same.”

The identical twins began dressing alike when they were teenagers but stopped when they got married and no longer lived together. Then, in 2000, both of them became single again. They decided to move closer to one another in Aldershot, England and to start dressing identically again.

twins
Rosey Coles (left), and Kathy Heffernan, both age 10 in 1963.

Every day since then, the duo wear the exact same outfit when they go out, whether it’s to work, to go on vacation or to hit the town for a night out. And it’s gotten them both quite a bit of attention. “When we are on our own separately, people don’t take notice of us. But when there are two of us, it is like a magnet,” Coles said, adding that people often ask to take pictures with them. “It makes me feel like a celebrity a bit, I think I know how they feel a little bit now,” Heffernan said.

The pair say it was an easy decision as they have similar tastes in clothes and have become closer since their marriages ended. “We just got close again. It just happened sort of automatically … It made us feel very close again,” Heffernan said.

It’s not uncommon for twins to dress alike, especially as children. Occasionally, adult twins do as well. One photographer even made a photo series of twins of all ages dressing alike.

As for Coles and Heffernan, they now live next door to one another, which we can only guess makes choosing outfits much easier.

“We’ll do it forever — as long as we can,” Coles said. “We just enjoy it.”

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Frozen: Sisters Unite – Rene Lin

Rene Lin - Frozen: Sisters Unite  artwork

Frozen: Sisters Unite

Rene Lin

Genre: Fiction & Literature

Publish Date: August 7, 2014

Publisher: Rene Lin

Seller: Natasha Chou


A side story of the movie Frozen, focused on the relationship between Elsa and Anna and the obstacles they overcome together.

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The Best Friends Workout: Sisters Jessica and Ashley Hart Turn Yoga into the Ultimate Hangout

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For model sisters Jessica and Ashley Hart, staying in shape is part of their job. So, when it comes to making a regular habit out of working out, they’ve learned from experience what anyone with a fitness partner knows: You’re more likely to stick to your goals when you’re working on them together. The ultimate in workout accessories, a best friend turns a typical jaunt to the gym into an excuse to hang out and catch up. Extra motivation is supplied when one of you is a certified yoga instructor, as is the case for Ashley, who leads sisterly sun salutations whenever their busy schedules allow. Bending and stretching with each other, they throw in occasional core and leg exercises for good measure. With the official dawn of summer just two weeks away, they’ll inspire you to stretch it out with your favorite confidant.

The post The Best Friends Workout: Sisters Jessica and Ashley Hart Turn Yoga into the Ultimate Hangout appeared first on Vogue.

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Sisters United And Other Stories

Sisters United And Other Stories is a collection of erotic tales about young women and the girls who help build their sexual confidence, one lick at a time. This volume features a party girl who helps break in her nerdy step-sister’s pussy, an insecure teen who needs the hands-on advice of an older, wiser girl, naughty schoolgirls who would rather make out than study, and a love triangle between a curious young lesbian and two horny sisters. Sit back and discover the beauty of youth with this latest anthology from Webyoung.

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Trey Songz Releases ‘Real Sisters (Remix)’

Trey Songz has released a new remix of Future‘s “Real Sisters,” produced by Zaytoven. The track appears on Future’s new mixtape Beast Mode. On the new cut, Songz raps about a variety of racy themes, including lovemaking with two women, girl-on-girl action and strippers.
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Selena Gomez & Miranda Kerr — When (Alleged) Eskimo Sisters Meet … (PHOTO)

Selena Gomez and Miranda Kerr came face-to-face and cheek-to-cheek … and given their history, it could have been a tad AWWK-WARD. Quick check of the scorecard — Gomez and Kerr allegedly hooked up with each other’s exes … Justin Bieber and Orlando…

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Meet Ellen Turner and Helen Ashe, Twin Sisters Behind Love Kitchen | The Oprah Winfrey Show | OWN

The Secret Millionaire Dani Johnson volunteers at the Love Kitchen.

Find OWN on TV at http://www.oprah.com/FindOWN

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Oprah Winfrey Network is the first and only network named for, and inspired by, a single iconic leader. Oprah Winfrey’s heart and creative instincts inform the brand — and the magnetism of the channel.

Winfrey provides leadership in programming and attracts superstar talent to join her in primetime, building a global community of like-minded viewers and leading that community to connect on social media and beyond. OWN is a singular destination on cable. Depth with edge. Heart. Star power. Connection. And endless possibilities.

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Kourtney Kardashian Reveals Why She Didn’t Go to Armenia With Sisters Kim and Khloé Kardashian

Kim Kardashian, Kourtney Kardashian, Khloe Kardashian, Celeb SistersEven with all the fanfare surrounding Khloé and Kim Kardashian’s trip to Armenia this week, it was impossible not to notice that their big sister wasn’t along for the…


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‘Jerry Springer’ Producer Jill Blackstone — Cops Believe Sister’s Death Wasn’t Suicide … It was Murder

“Jerry Springer” producer Jill Blackstone did not carry out her sister’s wish to end her life — she murdered her … at least that’s what law enforcement now believes. Our law enforcement sources say Wendy Blackstone — who was deaf and partially blind…

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My Sister’s First Anal 2

These horny stepsisters are about to take their lust for cock to the next level! Watch Jillian Janson, Madelyn Monroe, Alina West and Marilyn Moore get ass fucked by their stepbrother for the very first time! So grab that lube and hold on tight, because tonight, it’s my sister’s first anal!

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Charles Spencer, Twisted Sister’s Dee Snider and More | Where Are They Now? | OWN

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Their stories made headlines across America. “Oprah: Where Are They Now?” features updates on some of the biggest newsmakers and most memorable “Oprah Show” guests of all time. Find out where they are now, plus see what happened to the biggest newsmakers of all time and how their lives changed after sudden fame and notoriety turned their worlds upside down.

Oprah Winfrey Network is the first and only network named for, and inspired by, a single iconic leader. Oprah Winfrey’s heart and creative instincts inform the brand — and the magnetism of the channel.

Winfrey provides leadership in programming and attracts superstar talent to join her in primetime, building a global community of like-minded viewers and leading that community to connect on social media and beyond. OWN is a singular destination on cable. Depth with edge. Heart. Star power. Connection. And endless possibilities.

