Superman: Leviathan Rising Special (2019-) #1 – Brian Michael Bendis, Greg Rucka, Matt Fraction, Marc Andreyko, Yanick Paquette, Mike Perkins, Steve Lieber & Eduardo Pansica

Brian Michael Bendis, Greg Rucka, Matt Fraction, Marc Andreyko, Yanick Paquette, Mike Perkins, Steve Lieber & Eduardo Pansica - Superman: Leviathan Rising Special (2019-) #1  artwork

Superman: Leviathan Rising Special (2019-) #1

Brian Michael Bendis, Greg Rucka, Matt Fraction, Marc Andreyko, Yanick Paquette, Mike Perkins, Steve Lieber & Eduardo Pansica

Genre: Comics & Graphic Novels

Publish Date: May 29, 2019

Publisher: DC Comics

Seller: DC Comics.


An all-star roster of writers and artists highlight the new threat of Leviathan, but also tees up new ongoing series for Jimmy Olsen by writer Matt Fraction and artist Steve Lieber, and Lois Lane by writer Greg Rucka and artist Mike Perkins, coming in June! As Leviathan enacts a plan to take down Superman, it’s up to Lois, Jimmy and the heroes of the DC Universe to rescue the Man of Steel.

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Brian Helsing Mission 1: Just Try Not To Die – Gareth K Pengelly

Gareth K Pengelly - Brian Helsing Mission 1: Just Try Not To Die  artwork

Brian Helsing Mission 1: Just Try Not To Die

Gareth K Pengelly

Genre: Fantasy

Publish Date: March 11, 2018

Publisher: Gareth K Pengelly

Seller: Draft2Digital, LLC


No-one would have expected Van Helsing's legendary Ring Of Power to fall into the hands of a bumbling idiot.Least of all said idiot – Brian Trelawney, six-foot-seven, socially inept car salesman, now turned vampire hunter. Chosen by the fickle hand of fate to be the latest in the illustrious line of vampire hunters, Brian finds himself thrust way outside of his comfort zone. After a brief spell of training under the Masters of the Helsing Order, Brian is shoved out the door and off into a world of vampires, werewolves and various other Beasties that go Bump In The Night. Armed with all the gear, but absolutely no idea, this cowardly lamp-post of a man must tackle his first mission; to placate a Banshee whose incessant wailing is keeping awake the poor denizens of Bodmin. ++This book contains harsh language and intense stupidity, right from the off. So if you don't enjoy that kind of thing, well, best not read it. Otherwise, enjoy!++

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Paper Girls #1 – Brian K. Vaughan & Cliff Chiang

Brian K. Vaughan & Cliff Chiang - Paper Girls #1  artwork

Paper Girls #1

Brian K. Vaughan & Cliff Chiang

Genre: Graphic Novels

Publish Date: October 7, 2015

Publisher: Image Comics

Seller: Image Comics, Inc.


SAGA writer BRIAN K. VAUGHAN launches a brand-new ONGOING SERIES with superstar Wonder Woman artist CLIFF CHIANG! In the early hours after Halloween of 1988, four 12-year-old newspaper delivery girls uncover the most important story of all time. Stand By Me meets War of the Worlds in this mysterious young adult adventure, starting with a spectacular DOUBLE-SIZED FIRST ISSUE!

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Call of the Herald – Brian Rathbone

Brian Rathbone - Call of the Herald  artwork

Call of the Herald

Epic fantasy adventure

Brian Rathbone

Genre: Epic

Publish Date: February 25, 2013

Publisher: White Wolf Press, LLC

Seller: Brian Keith Rathbone


Can a teenage girl survive being hunted an entire nation? Catrin Volker is tougher than most, but it will take more than grit to remain safe in a rapidly changing world. In a journey that spans her entire known world, Catrin must rely on her friends . . . and perhaps a bit of magic. Call of the Herald begins a twelve-book young adult epic adventure that is also available in audiobook format. The Dawning of Power trilogy Call of the Herald Inherited Danger Dragon Ore The Balance of Power trilogy Regent Feral Regal The Artifacts of Power trilogy The Fifth Magic Dragonhold The Seventh Magic

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Kevin Smith: Silent, But Deadly (Extended Edition) – Brian Volk-Weiss & Gil Cunha

Brian Volk-Weiss & Gil Cunha - Kevin Smith: Silent, But Deadly (Extended Edition)  artwork

Kevin Smith: Silent, But Deadly (Extended Edition)

Brian Volk-Weiss & Gil Cunha

Genre: Comedy

Price: $ 6.99

Rental Price: $ 0.99

Release Date: May 11, 2018


All New Extended Edition! Kevin Smith, the filmmaker/podcaster/comedian known for playing the character Silent Bob is anything but quiet in this new comedy special that was recorded an hour before his widely reported massive heart attack in February. But before he nearly died backstage, he killed onstage discussing his marriage, his kid, his friends and his work (or lack thereof). Settle in for an hour of laughs from a man who knows how to tell great and historical stories.

© © 2018 The Nacelle Company LLC

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The World We Make – Brian Baugh

Brian Baugh - The World We Make  artwork

The World We Make

Brian Baugh

Genre: Drama

Price: $ 14.99

Rental Price: $ 5.99

Release Date: April 19, 2019


On the brink of graduating high school, spirited equestrian Lee (Rose Reid) hatches a plan to travel cross-country on horseback, believing it will inspire a clear vision of her future. Jordan (Caleb Castille) is an ambitious academic and athletic standout, planning to take an athletic scholarship and move out west. But when a tragedy impacts their dreams, their friendship unexpectedly escalates, blossoming into a romance. As critical voices develop over their relationship, they must decide if their dreams are worth fighting for…and if they can make a world where they have a future together.

© © 2018 Universal Studios. All Rights Reserved.

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The New 52: Futures End FCBD Special Edition #0 – Brian Azzarello & Jeff Lemire

Brian Azzarello & Jeff Lemire - The New 52: Futures End FCBD Special Edition #0  artwork

The New 52: Futures End FCBD Special Edition #0

Brian Azzarello & Jeff Lemire

Genre: Graphic Novels

Publish Date: May 14, 2014

Publisher: DC Comics

Seller: DC Comics.


THE NEW 52: FUTURES END starts here with this special Free Comic Book Day issue! What tragedy has befallen the DC Universe and how can Batman Beyond fix it? The story continues in the weekly series THE NEW 52: FUTURES END!

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Superman Sampler 2013 – J. Michael Straczynski, Geoff Johns, Richard Donner, Brian Azzarello, Shane Davis, Jim Lee & Adam Kubert

J. Michael Straczynski, Geoff Johns, Richard Donner, Brian Azzarello, Shane Davis, Jim Lee & Adam Kubert - Superman Sampler 2013  artwork

Superman Sampler 2013

J. Michael Straczynski, Geoff Johns, Richard Donner, Brian Azzarello, Shane Davis, Jim Lee & Adam Kubert

Genre: Graphic Novels

Publish Date: March 21, 2013

Publisher: DC Comics

Seller: DC Comics.


Rocketed from the dying planet Krypton, baby Kal-El was raised on Earth as Clark Kent and discovered that he had extraordinary powers far exceeding everyone around him. Combined with the strong moral values from his adoptive parents, he became Superman. Created by Joe Shuster and Jerry Siegel, Superman has become a worldwide icon and relevant cultural touchstone. This summer, the world’s first superhero will be bigger than ever in the highly anticipated blockbuster film Man of Steel , coming to theaters June 14th. Please enjoy this sampler of DC Comics’ standout Superman graphic novels, showcasing a few of the great stories featuring the characters in Zack Snyder and Christopher Nolan’s new movie epic.

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DC’s Year of the Villain Special (2019-) #1 – James Tynion IV, Tom King, Brian Michael Bendis, Francis Manapul, Jim Cheung & Alex Maleev

James Tynion IV, Tom King, Brian Michael Bendis, Francis Manapul, Jim Cheung & Alex Maleev - DC's Year of the Villain Special (2019-) #1  artwork

DC’s Year of the Villain Special (2019-) #1

James Tynion IV, Tom King, Brian Michael Bendis, Francis Manapul, Jim Cheung & Alex Maleev

Genre: Comics & Graphic Novels

Publish Date: May 1, 2019

Publisher: DC Comics

Seller: DC Comics.


Evil is winning! Lex Luthor and The Legion of Doom conspire with Cosmic Gods, bending mankind toward a dark destiny. Elsewhere, the scourge of Leviathan spreads unchecked, seizing power in every corner of the world. And all the while the Batman Who Laughs busies himself in the shadows, aligned with no one-yet with sinister plans for all. The carnage starts here as the bad guys take center stage in “The Year of the Villain,” the most treacherous event in DC Comics history. Some act with united goals, others with plans selfish and secret, every one of them on a monstrous collision course against Batman, Superman and the heroes of the DC Universe. And our heroes will fail us. Don’t miss the start of “The Year of the Villain,” featuring the talents of writers Brian Michael Bendis, Scott Snyder and James Tynion IV, artists Jim Cheung, Alex Maleev and Francis Manapul and cover artist Greg Capullo-all for free!

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I’m Not Ashamed – Brian Baugh

Brian Baugh - I'm Not Ashamed  artwork

I’m Not Ashamed

Brian Baugh

Genre: Drama

Price: $ 14.99

Rental Price: $ 3.99

Release Date: October 21, 2016


I'm Not Ashamed is the inspiring and powerful true story of Rachel Joy Scott – the first student killed in the Columbine high school shooting in 1999. Devout teen Rachel Joy Scott (Masey McLain) shows compassion and love for her fellow students, until armed classmates enter Columbine High School on a fateful day that changes America forever. Her hopes and dreams seemed to end, but God was just getting started. Starring Masey McLain, Ben Davies, Sadie Robertson, Korie Robertson, Jaci Velasquez, and Jennifer O’Neill this hope-filled story reminds us that when we put our lives in God's hands, we can make a world of difference.

© © 2016 Pure Flix Entertainment, LLC. All Rights Reserved.

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Brian Culbertson: Colors of Love Tour Live In Las Vegas – Brian Culbertson

Brian Culbertson - Brian Culbertson: Colors of Love Tour Live In Las Vegas  artwork

Brian Culbertson: Colors of Love Tour Live In Las Vegas

Brian Culbertson

Genre: Concert Films

Price: $ 26.99

Rental Price: $ 3.99

Release Date: February 14, 2019


Brian Culbertson's Color of Love LIVE is his most ambitious project to date. Three distinct acts encapsulate Brian's journey of love. Light some candles, pour some wine, and enjoy. Live from Las Vegas, Brian captures the Colors of Love Tour LIVE, including some appearances from very special guests.

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Brian Culbertson: Colors of Love Tour Live From Las Vegas – Brian Culbertson

Brian Culbertson - Brian Culbertson: Colors of Love Tour Live From Las Vegas  artwork

Brian Culbertson: Colors of Love Tour Live From Las Vegas

Brian Culbertson

Genre: Concert Films

Price: $ 26.99

Rental Price: $ 3.99

Release Date: February 14, 2019


Brian Culbertson's Color of Love LIVE is his most ambitious project to date. Three distinct acts encapsulate Brian's journey of love. Light some candles, pour some wine, and enjoy. Live from Las Vegas, Brian captures the Colors of Love Tour LIVE, including some appearances from very special guests.

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The New Avengers #1 – Brian Michael Bendis & David Finch

Brian Michael Bendis & David Finch - The New Avengers #1  artwork

The New Avengers #1

Brian Michael Bendis & David Finch

Genre: Graphic Novels

Publish Date: February 21, 2012

Publisher: Marvel

Seller: Disney Electronic Content, Inc.


In the wake of the systematic destruction of the original Avengers, just what sort of threat to the world could persuade Captain America to assemble an all-new team? And following the events of Avengers Disassembled, who could possibly be on this team? How does Cap, Iron Man, Spider-Man and Wolverine sound? Fate has brought them together, and now Captain America wants to make it permanent! Who will take his hand and join the new Avengers? And will they be strong enough to fight the mysterious forces at play around them? Collects New Avengers (2004) #1.

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Avengers: Disassembled #1 – Brian Michael Bendis & David Finch

Brian Michael Bendis & David Finch - Avengers: Disassembled #1  artwork

Avengers: Disassembled #1

Brian Michael Bendis & David Finch

Genre: Graphic Novels

Publish Date: April 23, 2012

Publisher: Marvel

Seller: Disney Electronic Content, Inc.


Read the first issue of Avengers Disassembled for free. It begins with the return of a team member thought dead and by the time it's over, everything you know about the Avengers will have changed! Brian Michael Bendis and David Finch tear the Avengers apart!

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The Avengers, Vol. 1 – Brian Michael Bendis & John Romita, Jr.

Brian Michael Bendis & John Romita, Jr. - The Avengers, Vol. 1  artwork

The Avengers, Vol. 1

Brian Michael Bendis & John Romita, Jr.

Genre: Graphic Novels

Publish Date: December 13, 2012

Publisher: Marvel

Seller: Disney Electronic Content, Inc.


Read the first chapter of Avengers by Brian Michael Bendis Vol. 1. The Avengers have never been mightier as Iron Man, Captain America, Thor, Spider-Man, Wolverine and more team together to stop threats no single hero can stop.

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Killers Within – Paul Bushe & Brian O’Neill

Paul Bushe & Brian O'Neill - Killers Within  artwork

Killers Within

Paul Bushe & Brian O’Neill

Genre: Horror

Price: $ 9.99

Rental Price: $ 0.99

Release Date: January 1, 2019


With her son being held captive by a criminal gang, police-officer Amanda Doyle, together with her ex-husband and three unlikely allies, takes part in a desperate plot to hold a wealthy banker and his family to ransom. But this is no ordinary family and as the story unfolds it becomes clear that the hunters have become the hunted. It’s a fight for survival – It’s kill or be killed.

© © 2018 Killers Within Limited. All Rights Reserved

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Vice – Brian A. Miller

Brian A. Miller - Vice  artwork

Vice

Brian A. Miller

Genre: Sci-Fi & Fantasy

Price: $ 3.99

Rental Price: $ 5.99

Release Date: January 16, 2015


Julian Michaels (Bruce Willis) has designed the ultimate resort: “Vice”, where anything goes and the customers can play out their wildest fantasies with artificial inhabitants who look, think and feel like humans. When an artificial (Ambyr Childers) becomes self- aware and escapes, she finds herself caught in the crossfire between Julian's mercenaries and a cop (Thomas Jane) who is hell- bent on shutting down “Vice”, and stopping the violence once and for all.

© © 2014 Georgia Film Fund Twenty-Eight, LLC. All Rights Reserved.

