Bridget Foley’s Diary: Sunday, a Day of Dress

Remember the 40-hour work week? Even if you don’t, you’ve probably heard of it. Much of the employed world has left it far behind, and much of the world’s employed now take an approach somewhere between philosophical and pragmatic — whatever it takes to get the job done; constant connectivity has won; lucky to have a job.
All of the above duly considered and acknowledged as legitimate, fashion nevertheless seems extreme in its can-do/will-do gusto. Case in point: this Sunday’s official lineup of CFDA-sanctioned presentations and shows. The Fashion Calendar lists three: Lorod, from 2 to 3 p.m.; Victor Glemaud, from 4 to 6 p.m., and Alexander Wang, at 8 p.m.
In the big picture of a world in turmoil, a random working Sunday may seem a small matter, and as a societal class, show-going fashion employees make poor victims. But given the reality of this industry — the 24/7 relentlessness of the primary show schedule; the parameters of this endless, whatever-it-is-we’re-in-now season that began in early May and will carry on at least through July couture week, encompassing clothes characterized as fall, resort/cruise and spring — was it essential for the CFDA to add a summer Sunday to the schedule? A perusal

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