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TV Producer Jill Blackstone — Cops Think Sister’s Death was Suicide Pact

Jill Blackstone, the “Jerry Springer” and “Sally Jessy Raphael” producer who was arrested for allegedly killing her sister, engineered a suicide pact but got cold feet at the last minute … that’s the operating theory of law enforcement. Our law…

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These Two Teens Aren’t Just Sisters — They’re Twins

When Lucy and Maria Aylmer tell people they are twins, disbelief is one response.

The 18-year-olds from Gloucester, U.K. are two of the five children born to their Caucasian father and half-Jamaican mother, World Wide Features reports. While their other siblings have a blend of features from their parents, Lucy and Maria are opposites: Lucy has fair skin and red hair, while Maria has caramel skin and dark hair.

twins

Lucy, left, studies art and design at Gloucester College. Maria studies law and psychology at Cheltenham College.

No one ever believes we are twins because I am white and Maria is black,” Lucy said, according to World Wide Features. “Even when we dress alike, we still don’t even look like sisters, let alone twins. When we’ve met friends for the first time they never believe we are twins and they have even made us produce our birth certificates to prove that we are actually twins.”

Fraternal twins develop from two eggs fertilized by separate sperm cells. The BBC reports that for a biracial couple expecting twins, there is about a 1 in 500 chance those twins will have different skin colors.

The Aylmers are proud of their uniqueness.

“Now we have grown older, even though we still look so different, the bond between us is much stronger,” Lucy said. “Now we are proud of the fact that we are each other’s twin sister. Maria loves telling people at college that she has a white twin – and I’m very proud of having a black twin.”
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Sisters United and Other Stories / Sisters United and Other Stories – Video 4

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<i>Sisters United and Other Stories</i> is a collection of erotic tales about young women and the girls who help build their sexual confidence, one lick at a time.

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Sisters United and Other Stories / Sisters United and Other Stories – Video 5

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<i>Sisters United and Other Stories</i> is a collection of erotic tales about young women and the girls who help build their sexual confidence, one lick at a time.

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Reunited! Watch the trailer for Tina Fey and Amy Poehler’s new movie ‘Sisters’

Already miss the end of Tina Fey and Amy Poehler’s reign as the Golden Globes hostesses with the mostest? You’re in luck: They’ll be back this Christmas, this time on the big screen, when they team up for the comedy “Sisters.”In a 15-second teaser released on Sunday, Fey’s character asks, “Y’all ready for this jelly?




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Rockabilly, Empty Hearts & Psycho Sisters: Chats with Brian Setzer, Elliot Easton, Vicki Peterson & Susan Cowsill…Plus!

2014-08-10-BrianSetzerAugust12th.jpg

A Conversation with Brian Setzer

Mike Ragogna: Brian, let’s talk about your new album, Rockabilly Riot! All Original. It’s all original material and you start it off with the adrenalized “Let’s Shake.” Rockabilly’s really all about the shake, isn’t it?

Brian Setzer: Yeah! [laughs] To me, it seems like nervous energy, you know? It was invented by guys who were just getting back after the war and they were experimenting. Guys from the country were mixing up that kind of music with the blues, there were jazz players who were experimenting with it, it was kind of a mish-mash. It seems like a big ball of energy to me, I guess that’s what’s always attracted me to it.

MR: I’ve been following your music for decades, and my feeling is you discovered that junction point where rockabilly meets swing and dirty boogie.

BS: I saw that it would work because it’s all based on the blues. The blues is the great granddaddy of all this music. That’s where it all comes from. So to me, it was like, “Why wouldn’t it work?” Country, swing, jazz, rockabilly, rock ‘n’ roll, it all comes from the blues, so why wouldn’t it work? It wasn’t like I was trying to mix baroque music in there with it. All that music came from the blues. If you like these kinds of music, you take these little pieces that you like and you throw it in. It’s like making a bowl of chili or something, to me. It’s personal taste. Some guys like a little more jazz in their rockabilly, some guys like a little more rock ‘n’ roll. That’s the way you play it. But I always knew that would all work because it was based on the blues.

MR: To me, that’s “Americana.” What’s interesting is that we’ve defined “Americana” as this mid-tempo, kind of rocking, organic-ish, Byrds-influenced music, but it seems like the name “Americana” should’ve been applied to the blues, jazz, gospel, and, of course, rockabilly, that are truly “American” forms of music that sprang from history and culture.

BS: I get what you’re saying, the Americana label is almost folk music, isn’t it?

MR: Yeah, exactly.

BS: Yeah, I’m kind of an anomaly there, I never really fit into anybody’s box. I don’t know how I got those Grammys because I am certain there’s not a rockabilly category. They just kind of squeezed between the cracks somehow.

MR: Yeah, I think you’re right on with that. Okay, so for Rockabilly Riot! All Original, did you sit down and write these songs for the album or were these songs collecting?

BS: You know, I’m a songwriter. I sit down and I write songs. Then I decide what it’s going to be. “Is this going to be a big band record? Should I write some charts behind it? Is this going to be music for other people?” Once I wrote that first song, which was “Vinyl Records”–inspired by my daughter who collects vinyl records now–I was kind of off and running. You need that little spark. It starts a fire. Once a spark starts, you kind of get rolling. After I wrote “Vinyl Records,” I wrote a couple more and I said, “This is a rockabilly record.” Then what you want to do is not repeat too much. You don’t want twelve songs with the same beat in the same key. After you’ve written two or three that might be similar, you want to change gears a little bit. That’s kind of how I look at making a record.

MR: I love how you musically referenced Johnny Horton. I’m not sure I’ve ever heard that done before the way you set it up.

BS: [hums cadence] Yeah, it’s got that Johnny Horton “Battle Of New Orleans” beat, which is really a military drumbeat.

MR: “The Girl With The Blues In Her Eyes” is another off the beaten path song, too. I guess that speaks to your earlier point of having variety on your record.

BS: You know, I came up with that just sitting down. I played a D major chord, which any beginning guitar player can play, but instead of going to A or G, I went to D minor and went, “Oh, that’s different, I’ve never really heard that.” Then I went to the G and the G minor. It sounded really different, but it was a little Beatle-sounding to me, so I thought, “I’ve got to make that fit into the ‘billy side a little more.” I added Paul Franklin on pedal steel and my friend Mike Himelstein wrote the lyrics. He didn’t have that in the title, “The Girl With The Blues In Her Eyes.” It was in the lyrics and I went, “Oh no, Mike, that’s the title. You have to rewrite these lyrics because that’s perfect. That’s the title of the songs.”