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Leprechaun In the Hood – Brian Trenchard-Smith

Brian Trenchard-Smith - Leprechaun In the Hood  artwork

Leprechaun In the Hood

Brian Trenchard-Smith

Genre: Horror

Price: $ 4.99

Rental Price: $ 3.99

Release Date: March 28, 2000


When Butch, Postmaster P, and Stray Bullet loot the local hip-hop mogul's studio to fund their demo album, the threesome unwittingly ends up with the secret of Mack Daddy's success: a magical flute. Their gigs instantly turn golden but a blood-thristy Leprechaun and an angry Mack Daddy are hot on their trail, leaving a wake of destruction tainted by politically incorrect limericks.

© © MCMXCIX Trimark Pictures, Inc. All Rights Reserved.

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Bryan Callen: Complicated Apes – Brian Volk-Weiss

Brian Volk-Weiss - Bryan Callen: Complicated Apes  artwork

Bryan Callen: Complicated Apes

Brian Volk-Weiss

Genre: Comedy

Price: $ 12.99

Rental Price: $ 4.99

Release Date: March 12, 2019


Bryan Callen records his third special in Chicago’s historic Thalia Hall and reconsiders our debate on all things equality. He rails against our tendencies to turn each other into nouns like black, white, immigrant, Muslim, gay, straight, man, woman, and instead suggests that the best way to navigate our current culture war is to think of our fellow humans not as a fixed label, but as verbs.

© © 2019 The Nacelle Company, LLC

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Psychonautics: A Comic’s Exploration of Psychedelics – Brian Bellinkoff

Brian Bellinkoff - Psychonautics: A Comic's Exploration of Psychedelics  artwork

Psychonautics: A Comic’s Exploration of Psychedelics

Brian Bellinkoff

Genre: Documentary

Price: $ 12.99

Rental Price: $ 4.99

Release Date: March 5, 2019


Comedian Shane Mauss sets out on a mission to prove psychedelics are not as scary as they seem… by doing all of them. While describing the indescribable, he explores the beauty and mystique of psychedelics. He also brings in the added perspectives of some of the top scientists, researchers, and experts in this fascinating field. This film shows the enormous potential that psychedelics have to treat disorders, improve our health, and open us up to amazing experiences. However, they can also lead to a month-long manic state and a trip to the psych ward… if not done responsibly. This is a journey that takes Shane to the highest euphoria and the lowest depression, it opens him up to enlightenment, and it kicks him in the balls. With moments of both confusion and clarity, this is as an honest account of a genuine Psychonaut.

© © 2018 Partnership Entertainment

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Good Vibrations Tour – The Beach Boys, Brian Wilson, Carl Wilson, Dennis Wilson, Mike Love, Al Jardine, Dan Aykroyd & John Belushi

The Beach Boys, Brian Wilson, Carl Wilson, Dennis Wilson, Mike Love, Al Jardine, Dan Aykroyd & John Belushi - Good Vibrations Tour  artwork

Good Vibrations Tour

The Beach Boys, Brian Wilson, Carl Wilson, Dennis Wilson, Mike Love, Al Jardine, Dan Aykroyd & John Belushi

Genre: Concert Films

Price: $ 12.99

Rental Price: $ 3.99

Release Date: January 1, 2013


This film, (featuring all five original members) was filmed live at the Anaheim Stadium in 1976.It features full performances of their greatest hits intercut with interviews and a guest appearance by the original Blues Brothers, Dan Aykroyd and John Belushi.

© © 1976 Broadway Video Entertainment, Inc. and Brother Records, Inc. d/b/a The Beach Boys Productions., exclusively licensed to Eagle Rock Entertainment Ltd. ALL RIGHT RESERVED

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Night of the Demons II – Brian Trenchard-Smith

Brian Trenchard-Smith - Night of the Demons II  artwork

Night of the Demons II

Brian Trenchard-Smith

Genre: Horror

Price: $ 4.99

Rental Price: $ 3.99

Release Date: August 24, 1994


Teenagers from St. Rita's Academy want to party at a haunted house on Halloween. However, Angela, the hostess from hell, is summoning her army of teen demons to witness the blood-curdling contest between the priests and herself, the princess of darkness. Only a determined nun stands in Angela's way.

© © 1994 By Paramount Pictures Corp. All Rights Reserved.

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311: Enlarged to Show Detail 2 – 311 311 & Brian Smith

311 311 & Brian Smith - 311: Enlarged to Show Detail 2  artwork

311: Enlarged to Show Detail 2

311 311 & Brian Smith

Genre: Documentary

Price: $ 9.99

Rental Price: $ 4.99

Release Date: December 11, 2001


Enlarged to Show Detail 2 is another all-access pass to 311 as they tour the world, hit the studio, celebrate the first-ever 311 Day and more! This set also includes videos of Transistor, Come Original, You Wouldn’t Believe and more.

© © 2001 Volcano Entertainment III, LLC

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Hell of a Night – Brian Childs

Brian Childs - Hell of a Night  artwork

Hell of a Night

Brian Childs

Genre: Horror

Price: $ 9.99

Rental Price: $ 4.99

Release Date: January 22, 2019


Blake, grief stricken by the death of her father, rents a farm cabin a few hours outside of town to be alone and away from the world. After accidentally finding an old Ouija board hidden in a cupboard, she quickly finds out that she is not alone & in the fight for her life as not only the ghosts come after her, but her friend Chloe secretly conspires against Blake’s family for her own gains. Meanwhile, back in the suburbs, Blake’s sister Shaine awakens a vengeful spirit when she steals a necklace found in the attic belonging to the woman who died in the house decades ago.

© © 2018 Brian Childs

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Steve Treviño: ‘Til Death – Renae Smith Trevino & Brian Volk-Weiss

Renae Smith Trevino & Brian Volk-Weiss - Steve Treviño: 'Til Death  artwork

Steve Treviño: ‘Til Death

Renae Smith Trevino & Brian Volk-Weiss

Genre: Comedy

Price: $ 12.99

Rental Price: $ 4.99

Release Date: January 22, 2019


Texas. The home of barbecue, The Alamo, and Steve Treviño. In his latest special, 'Til Death, America's favorite husband gives us a bitingly honest take on the day-to-day joy of marriage, kids, and living life with your best friend.

© © 2018 The Nacelle Company, LLC

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Good Burger – Brian Robbins

Brian Robbins - Good Burger  artwork

Good Burger

Brian Robbins

Genre: Comedy

Price: $ 4.99

Rental Price: $ 3.99

Release Date: July 25, 1997


Kenan Thompson and Kel Mitchell, stars of the popular Nickelodeon series All That, confront the ogre of faceless corporate tyranny and have fun doing it in this comedy for young people. Ed (Mitchell) is a teenager who lives for his job at Good Burger, a small but friendly neighborhood hamburger stand, while his buddy Dexter (Thompson) also works there, but lack Ed's single-minded devotion to his job — he's there because he accidentally destroyed the car of his teacher Mr. Wheat (Sinbad) and has to raise money to pay the damages. When Mondo Burger, a mammoth fast-foot chain, opens across the street, it looks like Good Burger is history, until Ed formulates a secret sauce that brings hundreds of new customers to their door. However, the monomaniacal manager of Mondo Burger, Kurt (Jan Schweiterman), is determined to get his hands on the sauce and put Good Burger out of business. Meanwhile, Ed and Dexter must rescue Otis (Abe Vigoda), the world's oldest fast food employee, from the Demented Hills Asylum, and Ed might just find love with Monique (Shar Jackson) if he could take his mind off the burgers long enough to pay attention to her. Good Burger also features basketball star Shaquille O'Neal as himself and George Clinton as one of the Demented Hills inmates.

© TM, ® & Copyright © 2003 by Paramount Pictures. All Rights Reserved

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Let Go – Brian Jett

Brian Jett - Let Go  artwork

Let Go

Brian Jett

Genre: Comedy

Price: $ 12.99

Rental Price: $ 0.99

Release Date: August 21, 2012


Parole Officer Walter Dishman (David Denman) is married to a seemingly perfect wife, but as his youth and independence slip away, he feels increasingly trapped by domestic bliss. But when three eccentric ex-convicts are placed under his supervison, it is just the inspiration he needs to turn things around. From the thieving, sultry femme fatale who is trying to seduce him and the cranky geriatric criminal who longs to return to a life of crime, to the doctor convicted of insurance fraud, it’s obvious that everyone has issues that need to be let go, including Walter.

© © 2011 Yeah Yeah Picture & Sound, LLC.

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Rounders – Brian Koppelman, David Lieven & John Dahl

Brian Koppelman, David Lieven & John Dahl - Rounders  artwork

Rounders

Brian Koppelman, David Lieven & John Dahl

Genre: Drama

Price: $ 4.99

Rental Price: $ 3.99

Release Date: September 11, 1998


Academy Award(R) winner Matt Damon (GOOD WILL HUNTING, Best Original Screenplay, 1997; THE BOURNE SUPREMACY) and Edward Norton (THE ITALIAN JOB) star in this story of passion, risk, and the extreme price of friendship! After losing a high-stakes card game, Mike (Damon) gives up gambling for law school and a fresh start with his girlfriend (Gretchen Mol — CRADLE WILL ROCK). But then his best buddy (Norton) gets out of prison and in over his head with a ruthless card shark (John Malkovich — BEING JOHN MALKOVICH). From there, Mike's strong sense of loyalty –- and the lure of the game -– draw him back to the tables in a game he cannot afford to lose! Also starring John Turturro (O BROTHER, WHERE ARE THOU?) and Oscar(R) winner Martin Landau (ED WOOD, Best Supporting Actor, 1994).

© © Miramax

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Where Eagles Dare – Brian G. Hutton

Brian G. Hutton - Where Eagles Dare  artwork

Where Eagles Dare

Brian G. Hutton

Genre: Action & Adventure

Price: $ 4.99

Rental Price: $ 3.99

Release Date: March 12, 1969


Oscar-winners Clint Eastwood ("Million Dollar Baby," "Mystic River") and Richard Burton ("The Spy Who Came in from the Cold," "Who's Afraid of Virginia Woolf?") lead a small group of Allied paratroopers deep into enemy territory to rescue an American general held captive by the Nazis in a castle in the Bavarian Alps. With Oscar-nominee Mary Ure ("Sons and Lovers"). An action-packed thrill ride written by best-selling author Allistair MacLean.

© 1969 Copyright © Warner Bros. Entertainment Inc.

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The Happytime Murders – Brian Henson

Brian Henson - The Happytime Murders  artwork

The Happytime Murders

Brian Henson

Genre: Action & Adventure

Price: $ 14.99

Release Date: August 17, 2018


THE HAPPYTIME MURDERS is set in the underbelly of Los Angeles where puppets and humans coexist. Two clashing detectives, one human and one puppet, are forced to work together to try and solve who is brutally murdering the former cast of “The Happytime Gang,” a beloved classic puppet show.

© © 2018 STX FINANCING, LLC. ALL RIGHTS RESERVED.

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On Fire Live At the Bowl – Queen, Freddie Mercury, Roger Taylor, Brian May & John Deacon

Queen, Freddie Mercury, Roger Taylor, Brian May & John Deacon - On Fire Live At the Bowl  artwork

On Fire Live At the Bowl

Queen, Freddie Mercury, Roger Taylor, Brian May & John Deacon

Genre: Concert Films

Price: $ 12.99

Rental Price: $ 3.99

Release Date: January 1, 2013


Filmed on the Hot Space tour on June 5, 1982 at the Milton Keynes Bowl, this show features the concert in its entirety.

© © 2004 Queen Productions Ltd. Under exclusive license to Eagle Rock Entertainment Ltd.

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Aida – Australian Opera and Ballet Orchestra & Brian Castles-Onion

Australian Opera and Ballet Orchestra & Brian Castles-Onion - Aida  artwork

Aida

Australian Opera and Ballet Orchestra & Brian Castles-Onion

Genre: Classics

Price: $ 15.99

Rental Price: $ 3.99

Release Date: November 30, 2015


World-class opera in a spectacular setting: Opera Australia’s Handa Opera on Sydney Harbour returns with Aida, in a lavish production that captures the grandeur and majesty of Ancient Egypt as never before. With Sydney Harbour, the Opera House and the Harbour Bridge as a backdrop and brilliant fireworks lighting up the night sky, Verdi’s thrilling music rings out in blazing glory, from the soaring passion of ‘Celeste Aida’ to the splendour of the ‘Triumphal March’. Latonia Moore stars as Aida, the Ethiopian slave girl secretly in love with the commander of the Egyptian armies. As Egypt prepares to march on Ethiopia, Aida faces a terrible choice: to save her country, she must betray the man she loves.

© © 2015 Opera Australia

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The Untouchables – Brian De Palma

Brian De Palma - The Untouchables  artwork

The Untouchables

Brian De Palma

Genre: Action & Adventure

Price: $ 4.99

Rental Price: $ 3.99

Release Date: June 3, 1987


The critics and public agree. Brian De Palma's The Untouchables is a must-see masterpiece – glorious, fierce, larger-than-life depiction of the mob warlord who ruled Prohibition-era Chicago… and the law enforcer who vowed to bring him down. This classic confrontation between good and evil and stars Kevin Costner as federal agent Eliot Ness, Robert De Niro as gangland kingpin Al Capone and Sean Connery as Malone, the cop who teaches Ness how to beat the mob: shoot fast and shoot first.

© © 1987 by Paramount Pictures. All Rights Reserved.

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Blood Line: The Life and Times of Brian Deegan – Paul Taublieb & Susan Cooper

Paul Taublieb & Susan Cooper - Blood Line: The Life and Times of Brian Deegan  artwork

Blood Line: The Life and Times of Brian Deegan

Paul Taublieb & Susan Cooper

Genre: Documentary

Price: $ 9.99

Release Date: October 16, 2018


In this adrenaline-soaked documentary, we follow the legendary life and career of motocross superstar, Brian Deegan, one of the most admired action sports athletes in history, as he transitions from an edgy, gravity-defying rebel, to becoming a father to the next generation of motorsports stars.

© © 2018 DM Worldwide Holdings Inc.

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Dead End Drive In – Brian Trenchard-Smith

Brian Trenchard-Smith - Dead End Drive In  artwork

Dead End Drive In

Brian Trenchard-Smith

Genre: Horror

Price: $ 3.99

Rental Price: $ 0.99

Release Date: August 1, 1986


Set in a near-future where the economy has crumbled and violent gangs play havoc in the streets, the powers-that-be have decided to lure the delinquent youth into drive-in cinemas and keep them there. No longer just a place to watch trashy movies and make out, these outdoor picture shows have become concentration camps for the unruly and unwanted.

