Fandango Early Access: Shazam!

Fandango Early Access: Shazam! Opens Saturday, Mar 23, 2019

We all have a superhero inside us, it just takes a bit of magic to bring it out. In Billy Batson’s case, by shouting out one word – SHAZAM! – this streetwise 14-year-old foster kid can turn into the adult superhero Shazam.

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Why Bananas Thinks His Early War Of The Worlds Elimination Will Help His Challenge Future

Johnny Bananas just had one of his earliest ‘Challenge’ exits — and opened up to MTV News about it.
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Anthony Weiner Out of Prison Early, Enters Pre-Release Program

Anthony Weiner is no longer behind bars, but the disgraced ex-U.S. Congressman still has a few months in federal custody before he’s freed … still earlier than originally expected. Law enforcement sources tell TMZ … Weiner’s been transferred out…

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Early look at Super Bowl LIII: Picks, questions and more for Patriots-Rams

The Patriots and Rams will go head-to-head for a title in two weeks. We have predictions, X factors, looming questions and more.
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Resetting the NFL playoff bracket: Early projections and more

The Super Bowl LIII race is down to the Chiefs, Patriots, Rams and Saints. Here’s everything you need to know about the conference championship games.
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Selfridges Notches More Than 4 Million Pounds in Early Hours of Boxing Day Sale

LONDON — Footfall may have been down on Boxing Day, which marks the start of the winter sales in Britain, but for Selfridges, the pickings were rich.
The store, known for its bright yellow branding, said following a strong pre-Christmas trading period, it took in more than 4 million pounds in the first hours of the Boxing Day sale, which began Tuesday night online and Wednesday morning in-store.
Selfridges said it has already seen a 6 percent uplift on last year, and added that Boxing Day 2018 is on track to remain the retailer’s biggest trading day of the year. Selfridges doesn’t close until 9 p.m. local time, so final numbers are still unavailable.
The company said shoppers began arriving outside the Oxford Street store at 2:30 a.m. on Boxing Day, the day after Christmas, when estate owners and employers in Britain traditionally gave gifts to their employees. The store said it expected to see around 120,000 customers between 9 a.m. and 9 p.m. on Wednesday.
Selfridges.com has seen the highest number of site visits to date, with 1.5 million customers visiting the site since Tuesday night, with “high double-digit growth” online compared with last year, it said.
So far the highest-performing departments have been women’s

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College football early signing period winners, and others with work to do

Georgia, Michigan and Florida filled up their top-five classes with five-star recruits and need-fillers, while Florida State, Miami and USC didn’t fare nearly as well.
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NHL awards race: Early leaders for Hart, Vezina, Norris and more

One month into the 2018-19 season, Ducks goalie John Gibson is giving the Edmonton Oilers star a run for his money for MVP. Here’s an early look at players in the mix for all the major awards.
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NHL Power Rankings: Unsustainable early stats for all 31 teams

There’s a new No. 1 team in our rankings this week. Plus, an early trend that will improve (or decline) for every club.
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Follow live: USA looks to take an early Ryder Cup lead in the four-ball session

Tiger Woods and Patrick Reed highlight the early-morning pairings at Le Golf National.
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5 Famous Geniuses (And Their Super Embarrassing Early Works)

By Raoni Lacerda,Peter I. Santiago  Published: September 25th, 2018 


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Will early buzz for ‘A Star Is Born’ help the movie shine at Oscars?

Between the glowing early critical reception for Bradley Cooper’s “A Star Is Born” and the cast’s endearing and emotional press rounds on the film festival circuit, a narrative primed for Oscars glory is already being written.


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Early Morning Shakes – Whiskey Myers

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Early Morning Shakes

Whiskey Myers

Genre: Country

Price: $ 5.99

Release Date: February 4, 2014

© ℗ 2014 Wiggy Thump Records

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‘Waitress’ Composer Sara Bareilles Talks Early Waitressing Jobs: ‘I Was Fired From Hot Dog On A Stick!’

Sara Bareilles chats with Access about bringing her Broadway hit “Waitress” to LA. Plus, Sara opens up about her early days waitressing.