MR: Pretty original.

BS: Yeah, I thought that was really kind of different. When you get a spark flying like that, it just starts to roll.

MR: Speaking of rolling, “Nothing Is A Sure Thing” going into “What’s Her Name?” going into “Calamity Jane” practically comes off as a little storyline.

BS: I never thought of it that way! It’s really hard to sequence a record, you know? I guess you could look at it that way.

MR: To me, it was like love sets you up for a fall with “Nothing Is A Sure Thing,” then in “What’s Her Name?” you’re looking for her, and then “Calamity Jane” seems to be the end game.

BS: [laughs] In “What’s Her Name?” I was trying to talk about a guy who really loves a girl and he pretends he’s forgotten about her but he hasn’t. He’s going to go out looking for “What’s Her Name.” For “Calamity Jane,” I was thinking of an old western saloon, really, with that bluegrass call.

MR: The images push the envelope, but musically, it’s all very rockabilly.

BS: It’s all based on rockabilly. It jumps off in different directions, but it’s definitely a rockabilly record.

MR: Let’s talk about the players on Rockabilly Riot! All Original. You have Kevin McKendree, Mark Winchester, Noah Levy… Was this a dream rockabilly band for you?

BS: They’re the best guys I could think of. Mark retired, he became a carpenter to raise his daughters. More power to him, I don’t know many guys who could really do that. He came out of the woodwork again down in Nashville. As he says, “I’m tired of playing for the tip jar.” He’s back to playing, so I said, “Mark, you’re in.” Kevin I’ve used before, he’s a rockabilly piano player. That’s his favorite. Jerry Lee Lewis is his idol, but he could also be Oscar Peterson. Then as far as a drummer, I’ve got a local guy. I just love Noah’s feel. It’s kind of swampy, it’s not rock. It’s hard to find a rockabilly drummer. You don’t want a guy that can’t swing, he’s got to be able to swing. Noah’s got that swampy feel I like. My joke is I think the only way you could make a better rockabilly record is if you got Elvis to sing it, because I’m no Elvis. But I think I hold up my end on the guitar.

MR: You do, sir! Brian, to me, you are one of the best guitar players out there. It isn’t you’re your rockabilly either. Look at The Knife Feels Like Justice, which is one of my favorite albums ever.

BS: Oh wow.

MR: I feel that you could’ve gone any musical direction you wanted. But that’s not what you wanted. Brian, do you know what made you follow–actually, create–your particular mélange of rockabilly-plus?

BS: That’s a good question. You’re right, I could’ve grown really long hair and bought a Les Paul and a Marshall and made a lot of money. [laughs] Let’s face it, rockabilly is not on the tip of everyone’s tongue. I’ve got to say, I think it chose me. My first memory of hearing rockabilly records were the ones that my dad brought back from the army. He was drafted like most men of that era and stationed in Korea. His unit had a lot of guys from the south. He didn’t talk about it too much, but he said, “I was stationed with these guys from the south, they were playing this music here and I like it.” He had a Carl Perkins record, a Johnny Cash record and an Elvis record. I said, “Wow, this Carl Perkins guy, wow! Johnny Cash, I’ve never heard of him! Jerry Lee Lewis?” Then when The Beatles came out, I heard them cover the Carl Perkins songs. The Stones did a Chuck Berry song and I went, “Oh!” You don’t want to like the same music your dad likes when you’re a kid, right? But my dad would come in whistling the song and I’d say, “How do you know this song? This is The Beatles! This is The Rolling Stones!” and he’d say, “No, it’s Johnny Cash, it’s Carl Perkins. I don’t know who these English guys are but this is Johnny Cash.” I guess that’s the first experience I had wit hit, at a very young age.”

MR: And that molded you to need to do this.

BS: I just always loved that sound and the simplicity. It paralleled the energy of punk rock except the guys really knew how to play. It just spoke to me. It’s kind of like asking a guy why he likes redheads over brunettes. You really can’t give a solid answer.

MR: When you think about that era, rockabilly does seem to infer the roots of punk, right?

BS: It really does. It parallels it. I’m telling you, our first Stray Cats gig in England, you could draw a line done the middle of the club, punks were on one side and rockabillies were on the other side and they were nudging each other, really elbowing each other like a, “piss off” kind of thing. We had drawn an equal crowd of punks and rockabillies, I’ll tell you that.

MR: Did you share the same vision of music as Slim Jim Phantom and Lee Rocker? Did you all love a similar kind of music?

BS: Well, the guys loved the music, whether they had heard it or not. I could tell you when I was playing in the corner bar with my brother on the drums, Slim Jim would come in and lean on a post. This was 1978 or ’77 and I saw a guy with a pompadour and a cowboy shirt and a pair of jeans and boots. I was saying, “Who’s this guy?” People had long hair and earth shoes on and here comes in this cowboy-looking guy with a fifties haircut. He looked like he stepped off an episode of Gunsmoke. He was just standing there with his legs crossed. One night, my brother didn’t show up, but he goes, “I’ve got my drum set in the car.” He was just waiting, you know?

MR: In those Stray Cats videos, you took on that visual perfectly. I think it happened at a time when new wave was trying to decide what it was–Euro-romantic, punky-pop, etc. So your take on new wave was unique. Do you think that added to why people liked The Stray Cats?

BS: Well, the purists hated it because my hair was too long and I didn’t have my jeans cuffed the proper length. You have that with all sorts of music–blues purists refusing anything past 1946 and so on. A lot of people didn’t like it but I think the reason it resonated and it became a hit was because A, we added something new to it, we wrote rockabilly songs–a lot of the rockabilly style is just the one, four, five blues format. We actually wrote songs. We looked cool, we mixed some genres, we threw some punk in there, we had big, crazy pompadours with lots of grease in them. It resonated with the eighties world. They didn’t care that it came from the fifties originally, we had somehow re-energized it. And I can’t say enough about Dave Edmunds making it sound brand new. We weren’t trying to sound like a fifties record, which a lot of the bands were. They wanted to sound just like a fifties record, we didn’t want that. We wanted to sound brand new. Dave Edmunds really was a big part of that for us.

MR: Speaking of production, you reunited with Peter Collins for Rockabilly Riot: All Original. What was it like getting back together with him and making a totally different album with him?