© © 2017 Arrow Films

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Bride of Re-Animator – Brian Yuzna

Brian Yuzna - Bride of Re-Animator  artwork

Bride of Re-Animator

Brian Yuzna

Genre: Comedy

Price: $ 3.99

Rental Price: $ 0.99

Release Date: July 8, 1990


DATE. MATE. RE-ANIMATE. The success of Stuart Gordon’s hit horror-comedy Re-Animator meant that a sequel was all but inevitable. The resulting follow-up, Bride of Re-Animator – this time helmed by director Brian Yuzna (Society, Return of the Living Dead III) – would prove that there was a good deal more life (and death) left in the story of Dr Herbert West and his ghoulish exploits. It has been eight months since the bloody massacre at Miskatonic Medical School. Unperturbed by the disastrous outcome of his previous meddling with the dead, Dr West (again played by Jeffrey Combs) continues his research into the phenomenon of re-animation; only this time, he plans to create life – starting with the heart of his young protégé Dan’s dearly deceased, Meg Halsey. Surely nothing could go wrong? With special effects master Screaming Mad George (the man behind the infamous “shunting” sequence of Society) on hand to contribute a host of characteristically weird and wonderful creations, Bride of Re-Animator is a more than worthy successor to Stuart Gordon’s original cult classic.

© © 2015 Arrow Video

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The Fury – Brian De Palma

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The Fury

Brian De Palma

Genre: Thriller

Price: $ 14.99

Rental Price: $ 0.99

Release Date: September 4, 2001


In Brian DePalma's terrifying horror/thriller, an elaborate game of mind control begins when the son (Andrew Stevens) of a government agent (Kirk Douglas) is kidnapped for his psychokinetic powers. Desperate to find him, the father hires a girl (Amy Irving) with similar psychic abilities. She soon reveals that his son is a prisoner at a secret U.S. agency where he's being used for dangerous mind experiments and programmed for elimination.

© © 1978 Twentieth Century Fox Film Corporation.

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Phantom of the Paradise – Brian De Palma

Brian De Palma - Phantom of the Paradise  artwork

Phantom of the Paradise

Brian De Palma

Genre: Comedy

Price: $ 4.99

Rental Price: $ 2.99

Release Date: October 31, 1974


After hearing Winslow Leach (William Finley) perform a song from his Faust rock opera, Phil Spector-ish impresario Swan (Paul Williams) decides that Winslow's opera would be the perfect debut attraction for his new rock palace, the Paradise. Swan steals the music and has Winslow imprisoned — but not before Winslow meets aspiring songbird Phoenix (Jessica Harper). Jumping prison, Winslow breaks into Swan's Death Records factory to ruin the recordings, but a record press accident grossly disfigures him. Winslow then sneaks into the Paradise to sabotage Swan's show, disguising himself as the Phantom. Swan, however, cuts a deal with the Phantom to finish his cantata; he promises that Phoenix will sing it but then reneges, hiring prissy glam rocker Beef (Gerritt Graham). Determined to have Phoenix sing, the Phantom soon discovers just how far Swan will go to give the people what they want.

© © 1974 Twentieth Century Fox Film Corporation.

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Brian Wilson and Friends – Brian Wilson

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Brian Wilson and Friends

Brian Wilson

Genre: Concert Films

Price: $ 12.99

Rental Price: $ 2.99

Release Date: July 29, 2016


Brian Wilson and Friends was recorded live in Las Vegas for Chicago television's prestigious 'Soundstage' program, in December 2014. This "Soundstage" special aired on PBS in April 2015 and was offered as a pledge piece for PBS in DVD and Blu-ray configurations. The program features Brian Wilson's phenomenal touring band (including long-time Beach Boys sidemen Blondie Chaplin and Ricky Fataar) along with special guests Mark Isham, Kacey Musgraves, Nate Ruess (front man of Fun) and She & Him. The tremendous set list on the program includes the Beach Boys classics' 'Good Vibrations', 'Don't Worry Baby', 'Wild Honey', 'Wouldn't It Be Nice' and many more..

© © 2014 BMG Rights Management (US) LLC

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Hollywood Worldviews: Watching Films with Wisdom & Discernment (Unabridged) – Brian Godawa

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Hollywood Worldviews: Watching Films with Wisdom & Discernment (Unabridged)

Brian Godawa

Genre: Arts & Entertainment

Price: $ 17.95

Publish Date: November 28, 2016

© ℗ © 2016 Embedded Pictures Publishing

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Fairytale Love – Becca & Brian – Melanie Shawn

Melanie Shawn - Fairytale Love - Becca & Brian  artwork

Fairytale Love – Becca & Brian

Melanie Shawn

Genre: Contemporary

Publish Date: July 30, 2014

Publisher: Red Hot Reads Publishing

Seller: Online Advantage Marketing, LLC


We’re just friends … Fair and beautiful Becca Sloan was used to saying this to people…and it was true. The youngest of Harper’s Crossing’s Quad Squad, she knew she could always rely on her best friend, Brian. Ever since their first encounter on the slide in pre-K, they’d had each other’s backs and were inseparable, through good times and bad. Sexy and charming Brian Scott kept nothing from his best friend, Becca. He knew that she would always be there for him, and she knew that she could always count on him. They had a once-in-a-lifetime friendship that was a constant in both of their lives.  When both Becca and Brian are cast in a dating reality show to find love elsewhere, it becomes clear to them that they may have already found it. With cameras rolling, they’ll have to decide if they should protect their friendship and live un-happily ever after with someone else—or trust in their amazing bond and live happily ever after with each other in a Fairytale Love. **Author's note: Each book in The Crossroads Series can be read as a stand-alone**

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A Thousand Words – Brian Robbins

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A Thousand Words

Brian Robbins

Genre: Comedy

Price: $ 7.99

Rental Price: $ 0.99

Release Date: March 9, 2012


Fast-talking Jack McCall (Eddie Murphy) says whatever it takes to close a deal. But after stretching the truth with a spiritual guru, he suddenly finds his life depending on a magical tree with 1,000 leaves…one for every word he has left. Now Jack's got to stop talking and conjure up some outrageous ways to communicate or he's a goner. See why A Thousand Words is the hilarious, feel-good comedy that has it all: "great cast, great laughs [and a] great time!" Shawn Edwards, FOX-TV

© © 2012 DW Studios L.L.C. All rights reserved.

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Scarface (1983) – Brian De Palma

Brian De Palma - Scarface (1983)  artwork

Scarface (1983)

Brian De Palma

Genre: Drama

Price: $ 4.99

Release Date: December 9, 1983


In the spring of 1980, the port at Mariel Harbor was opened, and thousands set sail for the United States. They came in search of the American Dream. One of them found it on the sun-washed avenues of Miami… wealth, power and passion beyond his wildest dreams. He was Tony Montana. The world will remember him by another name… Scarface.

© © 1983 Universal Studios. All Rights Reserved.

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Brian Helsing Mission 1: Just Try Not To Die – Gareth K Pengelly

Gareth K Pengelly - Brian Helsing Mission 1: Just Try Not To Die  artwork

Brian Helsing Mission 1: Just Try Not To Die

Gareth K Pengelly

Genre: Fantasy

Publish Date: March 11, 2018

Publisher: Gareth K Pengelly

Seller: Draft2Digital, LLC


No-one would have expected Van Helsing's legendary Ring Of Power to fall into the hands of a bumbling idiot.Least of all said idiot – Brian Trelawney, six-foot-seven, socially inept car salesman, now turned vampire hunter. Chosen by the fickle hand of fate to be the latest in the illustrious line of vampire hunters, Brian finds himself thrust way outside of his comfort zone. After a brief spell of training under the Masters of the Helsing Order, Brian is shoved out the door and off into a world of vampires, werewolves and various other Beasties that go Bump In The Night. Armed with all the gear, but absolutely no idea, this cowardly lamp-post of a man must tackle his first mission; to placate a Banshee whose incessant wailing is keeping awake the poor denizens of Bodmin. ++This book contains harsh language and intense stupidity, right from the off. So if you don't enjoy that kind of thing, well, best not read it. Otherwise, enjoy!++

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Norbit – Brian Robbins

Brian Robbins - Norbit  artwork

Norbit

Brian Robbins

Genre: Comedy

Price: $ 7.99

Rental Price: $ 0.99

Release Date: June 5, 2007


A meek and lovable milquetoast married to an overbearing, overweight tyrant finds his life turned upside down when he meets the woman of his dreams in this romantic comedy starring Eddie Murphy, Thandie Newton, Cuba Gooding Jr., and Eddie Griffin.

© © 2007 DreamWorks LLC. All Rights Reserved.

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‘America’s Got Talent’ Contestant Brian King Joseph Shocks Judges With Violin Performance, Despite Facing Rare Nerve Disease

“America’s Got Talent” contestant Brian King Joseph is set to perform with his violin on tonight’s episode of the hit NBC show, and his story will bring you to tears. 


Access Hollywood Latest News

The Brian Setzer Orchestra: It’s Gonna Rock ‘Cause That’s What I Do – The Brian Setzer Orchestra

The Brian Setzer Orchestra - The Brian Setzer Orchestra: It's Gonna Rock 'Cause That's What I Do  artwork

The Brian Setzer Orchestra: It’s Gonna Rock ‘Cause That’s What I Do

The Brian Setzer Orchestra

Genre: Concert Films

Price: $ 12.99

Release Date: October 25, 2010


On June 25th The Brian Setzer Orchestra headlined the opening of the 2010 Montreal Jazz Festival, performing for over 150,000 people!! This feature captures the entire blistering 1-hour and 40-minute set which was easily one of Brian's greatest performances ever!! We guarantee this is one of the best rock shows you'll ever watch. That's a lot to say, but we mean it! Contains some amazing and rare bonus footage that fans won’t want to miss.

© © 2010 Surfdog Records

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Akron – Sasha King & Brian ODonnell

Sasha King & Brian ODonnell - Akron  artwork

Akron

Sasha King & Brian ODonnell

Genre: Drama

Price: $ 9.99

Rental Price: $ 3.99

Release Date: February 7, 2017


Benny and Christopher, college freshmen, meet playing football and begin a relationship, with the support of their family and friends. As their love for each other grows, a past tragic event involving their mothers comes to light, testing their relationship and threatening to divide Benny’s close-knit family. With the beauty of rural Ohio as its backdrop, Benny’s emotional journey examines his own feelings and his family’s ability to come to terms with the past. AKRON is a sensitive and unique independent film that puts a progressive, Midwestern spin on a classic family drama.

© © 2016 Wolfe Video, LLC

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Passion – Brian De Palma

Brian De Palma - Passion  artwork

Passion

Brian De Palma

Genre: Drama

Price: $ 4.99

Rental Price: $ 3.99

Release Date: August 30, 2013


Brian De Palma returns to the sleek, sly, seductive territory of Dressed To Kill with an erotic corporate thriller fueled by sex, ambition, image, envy and the dark, murderous side of PASSION. The film stars Rachel McAdams (Midnight In Paris, Sherlock Holmes, Mean Girls) and Noomi Rapace (Prometheus, The Girl With The Dragon Tattoo) as two rising female executives in a multinational corporation whose fierce competition to rise up the ranks is about to turn literally cut-throat.

© © 2012 SBS PRODUCTIONS – INTEGRAL FILM – FRANCE 2 CINÉMA

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Hollywood Said No!: Orphaned Film Scripts, Bastard Scenes, And Abandoned Darlings from the Creators of Mr. Show (Unabridged) – David Cross, Bob Odenkirk & Brian Posehn (contributor)

David Cross, Bob Odenkirk & Brian Posehn (contributor) - Hollywood Said No!: Orphaned Film Scripts, Bastard Scenes, And Abandoned Darlings from the Creators of Mr. Show (Unabridged)  artwork

Hollywood Said No!: Orphaned Film Scripts, Bastard Scenes, And Abandoned Darlings from the Creators of Mr. Show (Unabridged)

David Cross, Bob Odenkirk & Brian Posehn (contributor)

Genre: Arts & Entertainment

Price: $ 21.95

Publish Date: September 10, 2013

© ℗ © 2013 Hachette Audio

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Payback (1999) – Brian Helgeland

Brian Helgeland - Payback (1999)  artwork

Payback (1999)

Brian Helgeland

Genre: Drama

Price: $ 4.99

Rental Price: $ 3.99

Release Date: July 27, 1999


Mel Gibson gives an unforgettable performance in this explosive film from director Brian Helgeland (L.A. Confidential), which features a superb supporting cast including William Devane, Maria Bello and Lucy Liu. The Director's Cut allows you to see Payback like you've never seen before: through the eyes of its director. Experience a different version of Porter's (Gibson) drive to avenge those who took his money and leave him for dead. Witness the real Payback.

© © 2007 Paramount Pictures. All Rights Reserved.

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Bob’s Burgers FCBD 2016 Edition – Brian Hall, Justin Hook, Frank Forte, Anthony Aguinaldo & Ryan Mattos

Brian Hall, Justin Hook, Frank Forte, Anthony Aguinaldo & Ryan Mattos - Bob's Burgers FCBD 2016 Edition  artwork

Bob’s Burgers FCBD 2016 Edition

Brian Hall, Justin Hook, Frank Forte, Anthony Aguinaldo & Ryan Mattos

Genre: Graphic Novels

Publish Date: May 7, 2016

Publisher: Dynamite Entertainment

Seller: Dynamic Forces, Inc.


The Belcher Family proudly celebrates this year's Free Comic Book Day event with three wild and zany adventures featuring those lovable scamps Tina, Gene, and Louise, plus guest stars Bob, Linda, and all your favorites from Bob's Burgers! It's the official Bob's Burgers comic book based on the fan-favorite (and Emmy Award-winning) Fox animated sitcom, jam-packed with the mouth-watering flavor that longtime fans and curious newcomers can enjoy!

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Permission – Brian Crano

Brian Crano - Permission  artwork

Permission

Brian Crano

Genre: Drama

Price: $ 12.99

Rental Price: $ 6.99

Release Date: January 1, 2016


Anna (Rebecca Hall) and Will (Dan Stevens), were each other’s first everythings: first kiss, first love, first and only relationship. Now, 10 years in, at Anna’s 30th birthday party, as Will is about to propose, the couple’s best friend makes a drunken toast, suggesting that they should sleep around before their inevitable marriage. The joke lands like a lead balloon, but the thought lingers until Anna proposes that they try opening their relationship – as a sexual experiment. Together, they venture out of the purely monogamous boundaries of their relationship and, along the way, evolve.

© © 2016 Permission Productions Inc

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24 Hours to Live – Brian Smrz

Brian Smrz - 24 Hours to Live  artwork

24 Hours to Live

Brian Smrz

Genre: Action & Adventure

Price: $ 12.99

Rental Price: $ 0.99

Release Date: December 1, 2017


Ethan Hawke gives an explosive performance in this epic action-thriller from the producers of JOHN WICK. Travis Conrad (Hawke) is an ex-special ops marine-turned-mercenary who is lured out of retirement by the covert company that used to employ him. After Travis is killed during a brutal firefight, a new regeneration surgery gives him a second chance at life — and one last shot at redemption — in this nonstop, pulse-pounding thrill ride.