BS: He’s so good. He’s the old school of producers that want you to record direct, not overdub, no three takes. You go in there as a band and make a record. That’s how we did dirty boogie. There’s no splicing guitar solos together. If you make a mistake but the song has that magic, that track has that mistake left on it. Plus he’s such a nice, easygoing guy. It’s really a pleasure. He basically came out of retirement to make the reocrd, he doesn’t make records anymore, he did it just because he wanted to make a great rockabilly record with me.

MR: Nice. You’ve released so much vinyl, CDs and swag through Surfdog. You have quite the love affair with this label, huh.

BS: Well, it’s my manager’s label. I think we moved after Vavoom! when I was on Interscope and all that stuff mattered. I don’t know if it matters anymore. I don’t even know if people buy records…I’m so old school. But I recall asking if we could leave the label because we just couldn’t take the interference about wanting a “hit” record. I wouldn’t know what a “hit” record was if you hit me over the head with a hammer. I don’t know what that is, I just write songs. It became really tough to try and make a record because they had us redoing song after song, mixing it with different styles and things. I think eventually, we just said, “Would you just let us go and let us make our own records?” That’s when Dave Kaplan, who owns Surfdog came in. He just lets me make a record.

MR: I brought it up earlier, but what are your thoughts about The Knife Feels Like Justice these days? I believe it was a really great record that somehow just slipped under the radar.

BS: Man, I think there’s some really good stuff on there. I think I probably sounded too much like what was going on at the time. I moved too far away from rockabilly. I probably should’ve stayed a little closer, but you know, it almost hit. Do you remember AOR and CHR?

MR: Oh yeah.

BS: A lot of people won’t. Album-Oriented Radio and Contemporary Hit Radio. I think it was number one AOR and it came that close to jumping and the record company, EMI, just kind of jumped ship. They said, “Ah, we’ve done all we could.” Looking back on it, musically, I like a lot of it. Some of it I think is kind of overdone, with the big eighties drum sounds. But there’s still some good songs on that record.

MR: Yeah, that title track is great pop-rock, and it had “Boulevard Of Broken Dreams” and “Radiation Ranch”…

BS: Oh yeah, “Boulevard of Broken Dreams” is a good one, isn’t it? [hums]

MR: Ya! I have to ask you my traditional question. What advice do you have for new artists?

BS: You just have to do what you want to do or you won’t be happy, I don’t think. Things come and go so quick, you have to do what you want to do. That’s the first thing. At the risk of sounding like an old guy, it really helps when you bear down on your instrument and learn how to read some music. It just connects the dots for you. I know most people don’t read music, but if you have the patience to try and learn a little bit of reading, you can really connect a lot of the dots. I find that players come to me and ask, “How do you do that? How did you think of that?” I say, “Well, look at it this way. It’s because I learned how to read and write music that those thoughts come into my head.” I think that’s the best advice I could give, really.

MR: It’s unfortunate that nowadays, music education programs in schools have had their budgets slashed or the departments have been completely eliminated.

BS: I know, I know. I’m so lucky, I remember besides band class, we would have music class where they would roll in an old cart with an organ on it and we’d learn “The Erie Canal” song and old American songs I sing today that these little old ladies put their time into. It means so much. I’ll sing an old American folk song or something and my daughters will look at me and go, “What’s that?” I’ll think, “That’s right, you guys don’t have that.” It really is a shame that it’s gone.

MR: I had a similar experience with the little old lady. Or school’s music teacher humped portable organ to every class.

BS: Yeah, God bless those little old ladies, right? I’d say, “I’ve got a mule, her name is Sal, fifteen miles on the Erie Canal,” and my daughters will say, “That’s cool, what is that?” You don’t know “The Erie Canal” song? They don’t! How could they? You’re not going to hear that on Pandora.

MR: [laughs] Is your family going to continue the Setzer music tradition or do they have other goals?

BS: I think the buck stops with me. [laughs] I think I’m the anomaly. My elder daughter is going to college, she’ll be interested in photography and things. The little one is interested in cooking and nutrition. Not just cooking food, but what goes in it. She’s got that thing going. My son is doing his own thing and it’s not musical. I kind of feel like what I’d like to do is just touch someone and say, “Here’s everything I’ve learned,” but it’s not that easy. Probably what I’ll wind up doing is giving some lessons one day, I don’t know if it’ll be over the internet or teaching classes. People have asked me to teach what they call a master class where I go and show people things. That’s probably where I’m going to be headed one day. I wish I could just touch someone who likes my playing on the shoulder and say, “Here’s all I’ve got,” and boom, they’ve got it.

MR: Passing the torch.

BS: Yeah, it would be kind of nice to teach a little bit of it, because people ask me a lot. But I’m not quite ready for it.

MR: Brian, the problem is going to be that nobody is doing what you do, so it’s going to be hard to reach your level of heart-meets-feel-meets-proficiency.

BS: [laughs] Well, I can’t describe what I do, it’s just what comes out. There’ll be more great guitarists coming. There are plenty of great players around. I like to think I’ve got my own style and when people hear me or hear the radio, they say, “Oh, that’s Brian Setzer.” That was always the goal.

MR: Hey, the last time I saw you, you were singing the national anthem at a Yankees game. Are you signed up to do that again?

BS: Oh my God, you saw that?

MR: [laughs] I was the one yelling “Brian!” and you pointed towards me..or at least that’s how I delusionally remember it.

BS: Oh, my gosh, I do recall that! See, one summer, I just got it under my craw that I wanted to sing the national anthem. I think I did it at about five or six stadiums. It was a hoot. They always let me bring my guitar on and I’d do my doo-wop version of the national anthem. I think it was kind of a passing thing. If they asked me again locally, I suppose I could do it.

MR: Come on, it’s time already!

BS: No, it’s not time for that yet. [laughs] I still have a lot of rockin’ left, I’ve still got touring, but I think the next thing will be teaching. I think I’d rather watch the baseball game.

MR: Okay, ’til then, we’ll have to just imagine a rockabilly national anthem.

BS: You’ve got it, my man.

MR: I was just about to ask you what you’re doing in the future. You sort of just covered it, but what else do you want to get done?