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Living Among Us – Brian Metcalf

Brian Metcalf - Living Among Us  artwork

Living Among Us

Brian Metcalf

Genre: Horror

Price: $ 12.99

Rental Price: $ 4.99

Release Date: February 2, 2018


Vampires have just made themselves public! A group of documentary filmmakers have been invited to spend time with them and learn how they live. But as reality sets in, the crew realizes they are in for far more than they bargained for.

© © 2017 Red Compass Media, Inc.

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Line of Defense #1 – Ricardo Sanchez & Brian Ching

Ricardo Sanchez & Brian Ching - Line of Defense #1  artwork

Line of Defense #1

Ricardo Sanchez & Brian Ching

Genre: Graphic Novels

Publish Date: October 8, 2013

Publisher: DC Comics

Seller: DC Comics


The Insurgents are determined to regain control of Arkangel, and their moment will come when Commander Dansing makes an inspection tour of Nightbridge Station. But when Akasuki Svenson gets her orders, she makes other plans!

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Mom & Dad – Brian Taylor

Brian Taylor - Mom & Dad  artwork

Mom & Dad

Brian Taylor

Genre: Horror

Price: $ 9.99

Rental Price: $ 6.99

Release Date: January 19, 2018


A teenage girl and her little brother must survive a wild 24 hours during which a mass hysteria of unknown origins causes parents to turn violently on their own kids.

© © 2017 Mom and Dad Distribution, LLC. All Rights Reserved. 2017 Momentum Pictures, LLC. All Rights Reserved.

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Alan Lennox and the Temp Job of Doom – Brian Olsen

Brian Olsen - Alan Lennox and the Temp Job of Doom  artwork

Alan Lennox and the Temp Job of Doom

Brian Olsen

Genre: Adventure

Publish Date: June 23, 2013

Publisher: Brian Olsen

Seller: Draft2Digital, LLC


Alan Lennox has been assigned yet another soul-crushing temp job, keeping him from his first loves – drinking, playing video games, and looking for a boyfriend. But Alan’s new job proves to be anything but boring when his co-workers start turning up dead. The mysterious megacorporation Amalgamated Synergy has taken a deadly interest in Alan and his three roommates, and the hapless quartet are woefully unequipped to deal with the psychotic secretaries, murderous middle managers, and villainous vice-presidents hunting them down. Their investigation leads them deep into Amalgamated Synergy’s headquarters, but can Alan and his friends stay alive long enough to discover who – or what – waits for them on the top floor? Alan Lennox and the Temp Job of Doom is the first book of The Future Next Door, a contemporary urban science fiction comedic thriller series in four parts. Book One: Alan Lennox and the Temp Job of Doom Book Two: Caitlin Ross and the Commute from Hell Book Three: Mark Park and the Flume of Destiny Book Four: Dakota Bell and the Wastes of Time

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Rockabilly Riot: Osaka Rocka! – Live in Japan 2016 – Brian Setzer

Brian Setzer - Rockabilly Riot: Osaka Rocka! - Live in Japan 2016  artwork

Rockabilly Riot: Osaka Rocka! – Live in Japan 2016

Brian Setzer

Genre: Concert Films

Price: $ 12.99

Rental Price: $ 3.99

Release Date: November 4, 2016


BRIAN SETZER's ROCKABILLY RIOT: OSAKA ROCKA! – LIVE IN JAPAN 2016, was filmed on February 18, 2016 at Namba Hatch in Osaka, Japan. Live and loud, the concert encompasses songs from SETZER's acclaimed 2014 studio album Rockabilly Riot! All Original-a straight-ahead rockabilly album from start to finish featuring SETZER's trademark twang and fretboard fire. This release also features classic hits from his Stray Cats catalog and material from The Brian Setzer Orchestra and his solo albums. In front of the wildly enthusiastic audience, Brian Setzer and his band – Noah Levy (Drums), Kevin McKendree (Piano and Guitar) and Mark Winchester (Bass) – are firing on all cylinders.

© © 2016 Surfdog Records

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The Brian Setzer Orchestra: Live – Christmas Extravaganza! – The Brian Setzer Orchestra

The Brian Setzer Orchestra - The Brian Setzer Orchestra: Live - Christmas Extravaganza!  artwork

The Brian Setzer Orchestra: Live – Christmas Extravaganza!

The Brian Setzer Orchestra

Genre: Concert Films

Price: $ 12.99

Rental Price: $ 2.99

Release Date: September 15, 2005


Filmed on 12/18/04 at the sold out Universal Amphitheatre in LA, "Christmas Extravaganza" captures the full effect of a rockin' Setzer blowout with 25 tracks spanning from Setzer's entire career, from Stray Cats and BSO hits to Christmas chestnuts.

© © 2005 Surfdog, Inc.

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Jingle All the Way – Brian Levant

Brian Levant - Jingle All the Way  artwork

Jingle All the Way

Brian Levant

Genre: Comedy

Price: $ 14.99

Rental Price: $ 3.99

Release Date: October 17, 2006


High powered businessman Howard Langston (Arnold Schwarzenegger), is hard at work taking last-minute orders from customers to whom he just can't say no, including his son, Jamie (Jake Lloyd), who asked for the hottest action figure of the season — Turbo Man! Unfortunately, Howard is facing one BIG problem. It's Christmas Eve and Turbo Man has been sold out since Thanksgiving! Howard's down-to-the-wire trek to find Turbo Man quickly turns into an odyssey wilder than he could have ever imagined. In the course of his seemingly endless Yuletide misadventures, he finds himself in a no-holds-barred fight-to-the-finish with a crazed postman named Myron (Sinbad), who is out to claim the last Turbo Man for his kid. It's enough to scare away even the bravest of men. But to Howard, this is war — and he's determined to win…no matter what!

© © 1996 Twentieth Century Fox Film Corporation.

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Blue Crush – Brian Grazer

Brian Grazer - Blue Crush  artwork

Blue Crush

Brian Grazer

Genre: Action & Adventure

Price: $ 14.99

Rental Price: $ 3.99

Release Date: August 16, 2002


They're three friends with one passion: fulfilling their dream of living the ultimate adventure amid the island paradise of Hawaii's fabled North Shore! Hailed as an exhilarating "fun ride" by People Magazine, Blue Crush is an adrenaline-powered story of heartfelt friendship and nonstop action that The Washington Post raves is "a big, sexy, sun-splashed thrill."

© © 2002 Universal Studios. All Rights Reserved.

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Society – Brian Yuzna

Brian Yuzna - Society  artwork

Society

Brian Yuzna

Genre: Horror

Price: $ 9.99

Rental Price: $ 3.99

Release Date: June 11, 1992


IT IS A MATTER OF GOOD BREEDING. REALLY. After producing Stuart Gordon’s hit Re-Animator, Brian Yuzna (Bride of Re-Animator, Return of the Living Dead III) turned his hand to directing with 1989’s Society, and gave birth to one of the ickiest, most original body horror shockers of all time. Teenager Bill Whitney (Billy Warlock) has always felt like the odd one out in his wealthy, upper-class Beverly Hills family. For some reason, he just doesn’t seem to fit in. But his sense of alienation takes a sinister turn when he hears an audio recording of his sister’s coming-out party, which seems to implicate his family and others in a bizarre, ritualistic orgy. And then there are the strange things he’s been seeing – glimpses of people with their bodies contorted impossibly out of shape… Is Bill going mad or is there something seriously amiss in his neighbourhood? Packing stomach-churning grue and thought-provoking social commentary in equal measure, Society is a biting horror satire which culminates in one of the most gag-inducing “climaxes”’ in all of horror history.

© © 2015 Arrow Films

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Carlito’s Way – Brian De Palma

Brian De Palma - Carlito's Way  artwork

Carlito’s Way

Brian De Palma

Genre: Drama

Price: $ 4.99

Release Date: November 10, 1993


From the director of Scarface comes the critically acclaimed crime thriller Carlito's Way. Oscar® winner Al Pacino gives on electrifying performance as former drug kingpin Carlito Brigante, who is sprung from prison by his high-powered attorney (Academy Award® winner Sean Penn). He stuns the New York underworld by vowing to go straight from a history of violence, but his plans are undermined by misguided loyalties and an outmoded code of honor. In a life-or-death battle, Carlito takes on the relentless forces that refuse to let him go. Co-starring John Leguizamo and Luis Guzman, Carlito's Way is a powerful, action-packed ride all the way to its explosive conclusion.

© © 1993 Universal City Studios, Inc. All Rights Reserved.

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Dragon Airways – Brian Rathbone

Brian Rathbone - Dragon Airways  artwork

Dragon Airways

Brian Rathbone

Genre: Action & Adventure

Publish Date: May 27, 2017

Publisher: White Wolf Press, LLC

Seller: Draft2Digital, LLC


Lured by ancient magic, a boy with special needs and unusual talents becomes valuable to both sides of the war. Fleeing those sent to capture him, he and his sister board Dragon Airways.

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Legend (2015) – Brian Helgeland

Brian Helgeland - Legend (2015)  artwork

Legend (2015)

Brian Helgeland

Genre: Drama

Price: $ 4.99

Rental Price: $ 3.99

Release Date: October 2, 2015


From Academy Award® winner Brian Helgeland (L.A. Confidential) comes the true story of London's most notorious gangsters, twins Reggie and Ronnie Kray (Tom Hardy, Mad Max: Fury Road). As the brothers rise through the criminal underworld, Ronnie advances the family business with violence and intimidation while Reggie struggles to go legitimate for local girl Frances Shea (Emily Browning, Sucker Punch). In and out of prison, Ronnie’s unpredictable tendencies and the slow disintegration of Reggie's marriage threaten to bring the brothers' empire tumbling to the ground.

© © 2015 Universal Studios. All Rights Reserved.

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America’s Army #11 – Tides of Change – M. Zachary Sherman, Scott R. Brooks, J Brown, Brian Rood & Marshall Dillion

M. Zachary Sherman, Scott R. Brooks, J Brown, Brian Rood & Marshall Dillion - America's Army #11 - Tides of Change  artwork

America’s Army #11 – Tides of Change

M. Zachary Sherman, Scott R. Brooks, J Brown, Brian Rood & Marshall Dillion

Genre: Graphic Novels

Publish Date: October 14, 2014

Publisher: IDW Publishing

Seller: Idea and Design Works, LLC


Betrayed by Dr. Creighton, Captain Reed and Sergeant Dixon have been captured by Czervenian forces and are being held in an underwater facility with little hope of escape in America's Army #11 – Tides of Change.

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America’s Army #10 – Point of Contact – M. Zachary Sherman, Scott R. Brooks, J Brown, Brian Rood & Marshall Dillion

M. Zachary Sherman, Scott R. Brooks, J Brown, Brian Rood & Marshall Dillion - America's Army #10 - Point of Contact  artwork

America’s Army #10 – Point of Contact

M. Zachary Sherman, Scott R. Brooks, J Brown, Brian Rood & Marshall Dillion

Genre: Graphic Novels

Publish Date: July 16, 2014

Publisher: IDW Publishing

Seller: Idea and Design Works, LLC


After escaping the destruction of the Pipeline facility and surviving the explosion, Captain Reed, Sergeant Dixon and the freed scientist, Dr. Creighton are lost in the darkness of a system of underground railway tunnels.  Meanwhile, above ground the Mustangs deal with the possible loss of two of their teammates. But the squad must place the mission first and provide security for the Army CBRN units looking for clues about Adzic's secret plan in the aftermath. The fight is not over yet in America's Army #10 – Point of Contact.

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Bob’s Burgers FCBD 2016 Edition – Brian Hall, Justin Hook, Frank Forte, Athony Aguinaldo & Ryan Mattos

Brian Hall, Justin Hook, Frank Forte, Athony Aguinaldo & Ryan Mattos - Bob's Burgers FCBD 2016 Edition  artwork

Bob’s Burgers FCBD 2016 Edition

Brian Hall, Justin Hook, Frank Forte, Athony Aguinaldo & Ryan Mattos

Genre: Graphic Novels

Publish Date: June 8, 2016

Publisher: Dynamite Entertainment

Seller: Dynamic Forces, Inc.


The Belcher Family proudly celebrates this year's Free Comic Book Day event with three wild and zany adventures featuring those lovable scamps Tina, Gene, and Louise, plus guest stars Bob, Linda, and all your favorites from Bob's Burgers! It's the official Bob's Burgers comic book based on the fan-favorite (and Emmy Award-winning) Fox animated sitcom, jam-packed with the mouth-watering flavor that longtime fans and curious newcomers can enjoy!

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Inherited Danger – Brian Rathbone

Brian Rathbone - Inherited Danger  artwork

Inherited Danger

Godsland Series Book Two

Brian Rathbone

Genre: Epic

Publish Date: February 25, 2013

Publisher: White Wolf Press, LLC

Seller: Brian Keith Rathbone


Book Two of The Dawning of Power trilogy. Catrin leaves her homeland behind as she goes in search of knowledge and peace, unaware that she will face the greatest evil her world has ever known.

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Lix and Basta – The Voice in the Star – Brian Rathbone & Mark A. Gilchrist

Brian Rathbone & Mark A. Gilchrist - Lix and Basta - The Voice in the Star  artwork

Lix and Basta – The Voice in the Star

Brian Rathbone & Mark A. Gilchrist

Genre: Graphic Novels

Publish Date: June 14, 2017

Publisher: Brian Rathbone

Seller: Draft2Digital, LLC


Dragons Need Color to Live Join Lix and Basta on a colorful adventure for kids. This children's picture book tells the story of two young dragons trying to keep their color. Note: Parts 1, 2 and 3 are also available in a single book, The Lost Dragons.

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Call of the Herald – Brian Rathbone

Brian Rathbone - Call of the Herald  artwork

Call of the Herald

Godsland Series Book One

Brian Rathbone

Genre: Epic

Publish Date: February 25, 2013

Publisher: White Wolf Press, LLC

Seller: Brian Keith Rathbone


Book One of The Dawning of Power trilogy. Echoes of the ancients' power are distant memories, tattered and faded by the passage of eons, but that is about to change. A new dawn has arrived. Latent abilities, harbored in mankind's deepest fibers, wait to be unleashed. Ancient evils awaken, and old fears ignite the fires of war.

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Paper Girls #1 – Brian K. Vaughan & Cliff Chiang

Brian K. Vaughan & Cliff Chiang - Paper Girls #1  artwork

Paper Girls #1

Brian K. Vaughan & Cliff Chiang

Genre: Graphic Novels

Publish Date: October 7, 2015

Publisher: Image Comics

Seller: Image Comics, Inc.