BS: I won’t know until it hits me over the head. I can’t say, “Well, my next record is going to be a bossanova record. It has to hit me, so I don’t know. In my spare time, I just do really dumb guy things. I love my dogs–I guess that’s not dumb. I like to go to ball games. I’m trying to keep sort of fit. I’ve got my daughters who are college age. In my spare time, I’m not going to fashion model events or unique parties or anything like that. I’ve never liked any of that kind of stuff, so I just kind of do what everybody else does.

For more info: http://bit.ly/X00NEd

Transcribed by Galen Hawthorne

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A Conversation with The Empty Hearts’ Elliot Easton

Mike Ragogna: Elliot, after listening to the new project, I would argue that your new group should be called The Whole Hearts, not The Empty Hearts.

Elliot Easton: [laughs] Well, our hearts are full as far as making the music. And you’ll have to ask Steven Van Zandt about the name, he came up with it.

MR: What’s the story behind this group?

EE: Basically, it comes from a friendship between Andy Babiuk, bass player, and Steven. Andy was previously in a band called The Chesterfield Kings that was on Little Steven’s Underground Garage label. They appeared on an episode of Sopranos, they’ve been friends for quite a while. Andy has done some music consultation work for David Chase for Not Fade Away and things like that. So they’re pals. Steven is just one of those guys that likes to come up with cool band names. When it came time for a name, he gave us a list and said, “Why don’t you pick one of these?” We went through his list and we liked The Empty Hearts. It came about like most things, through friends.

MR: Speaking of friends, Empty Hearts is a merging of talent from The Cars, Blondie, Romantics, The Chesterfield Kings…

EE: Yeah, yeah. To us, it’s very natural, we’re all friends, we all have admired each others’ work through the years, it’s a great situation, it’s a nice, fresh beginning. It’s just been really pleasurable, it’s been fun. That’s really what it’s all about. Hopefully that comes through in the grooves, not that there’s grooves anymore, but you know what I mean.

MR: The virtual groove.

EE: The grooves in the rhythm.

MR: What was the studio experience like and how did it progress from all these talents coming together?

EE: Andy just had this idea, “Wouldn’t it be fun to have a band with friends?” Maybe he’d come to some kind of a crossroads with his band and wanted to just have fun playing music again and we all felt similarly. He just called me. It seemed like an off the wall thing, a little dubious that it would actually happen. He said, “I’ve got this idea for a band, Clem [Burke] would play drums and Wally [Palmar] would be singing, what do you think about playing guitar in it?” At that point, it didn’t cost me anything to say yes because I didn’t know if it was going to happen or not, so I said, “Yeah, sure, if you get it together count me in,” ’cause I wasn’t doing much. Andy is quite a guy, he did get it together, he’s a really hard worker and a great organizer and he put the thing together and got everybody on board. We went up to Rochester New York where his studio is, he’s got a warehouse kind of studio set up. Two of us live in LA, Clem and I, two of us live out of town, Wally in the Detroit area and Andy in Rochester. For writing the songs, Andy and Wally got together a bit on their own, and they came out to California and we rented a rehearsal place. I showed them some ideas and some songs that I had incubating for a while, we recorded that stuff informally, Wally went away and worked on the lyrics and stuff like that, it was a very organic process, we just jammed on ideas and hammered some songs together, then we went up to Rochester and the great Ed Stasium engineered and produced it. People who don’t know his work would certainly have heard it, he did most of the Ramones records.

I first worked with Ed in the mid-eighties on the Lights Out record from Peter Wolf, J. Geils’ lead singer. It’s great to have him around. We all go back like thirty years or more. Then we got the bright idea, since we don’t have a keyboard player of getting Ian McLagan from The Faces and The Small Faces and The Rolling Stones to play keyboards. So he was up for the idea, he came up to Rochester and played Hammond organ and Wurlitzer electric piano, real rock ‘n’ roll keyboards and that was a great little addition to the sound. It’s just kind of taken on a life of its own, moving forward in one direction, all of us. And here I am talking to you, it’s very exciting. Musicians are notorious for discussing things that never come to fruition over a couple of drinks, “Hey man, let’s do something together” and then the next day it’s all forgotten–probably like in most business, you know what I mean? “We’ve got to do something together, we’ve got to collaborate,” whatever, and then the next morning it’s like, “What? Did that conversation really exist?” So it was really great to actually see this thing follow through to fruition and have a really nice record done, have it coming out in August, it’s great. It’s really fun.

MR: I see that Empty Hearts has a track called “Fill An Empty Heart,” I’m guessing a play on the group name. All this Empty Heart-edness!

EE: [laughs] Yeah, as far as the line or the title “Fill An Empty Heart,” that was something Wally came up with. Maybe it was inspired by the band name. I can’t remember the sequence because he wrote lyrics on his own, but I just think it’s a cool name, I don’t think Tom Petty & The Heartbreakers are out to break anybody’s heart. I don’t know that The Empty Hearts really feel that their hearts are empty. It’s just a name. [laughs]

MR: Yeah, I’ve beaten that joke into the ground, sorry.

EE: [laughs] Well, that’s what fans like to do, isn’t it?

MR: Exactly! [laughs] This is pretty much a party record. Do you think that’s indicative of how good of a time you guys were having in the studio or maybe how creatively you guys were bouncing ideas off each other?

EE: I think both. I think it’s indicative of how we were having a great time. We’ve been having a great time every time we get together whether it’s to be in the studio or to write a song or to do a photo session, we’re always laughing and having a good time with it. That’s the whole point of the thing, to enjoy making music and have a good time making music. As I said before, I do think it comes through in the music that we were enjoying ourselves. That’s not contrived, that’s just the sound of four guys having a blast.

MR: Elliot, in my opinion, The Cars left a nice musical legacy. Remember when people used certain albums to test stereo systems? I can remember The Cars’ first album being a test record during that era.

EE: That’s very nice, thank you. I’m really proud of the work we accomplished. That first record took all of twenty-one days to make. It took twelve days to record in England and nine days to mix, just a song a day and we were done in three weeks. That was winter of ’77. It’s pretty amazing. It’s great to have been a part of that.

MR: Although you first broke hugely in the seventies, The Cars is one of the iconic groups that comes up when one talks about music of the eighties.

EE: Yeah, for better or for worse, I guess, huh? [laughs] It’s a much-maligned decade. I don’t know why. I think the seventies were a lot lamer, but we always joke… My wife and I were talking about the eighties and the shoulder pads and the clothes and the funny hair, some of those bands were just “haircut bands.”