SAGA writer BRIAN K. VAUGHAN launches a brand-new ONGOING SERIES with superstar Wonder Woman artist CLIFF CHIANG! In the early hours after Halloween of 1988, four 12-year-old newspaper delivery girls uncover the most important story of all time. Stand By Me meets War of the Worlds in this mysterious young adult adventure, starting with a spectacular DOUBLE-SIZED FIRST ISSUE!

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Tell ‘Em Steve Dave Presents: A Small Fistful of Dollahs – Walter Flanagan, Bryan Johnson, Brian Quinn, Sunday Jeff

Walter Flanagan, Bryan Johnson, Brian Quinn, Sunday Jeff - Tell 'Em Steve Dave Presents: A Small Fistful of Dollahs  artwork

Tell ‘Em Steve Dave Presents: A Small Fistful of Dollahs

Walter Flanagan, Bryan Johnson, Brian Quinn, Sunday Jeff

Genre: Comedy

Price: $ 5.95

Publish Date: April 2, 2015

© ℗ © 2015 Makin Hay Books. Inc.

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The New 52: Futures End FCBD Special Edition #0 – Brian Azzarello & Jeff Lemire

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The New 52: Futures End FCBD Special Edition #0

Brian Azzarello & Jeff Lemire

Genre: Graphic Novels

Publish Date: May 14, 2014

Publisher: DC Comics

Seller: DC Comics


THE NEW 52: FUTURES END starts here with this special Free Comic Book Day issue! What tragedy has befallen the DC Universe and how can Batman Beyond fix it? The story continues in the weekly series THE NEW 52: FUTURES END!

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Laugh Factory Vol. 21 of All Access with Dom Irrera – Dane Cook, Bobby Lee, Harland Williams, Jon Lovitz & Brian Scolaro

Dane Cook, Bobby Lee, Harland Williams, Jon Lovitz & Brian Scolaro - Laugh Factory Vol. 21 of All Access with Dom Irrera  artwork

Laugh Factory Vol. 21 of All Access with Dom Irrera

Dane Cook, Bobby Lee, Harland Williams, Jon Lovitz & Brian Scolaro

Genre: Comedy

Price: $ 1.95

Publish Date: July 30, 2007

© ℗ © 2007 Laugh Factory IMG Media, LLC

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The Avengers, Vol. 1 – Brian Michael Bendis & John Romita, Jr.

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The Avengers, Vol. 1

Brian Michael Bendis & John Romita, Jr.

Genre: Graphic Novels

Publish Date: December 13, 2012

Publisher: Marvel

Seller: Disney Publishing Worldwide


Read the first chapter of Avengers by Brian Michael Bendis Vol. 1. The Avengers have never been mightier as Iron Man, Captain America, Thor, Spider-Man, Wolverine and more team together to stop threats no single hero can stop.

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Jamie Chung and Brian Greenberg Say “I Do” at Halloween Wedding

Trick or "I do": Jamie Chung and Brian Greenberg swapped vows in the spookiest way possible, marrying in a Halloween wedding earlier tonight, Us Weekly has confirmed. The two exchanged vows before family and friends…


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Brian Austin Green — Officially Asks Megan Fox for Spousal Support

Brian Austin Green just put it in writing … he’s asking soon-to-be ex-wife Megan Fox for spousal support.  In the docs filed Tuesday, Green checks the box for spousal support … a move we saw coming.TMZ broke the story … Green has…

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Plastic Galaxy: The Story of Star Wars Toys – Brian Stillman

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Plastic Galaxy: The Story of Star Wars Toys

Brian Stillman

Genre: Documentary

Price: $ 6.99

Rental Price: $ 0.99

Release Date: January 14, 2014


When Star Wars landed in the theaters, it introduced audiences to a galaxy filled with heroes and villains, robots and space ships, and a dizzying variety of alien life. But when the lights came up, they all disappeared… Unless you had all the toys. In which case, the adventure never had to end. Like no toys before them, Star Wars toys were a phenomenon that swept the nation, permanently transforming both the toy and movie industries, and ultimately creating a hobby that, 30 years later, still holds sway over its fans. Plastic Galaxy is a documentary that explores the groundbreaking and breathtaking world of Star Wars toys. Through interviews with former Kenner employees, experts and authors like Stephen Sansweet and Gus Lopez, and of course collectors, it looks at the toys’ history, their influence, and the fond and fervent feelings they elicit today.

© © 2014 Brian Stillman

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A Knight’s Tale – Brian Helgeland

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A Knight’s Tale

Brian Helgeland

Genre: Action & Adventure

Price: $ 9.99

Rental Price: $ 2.99

Release Date: May 11, 2001


After serving a number of years as a squire, an earnest young commoner poses as a knight and establishes himself in the jousting tournaments of Europe. He and a princess fall in love, but she is unaware of his deceit and common roots. The false knight is estranged from the princess once his true roots are revealed. He struggles to amend their relationship.

© © 2001 Columbia Pictures Industries, Inc. All Rights Reserved.

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Poltergeist II: The Other Side – Brian Gibson

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Poltergeist II: The Other Side

Brian Gibson

Genre: Horror

Price: $ 14.99

Rental Price: $ 2.99

Release Date: May 23, 1986


This effects-heavy installment is the inevitable sequel to one of the more effectively spooky and financially successful horror films of the '80s. The Freeling family is trying to grapple with the devastation wrought by the ghosts and ghouls that destroyed their lives. Steve (Craig T. Nelson), Diane (JoBeth Williams), and their kids, Carol Anne (Heather O'Rourke) and Robbie (Oliver Robins), have been reduced to living in the home of Diane's mother, Jess (Geraldine Fitzgerald) because the insurance company refuses to believe what happened to their house. The Freelings are unfortunately unable to escape patches of unholy ground living in a house that is just as haunted as the last. The evil spirit of the mad cult leader Kane (Julian Beck) has returned in an effort to kidnap Carol Anne. After realizing what's happening, the Freelings call upon the psychic medium Tangina Barrons (Zelda Rubinstein) for help, and are aided by a benevolent Native American spiritualist, Taylor (Will Sampson).

© © 1986 Metro-Goldwyn-Mayer Studios Inc. All rights reserved.

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Mission: Impossible – Brian De Palma

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Mission: Impossible

Brian De Palma

Genre: Action & Adventure

Price: $ 9.99

Rental Price: $ 2.99

Release Date: November 17, 1998


Tom Cruise ignites the screen in this runaway smash hit that "holds you on the edge of your seat before blasting you out of it." (Howard Rosenberg, Los Angeles Times). Cruise stars as Ethan Hunt, a secret agent framed for the deaths of his espionage team. Fleeing from government assassins, breaking into the CIA's most impenetrable vault, clinging to the roof of a speeding bullet train, Hunt races like a burning fuse to stay one step ahead of his pursuers… and draw one step closer to discovering the shocking truth.

© TM, ® & Copyright © 1996 by Paramount Pictures. All Rights Reserved.

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The Unsuspecting Mage: The Morcyth Saga Book One – Brian S. Pratt

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The Unsuspecting Mage: The Morcyth Saga Book One

Brian S. Pratt

Genre: Fantasy

Publish Date: March 30, 2009

Publisher: Brian S. Pratt

Seller: Smashwords


“Want to be a mage? Then do we have the job for you…” Sounds great for a veteran role-player. When on-the-job training entails battling demons, learning magic through trial and error, and living in a world without toilet paper, things could get rough. But to be dropped in the middle of a forest and having to do it on your own with no instruction…welcome to James’ world. It all gets started when his grandfather suggests to James, a young man on the verge of graduating high school, that he check out the following advertisement for a job. “Magic! Real Magic! Ever wanted to learn? We require someone with intelligence and a disciplined mind. Those well versed in fantasy novels and role playing games a plus. May need to travel.” Sounded like the perfect job for a veteran role-player and avid fantasy reader. James had no idea he’d be whisked to another world, completely cut off from friends and family. Arriving in a meadow in the middle of a forest, he’s greeted by a creature not entirely human. He was then told three things: Magic works here… Don’t try to go home… Get to the village of Trendle… Then the creature vanished. Which way was Trendle? Where was he? What might inhabit the forest that will seek his ruination? These were but a few of the questions needing to be unraveled. Alone with only his wits and knowledge gleaned from hundreds of books and dungeon campaigns, he started out just trying to survive. He soon learned that one mistake, one lapse in judgment could mean his death. Not long after arriving, he made the acquaintance of Miko, a street-wise kid who quickly became his friend and companion. Little did he know that the strength within this child from the streets of Bearn, a strength that would be tested again and again as they waded through battle after battle, delved in hidden passages deep beneath the earth, and faced off against an the might of an Empire, would be invaluable in the trials ahead. The Unsuspecting Mage is the first book of The Morcyth Saga, a seven book epic fantasy adventure. It follows James as he seeks first to master the art of magic then to uncover the reason why he had been brought to this strange new world where armies are on the move and gods meddle in the affairs of men.

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The Strat Pack – Jasmine, Steve Rodgers, Amy Winehouse, Paul Rodgers, Joe Walsh, Ron Wood, All Star Line-Up, Phil Manzanera, David Gilmour, Gary Moore, Brian May, Hank Marvin, The Crickets, Albert Lee, Ben Marvin, Paul Carrack, Jamie Cullum, Theresa Andersson & Mike Rutherford

Jasmine, Steve Rodgers, Amy Winehouse, Paul Rodgers, Joe Walsh, Ron Wood, All Star Line-Up, Phil Manzanera, David Gilmour, Gary Moore, Brian May, Hank Marvin, The Crickets, Albert Lee, Ben Marvin, Paul Carrack, Jamie Cullum, Theresa Andersson & Mike Rutherford - The Strat Pack  artwork

The Strat Pack

Jasmine, Steve Rodgers, Amy Winehouse, Paul Rodgers, Joe Walsh, Ron Wood, All Star Line-Up, Phil Manzanera, David Gilmour, Gary Moore, Brian May, Hank Marvin, The Crickets, Albert Lee, Ben Marvin, Paul Carrack, Jamie Cullum, Theresa Andersson & Mike Rutherford

Genre: Concert Films

Price: $ 12.99

Release Date: January 1, 2005


In autumn 2004, London’s Wembley Arena staged what must surely go down as the greatest guitar concert of all time to celebrate the 50th birthday of a true rock icon – The Fender Stratocaster Guitar. Members of Queen, Genesis, Thin Lizzy, The Crickets, The Shadows, Free, The Eagles, Roxy Music, Pink Floyd and The Rolling Stones plus solo stars Amy Winehouse, Albert Lee, Jamie Cullum, Theresa Andersson, and Paul Carrack all gathered on one stage to honor the occasion and also to raise money for Nordoff Robbins Music Therapy.

© © 2005 Silver Clef Productions Ltd. Eagle Rock Entertainment Limited

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Queen’s Brian May Says Adam Lambert ‘Doesn’t Want To Be With Us All The Time’

Sorry Queen fans, guitarist Brian May says that the band are not working on a new album because singer Adam Lambert “doesn’t want to be with us all the time.” “[A new album] is not coming along, no we’re not doing that,” May told Gigwise. “Not at the moment anyway, we might do. At the moment we’re watching with interest while Adam pursues his solo career . . .”
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Kaycee Dean, Brian Surewood

Kaycee Dean is a hard core and wacky California model that likes pumping older dudes. She’s also a fast talker, who doesn’t shut up unless you muzzle her mouth with a fat meatstick. This deepthroat babe can slurp manmeat with the best of them, and her dripping coochie was built to take a beating. Watch her face get banged silly before she’s flipped on her back and plowed like the girl she is.

I am Eighteen

Riley, Brian Surewood

Riley is the proud owner of an incredibly puffy fuckhole and a perfectly plump bum. This middle-American girl from Indiana is only a month away from turning 19, but for now, she’s still our little 18 year old whore. Just look at those luscious dimples! Now grab those pigtails and pull her head toward your dickhead. Let this airtight cocksucker take it all the way down. This loud screamer loves it xxx and thinks cream is always good to the last drop.

I am Eighteen

Steep Your Soul: How Brian Grazer Begins Each Day | Super Soul Sunday | Oprah Winfrey Network

Brian Grazer is one of the most successful men in Hollywood’s history. He’s the producer behind movie classics like Splash, Apollo 13 and A Beautiful Mind as well as the recent television smash hit Empire. Combined, his work has been nominated for 43 Oscars® and 149 Emmys®. Yet, no matter what project he’s working on or where his work takes him, Brian follows the same morning ritual he’s had for the last 20 years.

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“Super Soul Sunday” is a two-time Emmy award-winning series that delivers a thought-provoking, eye-opening and inspiring block of programming designed to help viewers awaken to their best selves and discover a deeper connection to the world around them. The series features exclusive interviews and all-new conversations between Oprah Winfrey and top thinkers, authors, filmmakers and spiritual leaders. Exploring themes and issues including happiness, personal fulfillment, wellness, spirituality and conscious living. “Super Soul Sunday” presents an array of perspectives on what it means to be alive in today’s world.

Oprah Winfrey Network is the first and only network named for, and inspired by, a single iconic leader. Oprah Winfrey’s heart and creative instincts inform the brand — and the magnetism of the channel.

Winfrey provides leadership in programming and attracts superstar talent to join her in primetime, building a global community of like-minded viewers and leading that community to connect on social media and beyond. OWN is a singular destination on cable. Depth with edge. Heart. Star power. Connection. And endless possibilities.

Discover OWN TV:
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Our Fantastic Lineup: http://bit.ly/1qMi2jE

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Brian Grazer Is On Super Soul Sunday April 19 | Super Soul Sunday | Oprah Winfrey Network

Oprah sits down with prolific film and television producer Brian Grazer for a conversation about expanding our curiosity, a trait he attributes to his success and says should be as much a part of our culture as creativity and innovation.

Find OWN on TV at http://www.oprah.com/FindOWN

SUBSCRIBE: http://bit.ly/1vqD1PN

“Super Soul Sunday” is a two-time Emmy award-winning series that delivers a thought-provoking, eye-opening and inspiring block of programming designed to help viewers awaken to their best selves and discover a deeper connection to the world around them. The series features exclusive interviews and all-new conversations between Oprah Winfrey and top thinkers, authors, filmmakers and spiritual leaders. Exploring themes and issues including happiness, personal fulfillment, wellness, spirituality and conscious living. “Super Soul Sunday” presents an array of perspectives on what it means to be alive in today’s world.

Oprah Winfrey Network is the first and only network named for, and inspired by, a single iconic leader. Oprah Winfrey’s heart and creative instincts inform the brand — and the magnetism of the channel.

Winfrey provides leadership in programming and attracts superstar talent to join her in primetime, building a global community of like-minded viewers and leading that community to connect on social media and beyond. OWN is a singular destination on cable. Depth with edge. Heart. Star power. Connection. And endless possibilities.