MR: Yeah, especially a lot of the Europop dance groups. Elliot, you were part of Creedence Clearwater Revisited, how did that come together?

EE: Like so many things in this business, it just comes through friends. I had a buddy who worked at Atlantic Records who knew Stu Cook from Creedence. We discovered that Stu lived five minutes away from me out here in Calabasas at the time, so we got together and had some lunch. On Stu and Doug [Clifford’s] fiftieth birthday they got together and had a little party together and they decided they wanted to play music again. I’d been hanging out with Stu and he knew that I was a big fan and had played those songs in high school and stuff like that, so he said, “How about Elliot?” I was their first choice of guitar. In fact, we auditioned singers at my home studio here in southern California. I ended up doing that for eleven years. I’ve done a lot of fun things. I’ve played with Brian Wilson on his first solo record and I did some shows with him. I did a little touring with Hall & Oates back in the nineties, a lot of session stuff, I just try to keep busy.

MR: Yeah including The New Cars, which I enjoyed as a kind of Todd Rundgrens’ Utopia meets The Cars.

EE: Well thank you! That was a very enjoyable project. It was like Greg [Hawkes] and I from The Cars and Todd [Rundgren] and Prairie [Prince] and Kasim [Sulton]. Greg used to call it “Autopia,” because it was half Utopia, half Cars.

MR: You were also part of the No Cats project with Lee Rocker.

EE: Oh yeah! That’s right!

MR: Yes, sir, you’ve played on quite a few projects.

EE: A bunch of sessions over the years, it’s true.

MR: And you released that solo album Change No Change. Why no follow up to that?

EE: Well, again, I wasn’t trying to have a solo career or anything like that, it was just something that naturally grew out. I started getting together regularly with a friend of mine, Jules Shear. We found we enjoyed writing songs together, he’d come over my house with his acoustic guitar and I’d show him some ideas and he’d help me flesh them out, he’s such a great songwriter, we ended up writing a batch of songs and then he was like, “What are we going to do with these songs?” They weren’t purpose-written for an Elliot Easton solo record or anything like that, we were just writing songs for the joy of it. I said, “What are we going to do with these?” and he said, “Why don’t you sing them?” I don’t remember exactly what I said but I’m sure I thought to myself, “I’m not a lead singer!” And I’m not! I wouldn’t mind hearing those songs sung by a good singer.

MR: Dude, they’re perfectly fine, don’t you think?

EE: They’re okay. It was an enjoyable thing to do, but to be perfectly honest I think self-awareness is important. It’s important to know your abilities and it’s also important to know your limitations. I think they both define who you are as a person and an artist or whatever. To be completely honest about it, I’ve always found for myself that I really shine in a supportive role. I enjoy it more, I’ve never really sought out to be center stage, that’s not necessarily my thing, but what I love to do is to take a piece of music or be part of creating a piece of music and give it that lift that sends it over the top, whether it’s those solos that people seem to like from Cars records or whatever it may be. I think that’s my little gift, just being able to come up with hooks and solos and cool parts and take a great song and make it into a great record, which are two different things, really.

MR: What advice do you have for new artists?

EE: Very good question. How would I answer that… For one thing, I’d say save your money. I’m not trying to be funny or facetious. There’s a feeling that you can lapse into when you achieve this great success and it’s thinking that it’s going to last forever. Nothing does. It doesn’t matter if you’re Nick Cave or The Cars or whoever. I would advise a young musician to think about the future and to write music. Don’t get involved in drugs if you can possibly avoid it. Drugs and alcohol are kind of a dead end. It stifles creativity and shortens your life and adds misery to it. Those are some of the big ones. And above all, have fun, because if you’re not having fun, then you’re doing it wrong.

MR: That’s beautiful, that’s really a great answer. And speaking of having fun, are you still loving your Tikibird?

EE: My Gibson? Oh yeah, it’s a blast. I love that guitar! I’ll be playing it a lot with The Empty Hearts. I’ve been very blessed in my life, I was one of those kids that used to write away to guitar companies for catalogs. I still am, but even at ten, eleven, twelve years old I was so guitar crazy. You just can’t imagine how nuts I was over guitars. I was one of those guys who used to bring catalogs to school and hide them behind my textbooks. I knew every model. If you would’ve told me back then that I’d have five or six different signature models through the years and guitar companies would approach me to design guitars for them I would’ve just laughed you out of the room. At this point I’ve done two for Gibson, a Martin acoustic, a Gretsch and a Kramer in the eighties. I’ve had like five signature model guitars. It’s an honor to have the signature model guitar, but in a more philosophical way I just feel so blessed to be considered a part of the guitar community and the musical community and to have my opinion valued by people like that who think that I would be able to contribute something to the world of guitars beyond just playing music is really flattering. It’s a great payoff to all of my misspent youth staring at catalogs and memorizing specs. I could’ve told you every bit of copy in the 1966 Gibson catalog. Every serial number. I was just crazed for that stuff. To this day, when the Brown truck comes and a new guitar gets delivered to the door, it’s like Christmas. I haven’t become jaded about that or anything. I still love it.

MR: Beautiful. Will The Empty Hearts be touring to support the album?

EE: Oh yes, we’ll absolutely be touring. It’s kind of toured around from what it used to be. In the eighties we used to make records and then we’d tour to promote the record, but I think it’s flip-flopped now. You want to tour so you can make a record. But definitely one of the main goals of the band has been all along to get out there and play live. Once the record comes out in August I expect we’ll be getting out as much as possible. It’s definitely one of our goals.

MR: What’s the future hold for you, you know, since you could be teaming up with literally anyone at literally any time.

EE: [laughs] My tastes are pretty eclectic, I think I’ve got a pretty deep well to draw from in terms of influences and stuff like that. I don’t know… A year or two ago, I had a mid-century crisis, so I did The Tiki Gods. That was exotica, lounge, Les Baxter sort of stuff. I wouldn’t consider myself a jazz musician but I enjoy tackling most other forms. I like to play a bit of jazz, I just don’t consider myself a jazz musician.

MR: Is there something you want to conquer that you haven’t attempted yet?

EE: Well, I’m kind of doing it. It’s great to be in a band where both my playing ability and my writing ability is welcomed and we’re all writing songs together. It’s a nice collective, I would say this is one of those moments where I am achieving something I would love to achieve. I’m just kind of enjoying this one right now. I never know what the future will bring though.