Discover OWN TV:
Find OWN on you TV!: http://bit.ly/1wJ0ugI
Our Fantastic Lineup: http://bit.ly/1qMi2jE

Connect with OWN Online:
Visit the OWN WEBSITE: http://bit.ly/1qMi2jE
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Hear Brian Wilson and Kacey Musgraves’ Whimsical ‘Guess You Had to Be There’

She’s one of country music’s most buzzed-about young performers, but one listen to Kacey Musgraves vocal contribution on “Guess You Had to Be There,” from Beach Boys founder Brian Wilson’s upcoming album, No Pier Pressure, suggests she could have fit in well during the girl-group heyday of the Sixties.

The breezy…
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Brian Wilson Plots Summer Tour With Former Beach Boys

A couple of months after Brian Wilson releases his upcoming album, No Pier Pressure, the singer-songwriter will hit the road for a summer tour. Wilson’s former Beach Boys bandmates Al Jardine and Blondie Chaplin, who recorded the No Pier Pressure song “Sail Away” with him, will join him on the…
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Twitter Reminds Brian Williams With Memes That He’s A Jackass [Photos]

Brian Williams’ little white “misremembering” of an account that transpired in 2003 Iraq just may be the nail in the coffin for the veteran news anchor’s career.

Last week, NBC News posted a 12-year-old video clip to their Facebook page where Williams recounted his war hero tale of being in a Chinook helicopter that took RPG fire. The video began to many of comments–prompted from Lance Reynolds writing “Sorry dude, I don’t remember you being on my aircraft. I do remember you walking up about an hour after we had landed to ask me what had happened.”

Shortly after that online sh*tstorm, Williams offered some “clarification” on his story: “I want to apologize. I said I was traveling in an aircraft that was hit by RPG fire. I was instead in a following aircraft,” he said. ” I made a mistake in recalling the events of 12 years ago.”

Shortly after, Williams’ Twitter account was scrubbed of all activity, leaving a picture of barren news desk at NBC headquarters. The Washington Post points out that Williams has knowingly lied on his war wounds on several occasions over the years and obviously was only going to come clean when exposed.

Which is where social media comes in. For nearly 24 hours, trending topics such as #BrianWilliamsWarStories and #BrianWilliamsMisremembers have been flooding timelines with no signs of subsiding.

Peep the funniest memes from the crazy lie in the gallery below.


Photos: Twitter

The post Twitter Reminds Brian Williams With Memes That He’s A Jackass [Photos] appeared first on Hip-Hop Wired.

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Queen’s Brian May Says ‘Adam Lambert Is A Gift From God’

If you were to ask Queen‘s Brian May about Adam Lambert, he would tell you that he is a “gift from God.” May says that Lambert was the only performer they had found who was capable of filling the shoes of iconic frontman Freddie Mercury. “Adam is the first person we’ve encountered who can do all the Queen catalogue without blinking,” May tells Classic Rock.
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Brian May And Roger Taylor Aren’t Fans Of Queen’s New Album

Queen released a two-disc compilation last month, which band members Brian May and Roger Taylor weren’t pleased with. “Apart from that it is a rather odd mixture of our slower stuff, I didn’t want the double-album version they’ve put out,” griped Taylor. “It’s an awful lot for people to take in, and it’s bloody miserable. I wouldn’t call it an album either.”
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Rockabilly, Empty Hearts & Psycho Sisters: Chats with Brian Setzer, Elliot Easton, Vicki Peterson & Susan Cowsill…Plus!

2014-08-10-BrianSetzerAugust12th.jpg

A Conversation with Brian Setzer

Mike Ragogna: Brian, let’s talk about your new album, Rockabilly Riot! All Original. It’s all original material and you start it off with the adrenalized “Let’s Shake.” Rockabilly’s really all about the shake, isn’t it?

Brian Setzer: Yeah! [laughs] To me, it seems like nervous energy, you know? It was invented by guys who were just getting back after the war and they were experimenting. Guys from the country were mixing up that kind of music with the blues, there were jazz players who were experimenting with it, it was kind of a mish-mash. It seems like a big ball of energy to me, I guess that’s what’s always attracted me to it.

MR: I’ve been following your music for decades, and my feeling is you discovered that junction point where rockabilly meets swing and dirty boogie.

BS: I saw that it would work because it’s all based on the blues. The blues is the great granddaddy of all this music. That’s where it all comes from. So to me, it was like, “Why wouldn’t it work?” Country, swing, jazz, rockabilly, rock ‘n’ roll, it all comes from the blues, so why wouldn’t it work? It wasn’t like I was trying to mix baroque music in there with it. All that music came from the blues. If you like these kinds of music, you take these little pieces that you like and you throw it in. It’s like making a bowl of chili or something, to me. It’s personal taste. Some guys like a little more jazz in their rockabilly, some guys like a little more rock ‘n’ roll. That’s the way you play it. But I always knew that would all work because it was based on the blues.

MR: To me, that’s “Americana.” What’s interesting is that we’ve defined “Americana” as this mid-tempo, kind of rocking, organic-ish, Byrds-influenced music, but it seems like the name “Americana” should’ve been applied to the blues, jazz, gospel, and, of course, rockabilly, that are truly “American” forms of music that sprang from history and culture.

BS: I get what you’re saying, the Americana label is almost folk music, isn’t it?

MR: Yeah, exactly.

BS: Yeah, I’m kind of an anomaly there, I never really fit into anybody’s box. I don’t know how I got those Grammys because I am certain there’s not a rockabilly category. They just kind of squeezed between the cracks somehow.

MR: Yeah, I think you’re right on with that. Okay, so for Rockabilly Riot! All Original, did you sit down and write these songs for the album or were these songs collecting?

BS: You know, I’m a songwriter. I sit down and I write songs. Then I decide what it’s going to be. “Is this going to be a big band record? Should I write some charts behind it? Is this going to be music for other people?” Once I wrote that first song, which was “Vinyl Records”–inspired by my daughter who collects vinyl records now–I was kind of off and running. You need that little spark. It starts a fire. Once a spark starts, you kind of get rolling. After I wrote “Vinyl Records,” I wrote a couple more and I said, “This is a rockabilly record.” Then what you want to do is not repeat too much. You don’t want twelve songs with the same beat in the same key. After you’ve written two or three that might be similar, you want to change gears a little bit. That’s kind of how I look at making a record.

MR: I love how you musically referenced Johnny Horton. I’m not sure I’ve ever heard that done before the way you set it up.

BS: [hums cadence] Yeah, it’s got that Johnny Horton “Battle Of New Orleans” beat, which is really a military drumbeat.

MR: “The Girl With The Blues In Her Eyes” is another off the beaten path song, too. I guess that speaks to your earlier point of having variety on your record.

BS: You know, I came up with that just sitting down. I played a D major chord, which any beginning guitar player can play, but instead of going to A or G, I went to D minor and went, “Oh, that’s different, I’ve never really heard that.” Then I went to the G and the G minor. It sounded really different, but it was a little Beatle-sounding to me, so I thought, “I’ve got to make that fit into the ‘billy side a little more.” I added Paul Franklin on pedal steel and my friend Mike Himelstein wrote the lyrics. He didn’t have that in the title, “The Girl With The Blues In Her Eyes.” It was in the lyrics and I went, “Oh no, Mike, that’s the title. You have to rewrite these lyrics because that’s perfect. That’s the title of the songs.”

MR: Pretty original.

BS: Yeah, I thought that was really kind of different. When you get a spark flying like that, it just starts to roll.

MR: Speaking of rolling, “Nothing Is A Sure Thing” going into “What’s Her Name?” going into “Calamity Jane” practically comes off as a little storyline.

BS: I never thought of it that way! It’s really hard to sequence a record, you know? I guess you could look at it that way.

MR: To me, it was like love sets you up for a fall with “Nothing Is A Sure Thing,” then in “What’s Her Name?” you’re looking for her, and then “Calamity Jane” seems to be the end game.

BS: [laughs] In “What’s Her Name?” I was trying to talk about a guy who really loves a girl and he pretends he’s forgotten about her but he hasn’t. He’s going to go out looking for “What’s Her Name.” For “Calamity Jane,” I was thinking of an old western saloon, really, with that bluegrass call.

MR: The images push the envelope, but musically, it’s all very rockabilly.

BS: It’s all based on rockabilly. It jumps off in different directions, but it’s definitely a rockabilly record.

MR: Let’s talk about the players on Rockabilly Riot! All Original. You have Kevin McKendree, Mark Winchester, Noah Levy… Was this a dream rockabilly band for you?

BS: They’re the best guys I could think of. Mark retired, he became a carpenter to raise his daughters. More power to him, I don’t know many guys who could really do that. He came out of the woodwork again down in Nashville. As he says, “I’m tired of playing for the tip jar.” He’s back to playing, so I said, “Mark, you’re in.” Kevin I’ve used before, he’s a rockabilly piano player. That’s his favorite. Jerry Lee Lewis is his idol, but he could also be Oscar Peterson. Then as far as a drummer, I’ve got a local guy. I just love Noah’s feel. It’s kind of swampy, it’s not rock. It’s hard to find a rockabilly drummer. You don’t want a guy that can’t swing, he’s got to be able to swing. Noah’s got that swampy feel I like. My joke is I think the only way you could make a better rockabilly record is if you got Elvis to sing it, because I’m no Elvis. But I think I hold up my end on the guitar.

MR: You do, sir! Brian, to me, you are one of the best guitar players out there. It isn’t you’re your rockabilly either. Look at The Knife Feels Like Justice, which is one of my favorite albums ever.

BS: Oh wow.

MR: I feel that you could’ve gone any musical direction you wanted. But that’s not what you wanted. Brian, do you know what made you follow–actually, create–your particular mélange of rockabilly-plus?

BS: That’s a good question. You’re right, I could’ve grown really long hair and bought a Les Paul and a Marshall and made a lot of money. [laughs] Let’s face it, rockabilly is not on the tip of everyone’s tongue. I’ve got to say, I think it chose me. My first memory of hearing rockabilly records were the ones that my dad brought back from the army. He was drafted like most men of that era and stationed in Korea. His unit had a lot of guys from the south. He didn’t talk about it too much, but he said, “I was stationed with these guys from the south, they were playing this music here and I like it.” He had a Carl Perkins record, a Johnny Cash record and an Elvis record. I said, “Wow, this Carl Perkins guy, wow! Johnny Cash, I’ve never heard of him! Jerry Lee Lewis?” Then when The Beatles came out, I heard them cover the Carl Perkins songs. The Stones did a Chuck Berry song and I went, “Oh!” You don’t want to like the same music your dad likes when you’re a kid, right? But my dad would come in whistling the song and I’d say, “How do you know this song? This is The Beatles! This is The Rolling Stones!” and he’d say, “No, it’s Johnny Cash, it’s Carl Perkins. I don’t know who these English guys are but this is Johnny Cash.” I guess that’s the first experience I had wit hit, at a very young age.”

MR: And that molded you to need to do this.

BS: I just always loved that sound and the simplicity. It paralleled the energy of punk rock except the guys really knew how to play. It just spoke to me. It’s kind of like asking a guy why he likes redheads over brunettes. You really can’t give a solid answer.

MR: When you think about that era, rockabilly does seem to infer the roots of punk, right?

BS: It really does. It parallels it. I’m telling you, our first Stray Cats gig in England, you could draw a line done the middle of the club, punks were on one side and rockabillies were on the other side and they were nudging each other, really elbowing each other like a, “piss off” kind of thing. We had drawn an equal crowd of punks and rockabillies, I’ll tell you that.

MR: Did you share the same vision of music as Slim Jim Phantom and Lee Rocker? Did you all love a similar kind of music?

BS: Well, the guys loved the music, whether they had heard it or not. I could tell you when I was playing in the corner bar with my brother on the drums, Slim Jim would come in and lean on a post. This was 1978 or ’77 and I saw a guy with a pompadour and a cowboy shirt and a pair of jeans and boots. I was saying, “Who’s this guy?” People had long hair and earth shoes on and here comes in this cowboy-looking guy with a fifties haircut. He looked like he stepped off an episode of Gunsmoke. He was just standing there with his legs crossed. One night, my brother didn’t show up, but he goes, “I’ve got my drum set in the car.” He was just waiting, you know?

MR: In those Stray Cats videos, you took on that visual perfectly. I think it happened at a time when new wave was trying to decide what it was–Euro-romantic, punky-pop, etc. So your take on new wave was unique. Do you think that added to why people liked The Stray Cats?

BS: Well, the purists hated it because my hair was too long and I didn’t have my jeans cuffed the proper length. You have that with all sorts of music–blues purists refusing anything past 1946 and so on. A lot of people didn’t like it but I think the reason it resonated and it became a hit was because A, we added something new to it, we wrote rockabilly songs–a lot of the rockabilly style is just the one, four, five blues format. We actually wrote songs. We looked cool, we mixed some genres, we threw some punk in there, we had big, crazy pompadours with lots of grease in them. It resonated with the eighties world. They didn’t care that it came from the fifties originally, we had somehow re-energized it. And I can’t say enough about Dave Edmunds making it sound brand new. We weren’t trying to sound like a fifties record, which a lot of the bands were. They wanted to sound just like a fifties record, we didn’t want that. We wanted to sound brand new. Dave Edmunds really was a big part of that for us.

MR: Speaking of production, you reunited with Peter Collins for Rockabilly Riot: All Original. What was it like getting back together with him and making a totally different album with him?

BS: He’s so good. He’s the old school of producers that want you to record direct, not overdub, no three takes. You go in there as a band and make a record. That’s how we did dirty boogie. There’s no splicing guitar solos together. If you make a mistake but the song has that magic, that track has that mistake left on it. Plus he’s such a nice, easygoing guy. It’s really a pleasure. He basically came out of retirement to make the reocrd, he doesn’t make records anymore, he did it just because he wanted to make a great rockabilly record with me.

MR: Nice. You’ve released so much vinyl, CDs and swag through Surfdog. You have quite the love affair with this label, huh.

BS: Well, it’s my manager’s label. I think we moved after Vavoom! when I was on Interscope and all that stuff mattered. I don’t know if it matters anymore. I don’t even know if people buy records…I’m so old school. But I recall asking if we could leave the label because we just couldn’t take the interference about wanting a “hit” record. I wouldn’t know what a “hit” record was if you hit me over the head with a hammer. I don’t know what that is, I just write songs. It became really tough to try and make a record because they had us redoing song after song, mixing it with different styles and things. I think eventually, we just said, “Would you just let us go and let us make our own records?” That’s when Dave Kaplan, who owns Surfdog came in. He just lets me make a record.

MR: I brought it up earlier, but what are your thoughts about The Knife Feels Like Justice these days? I believe it was a really great record that somehow just slipped under the radar.

BS: Man, I think there’s some really good stuff on there. I think I probably sounded too much like what was going on at the time. I moved too far away from rockabilly. I probably should’ve stayed a little closer, but you know, it almost hit. Do you remember AOR and CHR?