Transcribed by Galen Hawthorne

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A Conversation with The Psycho Sisters’ Vicki Peterson and Susan Cowsill

Mike Ragogna: Finally, after twenty-two years in the making, The Psycho Sisters’ album Up On The Chair Beatrice is released. So was there at least a teensy respite between when the recording started and finished?

Susan Cowsill: Well, about two of those twenty-two years. We actually started this process in the Spring of 2012. [laughs]

MR: So what is this twenty-two years stuff? Is that when you were starting to create the material for this?

Vicki Peterson: Yes, it was. We started writing it twenty-two years ago, and did a couple of demo-type recordings. We recorded a forty-five, which actually exists out there in the world and we did do one session with Kevin Salem recording a few of these songs for fun, with no thought of releasing that or anything.

MR: How far back does your friendship go? What’s the origin story of said Psycho Sisters?

VP: I’ll give you the quick chronology. We met in 1978, but really became lifelong friends around 1988.

SC: Wasn’t it ’85? My mom was dying.

VP: No, it was after that.

SC: Huh. I believe her, she’s the smart one.

VP: It was around when we were making that last Bangles record.

SC: Right, I remember now. But the “in the making” thing is that we fully intended every single day of every single year to make the record. We wrote all these songs and every day we said, “We’ve got to make this record,” and every day we didn’t, so that’s in the making, isn’t it?

VP: That’s totally in the making.

MR: That’s pretty cool. But both of you have been working with your other groups and affiliations. Do you think those projects got in the way of finishing this record?

SC: Well, sure. Life gets in the way of life, every minute. You can quote me on that. We’re best friends and we’re sisters and it leads to this, “Oh, we’ll just do it later,” kind of thing.

VP: I’m the kind of person who would fret about, “We’re never going to make the Psycho record are we. It’s just never going to happen, we’ll never do it,” and Susan would say, “It’ll happen when it’s supposed to happen.” She was very Zen about it and I think in the end she’s absolutely right.

SC: She’s the smart one, I’m the Zen one.

VP: That being said, nothing does happen until you decide that it’s going to happen. It really wasn’t until V and I both said, “Hey. Let’s get ‘er done.”

MR: Finally, after everything that’s gone into it, the time devoted to it, how do you view this Psycho Sisters project in the end?

VP: I think it’s a very happy completed circle of something that has existed for a long time. I think Susan has said before that these songs deserved their day. That’s one of the reasons we didn’t just say, “Oh forget all that, let’s just write all new stuff.” We really decided, “No, these songs existed for a reason, we’ve never given them a chance to be heard. I also believed firmly that the first time you hear a piece of music, it’s brand new. It’s brand new to the listener. We didn’t shape these songs in any particular way sonically, we didn’t say, “Okay, we want these songs to sound as if they’re twenty years old.” Some people react to it and say, “Wow, it sounds like the nineties,” and I’m not quite sure what that means.

SC: [laughs] I don’t either! I’ve been reading that, too.

VP: But that being said, that might just be an implied thing because we’re acknowledging the fact that that’s when they were written and created originally.

SC: The truth of the matter is that they are. I wonder if people didn’t know it took twenty-two years.

VP: Yeah, that’s what I’m wondering; if they all thought this was completely brand new material would they still all have that resonance? But to us it’s a beautiful thing to say, “Okay, we have done this.” It’s as if you were working on a novel for twelve years and you finally get to a point where you say, “Okay, I’m ready to have this read by the world.”

SC: For me, it’s interesting because through the years as an artist you’re creating content and whether you want to or not it’s just one of the evil aspects of being an artist is this little creature lives in your head and says, “Is this viable? Is anybody going to want to hear this? What is the point of this?” I really put a big mute button on that guy because he bugs me. I don’t think art is something we should judge. It’s like judging somebody’s emotions. That being said, these songs aren’t rocket science, they aren’t going to save the planet, but they are where we were at that time. Preserving an emotion and a moment in time and like Vick said I said, giving it its due. So when I’m listening to it I say, “I remember that,” and “Oh wow, how cute,” or “Aw, how sad, poor her.” It’s like looking at a scrapbook.

VP: A scrapbook of former relationships as well, because many of these stories are based on people we used to date.

SC: Oh God, some of them are dead!

VP: Oh, yeah, there’s that too. Some of them are dead! [laughs] Oh, well.

SC: [laughs]

MR: Are there a couple of stories on this record that are particularly endearing to you?

VP: We’re both still laughing.

SC: Wait! I want to know what you’re laughing about. What story are you laughing about?

VP: Oh God, there are several. Here’s a safe one. It’s the song “Heather Says.” The reason that is a favorite of mine is that this song goes back to when both Susan and I were eleven years old. Susan was recording this song, I was at home trying to figure it out on guitar. For my little fingers and my little brain at that time it was a mindbender. I couldn’t wrap my head around where those changes were going.

SC: It was pretty sophisticated.

VP: It was confusing to me. It was one of those songs that I always wanted to master and I think all these years later I can finally play this bloody thing without making a mistake. It’s also this funny thing where when that was recorded in 1971 it was a familiar story to any young girl, the schoolyard bully, the person who commanded attention and obedience from her classmates. Now it’s much, much more topical because the whole idea of bullying young children is much more discussed and not something that is just dealt with on an individual basis. We talk about it now.

MR: I have a kid, and I had to have him switch schools to keep him away from bullies. But in the beginning, I admit that I was one of those people who said, “Oh, it’s just one of those things that kids have to go through.” It’s so out of hand now.

VP: It is so out of hand. Maybe it’s gotten worse, but at least we’re paying attention now.

SC: I think it probably always has been going on, just like any less-than-charming aspect of a human being that’s been going on forever but now we’re more educated, aware of it, and look for solutions to it. That’s a lot heavier than what I was going to say! [laughs]

VP: What were you going to say?

SC: Oh, no, no, no, I wouldn’t want to sully this conversation!

MR: [laughs] Susan, what is your favorite song?

SC: I always find “Timberline” to be a rather amusing story.

VP: Ooh, “Timberline,” that is a good one.

SC: It is a good one. Really “Timberline” never even existed until one afternoon when I was in this bad relationship. I needed to get out of the house I was in because the person I was with just wasn’t cool and I needed to get out immediately. Vicki had just come out of a relationship where she had a wonderful fiancé–I say “wonderful” now but he was a pain in the ass. But I loved him. His name was Bobby and unfortunately, Bobby passed away from which cancer, Vicki?