MR: Oh yeah.

BS: A lot of people won’t. Album-Oriented Radio and Contemporary Hit Radio. I think it was number one AOR and it came that close to jumping and the record company, EMI, just kind of jumped ship. They said, “Ah, we’ve done all we could.” Looking back on it, musically, I like a lot of it. Some of it I think is kind of overdone, with the big eighties drum sounds. But there’s still some good songs on that record.

MR: Yeah, that title track is great pop-rock, and it had “Boulevard Of Broken Dreams” and “Radiation Ranch”…

BS: Oh yeah, “Boulevard of Broken Dreams” is a good one, isn’t it? [hums]

MR: Ya! I have to ask you my traditional question. What advice do you have for new artists?

BS: You just have to do what you want to do or you won’t be happy, I don’t think. Things come and go so quick, you have to do what you want to do. That’s the first thing. At the risk of sounding like an old guy, it really helps when you bear down on your instrument and learn how to read some music. It just connects the dots for you. I know most people don’t read music, but if you have the patience to try and learn a little bit of reading, you can really connect a lot of the dots. I find that players come to me and ask, “How do you do that? How did you think of that?” I say, “Well, look at it this way. It’s because I learned how to read and write music that those thoughts come into my head.” I think that’s the best advice I could give, really.

MR: It’s unfortunate that nowadays, music education programs in schools have had their budgets slashed or the departments have been completely eliminated.

BS: I know, I know. I’m so lucky, I remember besides band class, we would have music class where they would roll in an old cart with an organ on it and we’d learn “The Erie Canal” song and old American songs I sing today that these little old ladies put their time into. It means so much. I’ll sing an old American folk song or something and my daughters will look at me and go, “What’s that?” I’ll think, “That’s right, you guys don’t have that.” It really is a shame that it’s gone.

MR: I had a similar experience with the little old lady. Or school’s music teacher humped portable organ to every class.

BS: Yeah, God bless those little old ladies, right? I’d say, “I’ve got a mule, her name is Sal, fifteen miles on the Erie Canal,” and my daughters will say, “That’s cool, what is that?” You don’t know “The Erie Canal” song? They don’t! How could they? You’re not going to hear that on Pandora.

MR: [laughs] Is your family going to continue the Setzer music tradition or do they have other goals?

BS: I think the buck stops with me. [laughs] I think I’m the anomaly. My elder daughter is going to college, she’ll be interested in photography and things. The little one is interested in cooking and nutrition. Not just cooking food, but what goes in it. She’s got that thing going. My son is doing his own thing and it’s not musical. I kind of feel like what I’d like to do is just touch someone and say, “Here’s everything I’ve learned,” but it’s not that easy. Probably what I’ll wind up doing is giving some lessons one day, I don’t know if it’ll be over the internet or teaching classes. People have asked me to teach what they call a master class where I go and show people things. That’s probably where I’m going to be headed one day. I wish I could just touch someone who likes my playing on the shoulder and say, “Here’s all I’ve got,” and boom, they’ve got it.

MR: Passing the torch.

BS: Yeah, it would be kind of nice to teach a little bit of it, because people ask me a lot. But I’m not quite ready for it.

MR: Brian, the problem is going to be that nobody is doing what you do, so it’s going to be hard to reach your level of heart-meets-feel-meets-proficiency.

BS: [laughs] Well, I can’t describe what I do, it’s just what comes out. There’ll be more great guitarists coming. There are plenty of great players around. I like to think I’ve got my own style and when people hear me or hear the radio, they say, “Oh, that’s Brian Setzer.” That was always the goal.

MR: Hey, the last time I saw you, you were singing the national anthem at a Yankees game. Are you signed up to do that again?

BS: Oh my God, you saw that?

MR: [laughs] I was the one yelling “Brian!” and you pointed towards me..or at least that’s how I delusionally remember it.

BS: Oh, my gosh, I do recall that! See, one summer, I just got it under my craw that I wanted to sing the national anthem. I think I did it at about five or six stadiums. It was a hoot. They always let me bring my guitar on and I’d do my doo-wop version of the national anthem. I think it was kind of a passing thing. If they asked me again locally, I suppose I could do it.

MR: Come on, it’s time already!

BS: No, it’s not time for that yet. [laughs] I still have a lot of rockin’ left, I’ve still got touring, but I think the next thing will be teaching. I think I’d rather watch the baseball game.

MR: Okay, ’til then, we’ll have to just imagine a rockabilly national anthem.

BS: You’ve got it, my man.

MR: I was just about to ask you what you’re doing in the future. You sort of just covered it, but what else do you want to get done?

BS: I won’t know until it hits me over the head. I can’t say, “Well, my next record is going to be a bossanova record. It has to hit me, so I don’t know. In my spare time, I just do really dumb guy things. I love my dogs–I guess that’s not dumb. I like to go to ball games. I’m trying to keep sort of fit. I’ve got my daughters who are college age. In my spare time, I’m not going to fashion model events or unique parties or anything like that. I’ve never liked any of that kind of stuff, so I just kind of do what everybody else does.

For more info: http://bit.ly/X00NEd

Transcribed by Galen Hawthorne

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A Conversation with The Empty Hearts’ Elliot Easton

Mike Ragogna: Elliot, after listening to the new project, I would argue that your new group should be called The Whole Hearts, not The Empty Hearts.

Elliot Easton: [laughs] Well, our hearts are full as far as making the music. And you’ll have to ask Steven Van Zandt about the name, he came up with it.

MR: What’s the story behind this group?

EE: Basically, it comes from a friendship between Andy Babiuk, bass player, and Steven. Andy was previously in a band called The Chesterfield Kings that was on Little Steven’s Underground Garage label. They appeared on an episode of Sopranos, they’ve been friends for quite a while. Andy has done some music consultation work for David Chase for Not Fade Away and things like that. So they’re pals. Steven is just one of those guys that likes to come up with cool band names. When it came time for a name, he gave us a list and said, “Why don’t you pick one of these?” We went through his list and we liked The Empty Hearts. It came about like most things, through friends.

MR: Speaking of friends, Empty Hearts is a merging of talent from The Cars, Blondie, Romantics, The Chesterfield Kings…

EE: Yeah, yeah. To us, it’s very natural, we’re all friends, we all have admired each others’ work through the years, it’s a great situation, it’s a nice, fresh beginning. It’s just been really pleasurable, it’s been fun. That’s really what it’s all about. Hopefully that comes through in the grooves, not that there’s grooves anymore, but you know what I mean.

MR: The virtual groove.

EE: The grooves in the rhythm.

MR: What was the studio experience like and how did it progress from all these talents coming together?

EE: Andy just had this idea, “Wouldn’t it be fun to have a band with friends?” Maybe he’d come to some kind of a crossroads with his band and wanted to just have fun playing music again and we all felt similarly. He just called me. It seemed like an off the wall thing, a little dubious that it would actually happen. He said, “I’ve got this idea for a band, Clem [Burke] would play drums and Wally [Palmar] would be singing, what do you think about playing guitar in it?” At that point, it didn’t cost me anything to say yes because I didn’t know if it was going to happen or not, so I said, “Yeah, sure, if you get it together count me in,” ’cause I wasn’t doing much. Andy is quite a guy, he did get it together, he’s a really hard worker and a great organizer and he put the thing together and got everybody on board. We went up to Rochester New York where his studio is, he’s got a warehouse kind of studio set up. Two of us live in LA, Clem and I, two of us live out of town, Wally in the Detroit area and Andy in Rochester. For writing the songs, Andy and Wally got together a bit on their own, and they came out to California and we rented a rehearsal place. I showed them some ideas and some songs that I had incubating for a while, we recorded that stuff informally, Wally went away and worked on the lyrics and stuff like that, it was a very organic process, we just jammed on ideas and hammered some songs together, then we went up to Rochester and the great Ed Stasium engineered and produced it. People who don’t know his work would certainly have heard it, he did most of the Ramones records.

I first worked with Ed in the mid-eighties on the Lights Out record from Peter Wolf, J. Geils’ lead singer. It’s great to have him around. We all go back like thirty years or more. Then we got the bright idea, since we don’t have a keyboard player of getting Ian McLagan from The Faces and The Small Faces and The Rolling Stones to play keyboards. So he was up for the idea, he came up to Rochester and played Hammond organ and Wurlitzer electric piano, real rock ‘n’ roll keyboards and that was a great little addition to the sound. It’s just kind of taken on a life of its own, moving forward in one direction, all of us. And here I am talking to you, it’s very exciting. Musicians are notorious for discussing things that never come to fruition over a couple of drinks, “Hey man, let’s do something together” and then the next day it’s all forgotten–probably like in most business, you know what I mean? “We’ve got to do something together, we’ve got to collaborate,” whatever, and then the next morning it’s like, “What? Did that conversation really exist?” So it was really great to actually see this thing follow through to fruition and have a really nice record done, have it coming out in August, it’s great. It’s really fun.

MR: I see that Empty Hearts has a track called “Fill An Empty Heart,” I’m guessing a play on the group name. All this Empty Heart-edness!

EE: [laughs] Yeah, as far as the line or the title “Fill An Empty Heart,” that was something Wally came up with. Maybe it was inspired by the band name. I can’t remember the sequence because he wrote lyrics on his own, but I just think it’s a cool name, I don’t think Tom Petty & The Heartbreakers are out to break anybody’s heart. I don’t know that The Empty Hearts really feel that their hearts are empty. It’s just a name. [laughs]

MR: Yeah, I’ve beaten that joke into the ground, sorry.

EE: [laughs] Well, that’s what fans like to do, isn’t it?

MR: Exactly! [laughs] This is pretty much a party record. Do you think that’s indicative of how good of a time you guys were having in the studio or maybe how creatively you guys were bouncing ideas off each other?

EE: I think both. I think it’s indicative of how we were having a great time. We’ve been having a great time every time we get together whether it’s to be in the studio or to write a song or to do a photo session, we’re always laughing and having a good time with it. That’s the whole point of the thing, to enjoy making music and have a good time making music. As I said before, I do think it comes through in the music that we were enjoying ourselves. That’s not contrived, that’s just the sound of four guys having a blast.

MR: Elliot, in my opinion, The Cars left a nice musical legacy. Remember when people used certain albums to test stereo systems? I can remember The Cars’ first album being a test record during that era.

EE: That’s very nice, thank you. I’m really proud of the work we accomplished. That first record took all of twenty-one days to make. It took twelve days to record in England and nine days to mix, just a song a day and we were done in three weeks. That was winter of ’77. It’s pretty amazing. It’s great to have been a part of that.

MR: Although you first broke hugely in the seventies, The Cars is one of the iconic groups that comes up when one talks about music of the eighties.

EE: Yeah, for better or for worse, I guess, huh? [laughs] It’s a much-maligned decade. I don’t know why. I think the seventies were a lot lamer, but we always joke… My wife and I were talking about the eighties and the shoulder pads and the clothes and the funny hair, some of those bands were just “haircut bands.”

MR: Yeah, especially a lot of the Europop dance groups. Elliot, you were part of Creedence Clearwater Revisited, how did that come together?

EE: Like so many things in this business, it just comes through friends. I had a buddy who worked at Atlantic Records who knew Stu Cook from Creedence. We discovered that Stu lived five minutes away from me out here in Calabasas at the time, so we got together and had some lunch. On Stu and Doug [Clifford’s] fiftieth birthday they got together and had a little party together and they decided they wanted to play music again. I’d been hanging out with Stu and he knew that I was a big fan and had played those songs in high school and stuff like that, so he said, “How about Elliot?” I was their first choice of guitar. In fact, we auditioned singers at my home studio here in southern California. I ended up doing that for eleven years. I’ve done a lot of fun things. I’ve played with Brian Wilson on his first solo record and I did some shows with him. I did a little touring with Hall & Oates back in the nineties, a lot of session stuff, I just try to keep busy.

MR: Yeah including The New Cars, which I enjoyed as a kind of Todd Rundgrens’ Utopia meets The Cars.

EE: Well thank you! That was a very enjoyable project. It was like Greg [Hawkes] and I from The Cars and Todd [Rundgren] and Prairie [Prince] and Kasim [Sulton]. Greg used to call it “Autopia,” because it was half Utopia, half Cars.

MR: You were also part of the No Cats project with Lee Rocker.

EE: Oh yeah! That’s right!

MR: Yes, sir, you’ve played on quite a few projects.

EE: A bunch of sessions over the years, it’s true.

MR: And you released that solo album Change No Change. Why no follow up to that?

EE: Well, again, I wasn’t trying to have a solo career or anything like that, it was just something that naturally grew out. I started getting together regularly with a friend of mine, Jules Shear. We found we enjoyed writing songs together, he’d come over my house with his acoustic guitar and I’d show him some ideas and he’d help me flesh them out, he’s such a great songwriter, we ended up writing a batch of songs and then he was like, “What are we going to do with these songs?” They weren’t purpose-written for an Elliot Easton solo record or anything like that, we were just writing songs for the joy of it. I said, “What are we going to do with these?” and he said, “Why don’t you sing them?” I don’t remember exactly what I said but I’m sure I thought to myself, “I’m not a lead singer!” And I’m not! I wouldn’t mind hearing those songs sung by a good singer.

MR: Dude, they’re perfectly fine, don’t you think?

EE: They’re okay. It was an enjoyable thing to do, but to be perfectly honest I think self-awareness is important. It’s important to know your abilities and it’s also important to know your limitations. I think they both define who you are as a person and an artist or whatever. To be completely honest about it, I’ve always found for myself that I really shine in a supportive role. I enjoy it more, I’ve never really sought out to be center stage, that’s not necessarily my thing, but what I love to do is to take a piece of music or be part of creating a piece of music and give it that lift that sends it over the top, whether it’s those solos that people seem to like from Cars records or whatever it may be. I think that’s my little gift, just being able to come up with hooks and solos and cool parts and take a great song and make it into a great record, which are two different things, really.

MR: What advice do you have for new artists?

EE: Very good question. How would I answer that… For one thing, I’d say save your money. I’m not trying to be funny or facetious. There’s a feeling that you can lapse into when you achieve this great success and it’s thinking that it’s going to last forever. Nothing does. It doesn’t matter if you’re Nick Cave or The Cars or whoever. I would advise a young musician to think about the future and to write music. Don’t get involved in drugs if you can possibly avoid it. Drugs and alcohol are kind of a dead end. It stifles creativity and shortens your life and adds misery to it. Those are some of the big ones. And above all, have fun, because if you’re not having fun, then you’re doing it wrong.

MR: That’s beautiful, that’s really a great answer. And speaking of having fun, are you still loving your Tikibird?

EE: My Gibson? Oh yeah, it’s a blast. I love that guitar! I’ll be playing it a lot with The Empty Hearts. I’ve been very blessed in my life, I was one of those kids that used to write away to guitar companies for catalogs. I still am, but even at ten, eleven, twelve years old I was so guitar crazy. You just can’t imagine how nuts I was over guitars. I was one of those guys who used to bring catalogs to school and hide them behind my textbooks. I knew every model. If you would’ve told me back then that I’d have five or six different signature models through the years and guitar companies would approach me to design guitars for them I would’ve just laughed you out of the room. At this point I’ve done two for Gibson, a Martin acoustic, a Gretsch and a Kramer in the eighties. I’ve had like five signature model guitars. It’s an honor to have the signature model guitar, but in a more philosophical way I just feel so blessed to be considered a part of the guitar community and the musical community and to have my opinion valued by people like that who think that I would be able to contribute something to the world of guitars beyond just playing music is really flattering. It’s a great payoff to all of my misspent youth staring at catalogs and memorizing specs. I could’ve told you every bit of copy in the 1966 Gibson catalog. Every serial number. I was just crazed for that stuff. To this day, when the Brown truck comes and a new guitar gets delivered to the door, it’s like Christmas. I haven’t become jaded about that or anything. I still love it.

MR: Beautiful. Will The Empty Hearts be touring to support the album?

EE: Oh yes, we’ll absolutely be touring. It’s kind of toured around from what it used to be. In the eighties we used to make records and then we’d tour to promote the record, but I think it’s flip-flopped now. You want to tour so you can make a record. But definitely one of the main goals of the band has been all along to get out there and play live. Once the record comes out in August I expect we’ll be getting out as much as possible. It’s definitely one of our goals.

MR: What’s the future hold for you, you know, since you could be teaming up with literally anyone at literally any time.

EE: [laughs] My tastes are pretty eclectic, I think I’ve got a pretty deep well to draw from in terms of influences and stuff like that. I don’t know… A year or two ago, I had a mid-century crisis, so I did The Tiki Gods. That was exotica, lounge, Les Baxter sort of stuff. I wouldn’t consider myself a jazz musician but I enjoy tackling most other forms. I like to play a bit of jazz, I just don’t consider myself a jazz musician.

MR: Is there something you want to conquer that you haven’t attempted yet?

EE: Well, I’m kind of doing it. It’s great to be in a band where both my playing ability and my writing ability is welcomed and we’re all writing songs together. It’s a nice collective, I would say this is one of those moments where I am achieving something I would love to achieve. I’m just kind of enjoying this one right now. I never know what the future will bring though.

Transcribed by Galen Hawthorne

2014-08-10-PsychoSistersAug5.jpg

A Conversation with The Psycho Sisters’ Vicki Peterson and Susan Cowsill

Mike Ragogna: Finally, after twenty-two years in the making, The Psycho Sisters’ album Up On The Chair Beatrice is released. So was there at least a teensy respite between when the recording started and finished?

Susan Cowsill: Well, about two of those twenty-two years. We actually started this process in the Spring of 2012. [laughs]

MR: So what is this twenty-two years stuff? Is that when you were starting to create the material for this?

Vicki Peterson: Yes, it was. We started writing it twenty-two years ago, and did a couple of demo-type recordings. We recorded a forty-five, which actually exists out there in the world and we did do one session with Kevin Salem recording a few of these songs for fun, with no thought of releasing that or anything.

MR: How far back does your friendship go? What’s the origin story of said Psycho Sisters?

VP: I’ll give you the quick chronology. We met in 1978, but really became lifelong friends around 1988.

SC: Wasn’t it ’85? My mom was dying.

VP: No, it was after that.

SC: Huh. I believe her, she’s the smart one.

VP: It was around when we were making that last Bangles record.

SC: Right, I remember now. But the “in the making” thing is that we fully intended every single day of every single year to make the record. We wrote all these songs and every day we said, “We’ve got to make this record,” and every day we didn’t, so that’s in the making, isn’t it?

VP: That’s totally in the making.

MR: That’s pretty cool. But both of you have been working with your other groups and affiliations. Do you think those projects got in the way of finishing this record?

SC: Well, sure. Life gets in the way of life, every minute. You can quote me on that. We’re best friends and we’re sisters and it leads to this, “Oh, we’ll just do it later,” kind of thing.

VP: I’m the kind of person who would fret about, “We’re never going to make the Psycho record are we. It’s just never going to happen, we’ll never do it,” and Susan would say, “It’ll happen when it’s supposed to happen.” She was very Zen about it and I think in the end she’s absolutely right.

SC: She’s the smart one, I’m the Zen one.

VP: That being said, nothing does happen until you decide that it’s going to happen. It really wasn’t until V and I both said, “Hey. Let’s get ‘er done.”

MR: Finally, after everything that’s gone into it, the time devoted to it, how do you view this Psycho Sisters project in the end?

VP: I think it’s a very happy completed circle of something that has existed for a long time. I think Susan has said before that these songs deserved their day. That’s one of the reasons we didn’t just say, “Oh forget all that, let’s just write all new stuff.” We really decided, “No, these songs existed for a reason, we’ve never given them a chance to be heard. I also believed firmly that the first time you hear a piece of music, it’s brand new. It’s brand new to the listener. We didn’t shape these songs in any particular way sonically, we didn’t say, “Okay, we want these songs to sound as if they’re twenty years old.” Some people react to it and say, “Wow, it sounds like the nineties,” and I’m not quite sure what that means.

SC: [laughs] I don’t either! I’ve been reading that, too.

VP: But that being said, that might just be an implied thing because we’re acknowledging the fact that that’s when they were written and created originally.

SC: The truth of the matter is that they are. I wonder if people didn’t know it took twenty-two years.

VP: Yeah, that’s what I’m wondering; if they all thought this was completely brand new material would they still all have that resonance? But to us it’s a beautiful thing to say, “Okay, we have done this.” It’s as if you were working on a novel for twelve years and you finally get to a point where you say, “Okay, I’m ready to have this read by the world.”

SC: For me, it’s interesting because through the years as an artist you’re creating content and whether you want to or not it’s just one of the evil aspects of being an artist is this little creature lives in your head and says, “Is this viable? Is anybody going to want to hear this? What is the point of this?” I really put a big mute button on that guy because he bugs me. I don’t think art is something we should judge. It’s like judging somebody’s emotions. That being said, these songs aren’t rocket science, they aren’t going to save the planet, but they are where we were at that time. Preserving an emotion and a moment in time and like Vick said I said, giving it its due. So when I’m listening to it I say, “I remember that,” and “Oh wow, how cute,” or “Aw, how sad, poor her.” It’s like looking at a scrapbook.

VP: A scrapbook of former relationships as well, because many of these stories are based on people we used to date.

SC: Oh God, some of them are dead!

VP: Oh, yeah, there’s that too. Some of them are dead! [laughs] Oh, well.

SC: [laughs]

MR: Are there a couple of stories on this record that are particularly endearing to you?

VP: We’re both still laughing.

SC: Wait! I want to know what you’re laughing about. What story are you laughing about?

VP: Oh God, there are several. Here’s a safe one. It’s the song “Heather Says.” The reason that is a favorite of mine is that this song goes back to when both Susan and I were eleven years old. Susan was recording this song, I was at home trying to figure it out on guitar. For my little fingers and my little brain at that time it was a mindbender. I couldn’t wrap my head around where those changes were going.

SC: It was pretty sophisticated.

VP: It was confusing to me. It was one of those songs that I always wanted to master and I think all these years later I can finally play this bloody thing without making a mistake. It’s also this funny thing where when that was recorded in 1971 it was a familiar story to any young girl, the schoolyard bully, the person who commanded attention and obedience from her classmates. Now it’s much, much more topical because the whole idea of bullying young children is much more discussed and not something that is just dealt with on an individual basis. We talk about it now.

MR: I have a kid, and I had to have him switch schools to keep him away from bullies. But in the beginning, I admit that I was one of those people who said, “Oh, it’s just one of those things that kids have to go through.” It’s so out of hand now.

VP: It is so out of hand. Maybe it’s gotten worse, but at least we’re paying attention now.

SC: I think it probably always has been going on, just like any less-than-charming aspect of a human being that’s been going on forever but now we’re more educated, aware of it, and look for solutions to it. That’s a lot heavier than what I was going to say! [laughs]

VP: What were you going to say?

SC: Oh, no, no, no, I wouldn’t want to sully this conversation!

MR: [laughs] Susan, what is your favorite song?

SC: I always find “Timberline” to be a rather amusing story.

VP: Ooh, “Timberline,” that is a good one.

SC: It is a good one. Really “Timberline” never even existed until one afternoon when I was in this bad relationship. I needed to get out of the house I was in because the person I was with just wasn’t cool and I needed to get out immediately. Vicki had just come out of a relationship where she had a wonderful fiancé–I say “wonderful” now but he was a pain in the ass. But I loved him. His name was Bobby and unfortunately, Bobby passed away from which cancer, Vicki?

VP: Leukemia.

SC: He had Leukemia and he had passed away recently and I was in a pickle at my house because I was staying with this person that I shouldn’t have been in a relationship with. I called Vick and I said, “I’ve got to get out of here and I have to have a story,” because he liked her. I don’t know whose idea it was but we concocted that Vicki was ready to spread the ashes of her fiancé and I had to run immediately to be with her, we have to go up to Big Bear like now. That was all a lie. We took him with us, just to make it half true, did we not?

VP: We did.

SC: We took the box with us. We drove up to Big Bear and we stayed in a cabin–was it called Timberline?

VP: No, no, we made that up.

SC: Okay, cool. We did go to Big Bear, we did keep the ashes of her fiancé in the car with us because we’re both catholic and we stayed in a cabin up there, just chilled our heels and I did a little bit of thinking about what I should do about this relationship/non-relationship. In the process, we wrote “Timberline.”

VP: We also brought the Ouija board.

SC: Yeah, we brought the Ouija board because we had some recent dead people.

VP: We talked to them!

SC: We did! In fact a lot of the lines of “Timberline” are from the Ouija board. So yeah, “Timberline” came out of absolute desperation. I think we stayed longer than we said we would and I told him, “We’re writing, we’re being creative, it’s helping her move through grief.” It was all a pile of s**t.

VP: It was one of the first songs that we wrote together, as well.

SC: That’s true.

MR: Susan, you had another family member pass recently. Are you okay?

SC: Yes, I’m very okay.

VP: We’re putting a big pause in the brothers going.

SC: There’s been a twenty-five year moratorium declared by my brother Bob.

VP: Thank you, I appreciate that.

SC: No problem. Richard did just pass on July 8th, but yeah, I’m okay. The alternative is to not be okay and I find that tends to be a waste of energy and rude to the universe and God, to remain in a perpetual state of “not okay.” I’m certainly allowing myself, in the time that it is, to be as sad as I am, but I’m certainly going to be okay, and Richard was okay. Richard felt he had done everything that he needed to do and he was ready to rock. That being said, our age group says we should all be around hanging out with each other and we’re not. I can’t control the universe and what it does, so the only thing I’m in control of is myself. That’s all any of us has. We’re all okay, in fact I’m fairly glad for him because he was in a rough spot.

MR: I was lucky enough to see all of The Cowsills–well, your mom had already passed–but I saw you guys at the El Rey in 1999 or 2000. Shirley Jones was there as the substitute mom, I guess.

VP: She’s the other mom.

SC: That was the last time we were all together.

MR: Wow. So speaking of family, Vicki and Susan truly are close sisters-in-law, psycho or otherwise, huh.

VP: We truly are. I can say that for our name… We absolutely own it, live up to it, nurture it, and it gets more authentic every day.

MR: What advice do you have for new artists?

VP: Yikes.

SC: Run away! [laughs]

VP: I don’t know that there’s any advice I can give because I think most young artists who are coming up today who really want to do this thing have every tool at their command to take it as far as they can. There’s so much available now that wasn’t available when Susan and I were first starting this, either individually or in different groups, because there’s so many different ways to get your music out there. That being said, it’s in some ways more complicated and difficult because of the fact that everybody can get their music and there are no gatekeepers anymore, there are very few to filter things through. I say if you really want to do this, put your heart and soul and energy every day into it and figure out what you really want to do and who you really want to reach and then just go for it. But it ain’t easy, baby.

SC: I agree with everything my sister just said, but I would add to it that I concur, we are in a different time, we have eight hundred thousand more options but we also have that many more people on the planet and creative, beautiful, artistically-talented, should-be-heard young people. It’s a bigger, bigger world, making it harder to be individualized and heard in that way so do everything she said but bottom line? Do it because you love it. That’s what you’re really going to end up with the most gratification from is making the music because you have to, you need to, it’s what you love, it’s how you feel yourself and how you express yourself. Do it because of that first. Then you’ve got a shot at the rest of it following. If you’re doing it just to get famous or rich or noticed or whatever those things are, you’ll never be satisfied, even if you get that. It’s a heart moment. You’ve got to love what you do. It’s a long road.

MR: Futuristic social media and technology aside, are the basics of that what you would have told both of yourselves way back when, also?

VP: Yes.

SC: Yes.

VP: The lesson I keep thinking to tell younger Vicki is, “Really trust your instincts.” It’s something I went along with for a long, long time and a few times disregarded to my own detriment, I believe. I think listening to your instincts, and that includes what Susan was saying about following your heart and doing things because you love them, that is your truest path and that’s what will get you where you need to go, whether that means you’re top of the pops or not. It may not be, but it’s going to be where you’re supposed to go.

Transcribed by Galen Hawthorne

INTRODUCING DOUG SEEGERS

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photo courtesy Rounder Records

According to Doug Seegers…

“Maikng this record was a dream come true for me. We made it in 3 days and I was worried at first that I would not have much input. But everyone listened to what I had to say and allowed me to make the record that really represented my vision.”

According to Will Kimbrough…

“Doug is the real deal. Over and over, he sat down at the microphone and casually blew us all away with his songs, his voice, his guitar. The artists who is totally prepared and confident and knows exactly what he wants in the studio is rare enough. To learn Doug’s story makes it like some sort of miracle. But it’s no fluke; Doug’s simply played and sung every day, whether it was on the street or in a fancy studio. He has to do it. He’s the real deal.”

“POP UR HEART OUT” WITH SALME DAHLSTROM’S REMIX BY SPEKRFREKS

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photo credit: Bryce Prevatt

According to Salme Dahlstrom…

“I play all of the instruments, program, produce, edit and mix it all myself,” Salme Dahlstrom says of her creative process. “Except for a couple of guest vocalists, I did that too, the singing, that is!”

According to Salme Dahlstrom’s peeps…

“The Wall Street Journal recently dubbed Dahlstrom a ‘music licensing queen’ when, like Moby before her, she managed to license every track from her 2008 album The Acid Cowgirl Audio Trade to various major companies and television programs. At the time, she was not only just getting noticed, she was just getting started.”


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