VP: Leukemia.

SC: He had Leukemia and he had passed away recently and I was in a pickle at my house because I was staying with this person that I shouldn’t have been in a relationship with. I called Vick and I said, “I’ve got to get out of here and I have to have a story,” because he liked her. I don’t know whose idea it was but we concocted that Vicki was ready to spread the ashes of her fiancé and I had to run immediately to be with her, we have to go up to Big Bear like now. That was all a lie. We took him with us, just to make it half true, did we not?

VP: We did.

SC: We took the box with us. We drove up to Big Bear and we stayed in a cabin–was it called Timberline?

VP: No, no, we made that up.

SC: Okay, cool. We did go to Big Bear, we did keep the ashes of her fiancé in the car with us because we’re both catholic and we stayed in a cabin up there, just chilled our heels and I did a little bit of thinking about what I should do about this relationship/non-relationship. In the process, we wrote “Timberline.”

VP: We also brought the Ouija board.

SC: Yeah, we brought the Ouija board because we had some recent dead people.

VP: We talked to them!

SC: We did! In fact a lot of the lines of “Timberline” are from the Ouija board. So yeah, “Timberline” came out of absolute desperation. I think we stayed longer than we said we would and I told him, “We’re writing, we’re being creative, it’s helping her move through grief.” It was all a pile of s**t.

VP: It was one of the first songs that we wrote together, as well.

SC: That’s true.

MR: Susan, you had another family member pass recently. Are you okay?

SC: Yes, I’m very okay.

VP: We’re putting a big pause in the brothers going.

SC: There’s been a twenty-five year moratorium declared by my brother Bob.

VP: Thank you, I appreciate that.

SC: No problem. Richard did just pass on July 8th, but yeah, I’m okay. The alternative is to not be okay and I find that tends to be a waste of energy and rude to the universe and God, to remain in a perpetual state of “not okay.” I’m certainly allowing myself, in the time that it is, to be as sad as I am, but I’m certainly going to be okay, and Richard was okay. Richard felt he had done everything that he needed to do and he was ready to rock. That being said, our age group says we should all be around hanging out with each other and we’re not. I can’t control the universe and what it does, so the only thing I’m in control of is myself. That’s all any of us has. We’re all okay, in fact I’m fairly glad for him because he was in a rough spot.

MR: I was lucky enough to see all of The Cowsills–well, your mom had already passed–but I saw you guys at the El Rey in 1999 or 2000. Shirley Jones was there as the substitute mom, I guess.

VP: She’s the other mom.

SC: That was the last time we were all together.

MR: Wow. So speaking of family, Vicki and Susan truly are close sisters-in-law, psycho or otherwise, huh.

VP: We truly are. I can say that for our name… We absolutely own it, live up to it, nurture it, and it gets more authentic every day.

MR: What advice do you have for new artists?

VP: Yikes.

SC: Run away! [laughs]

VP: I don’t know that there’s any advice I can give because I think most young artists who are coming up today who really want to do this thing have every tool at their command to take it as far as they can. There’s so much available now that wasn’t available when Susan and I were first starting this, either individually or in different groups, because there’s so many different ways to get your music out there. That being said, it’s in some ways more complicated and difficult because of the fact that everybody can get their music and there are no gatekeepers anymore, there are very few to filter things through. I say if you really want to do this, put your heart and soul and energy every day into it and figure out what you really want to do and who you really want to reach and then just go for it. But it ain’t easy, baby.

SC: I agree with everything my sister just said, but I would add to it that I concur, we are in a different time, we have eight hundred thousand more options but we also have that many more people on the planet and creative, beautiful, artistically-talented, should-be-heard young people. It’s a bigger, bigger world, making it harder to be individualized and heard in that way so do everything she said but bottom line? Do it because you love it. That’s what you’re really going to end up with the most gratification from is making the music because you have to, you need to, it’s what you love, it’s how you feel yourself and how you express yourself. Do it because of that first. Then you’ve got a shot at the rest of it following. If you’re doing it just to get famous or rich or noticed or whatever those things are, you’ll never be satisfied, even if you get that. It’s a heart moment. You’ve got to love what you do. It’s a long road.

MR: Futuristic social media and technology aside, are the basics of that what you would have told both of yourselves way back when, also?

VP: Yes.

SC: Yes.

VP: The lesson I keep thinking to tell younger Vicki is, “Really trust your instincts.” It’s something I went along with for a long, long time and a few times disregarded to my own detriment, I believe. I think listening to your instincts, and that includes what Susan was saying about following your heart and doing things because you love them, that is your truest path and that’s what will get you where you need to go, whether that means you’re top of the pops or not. It may not be, but it’s going to be where you’re supposed to go.

Transcribed by Galen Hawthorne

INTRODUCING DOUG SEEGERS

2014-08-10-Pressbild7_Doug_Seegers_Fotograf_Gregg_Roth.jpg
photo courtesy Rounder Records

According to Doug Seegers…

“Maikng this record was a dream come true for me. We made it in 3 days and I was worried at first that I would not have much input. But everyone listened to what I had to say and allowed me to make the record that really represented my vision.”

According to Will Kimbrough…

“Doug is the real deal. Over and over, he sat down at the microphone and casually blew us all away with his songs, his voice, his guitar. The artists who is totally prepared and confident and knows exactly what he wants in the studio is rare enough. To learn Doug’s story makes it like some sort of miracle. But it’s no fluke; Doug’s simply played and sung every day, whether it was on the street or in a fancy studio. He has to do it. He’s the real deal.”

“POP UR HEART OUT” WITH SALME DAHLSTROM’S REMIX BY SPEKRFREKS

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photo credit: Bryce Prevatt

According to Salme Dahlstrom…

“I play all of the instruments, program, produce, edit and mix it all myself,” Salme Dahlstrom says of her creative process. “Except for a couple of guest vocalists, I did that too, the singing, that is!”

According to Salme Dahlstrom’s peeps…

“The Wall Street Journal recently dubbed Dahlstrom a ‘music licensing queen’ when, like Moby before her, she managed to license every track from her 2008 album The Acid Cowgirl Audio Trade to various major companies and television programs. At the time, she was not only just getting noticed, she was just getting started.”


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