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Did Paris Hilton Reignite Her Early 2000s Feud With Lindsay Lohan By Calling Her A Pathological Liar?

Just like Juicy Couture tracksuits and Ugg boots, Paris Hilton’s iconic feud with Lindsay Lohan from the early 2000s is making a comeback. 


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Sharks’ Pavelski up early at celebrity golf event

Sharks captain Joe Pavelski held a slim lead over former NFL quarterback Trent Dilfer after the first round of the American Century Championship celebrity golf tournament.
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Danny Kirwan, Guitarist in Fleetwood Mac’s Early Years, Dies at 68

A thoughtful composer and a talented musician, Mr. Kirwan played a role in the band’s transition from blues to pop-rock before he was fired in 1972.
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Top 5 Early 2018 Costumes No One Will Remember In October

Top 5 Early 2018 Costumes No One Will Remember In October

Top 5 Early 2018 Costumes No One Will…
Wow, what a year 2018 has been for Halloween Costumes already! We have some amazing new frontrunners for best costumes of the year, so we’re gonna go ahead and tell you how to get the look, even though you probably won’t because it will soon fade into obscurity!
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Early Man – Nick Park

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Early Man

Nick Park

Genre: Comedy

Price: $ 14.99

Release Date: February 16, 2018


Set at the dawn of time, when prehistoric creatures and woolly mammoths roamed the earth, Early Man tells the story of how plucky caveman Dug, along with sidekick Hognob, unites his tribe against the mighty Bronze Age in a battle to beat them at their own game.

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Celtics’ early burst leads to Game 1 rout

Boston handed LeBron James the largest halftime deficit of his postseason career en route to a dominant series-opening win.
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Rinne pulled early again as Jets oust Predators

Predators goalie and Vezina Trophy finalist Pekka Rinne was yanked midway through the first period of Nashville’s Game 7 loss to Winnipeg.
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Kate Middleton Is in Early Labor With Royal Baby No. 3

Kate MiddletonNow the countdown is really on!
Kate Middleton has gone into labor with her and Prince William’s third child, Kensington Palace confirmed with the following statement on…


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Early baldness may signal heart disease risk

If losing your hair early and going gray isn’t enough of a downer, studies have also found that premature balding may be linked to increased risk of prostate cancer—and that all of those gray hairs may mean that your life is too stressful.

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I Feel Pretty Filmmakers Address The Film’s Early Backlash: ‘It Was Super Frustrating’

‘I Feel Pretty’ filmmakers Marc Silverstein and Abby Kohn on their creative partnership, subverting Hollywood tropes, and dealing with backlash.
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Ireland Baldwin Can’t Wait for 4/20, Sparks Up Early

[[tmz:video id=”0_57ylb1p1″]] Warning: watching this Ireland Baldwin video will induce strong urges to smoke marijuana. The Surgeon General recommends not operating anything heavier than a Funyuns bag or Pringles canister afterward. Yep, Ireland’s…

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Danielle Bregoli Gets Off Probation Early

Danielle Bregoli hired some high-powered attorneys and damn sure got her money’s worth … because she just got off probation early. Sources close to the situation tell TMZ … the Department of Juvenile Justice in Palm Beach County, FL has…

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Marilyn Manson Ends Show Early After Rambling Meltdown, Fans Want Refunds

Marilyn Manson gave fans in New York a performance they’ll never forget … for all the wrong reasons. The shock rocker had a show at The Paramount concert hall in Long Island Thursday night, which we’re told got started 90 minutes late. No biggie, it…

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Arya Stark Taught Eddie Redmayne To Sword Fight For Early Man

Maisie Williams, a.k.a. Arya Stark, and Eddie Redmayne had a sword fight with plastic spears to prep for ‘Early Man’.
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Voices of Hollywood’s Early Film Stars – DW Griffith, Jackie Coogan, Charlie Chaplin, Blanche Sweet & Bronco Billy Anderson

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Voices of Hollywood’s Early Film Stars

DW Griffith, Jackie Coogan, Charlie Chaplin, Blanche Sweet & Bronco Billy Anderson

Genre: Arts & Entertainment

Price: $ 5.95

Publish Date: June 2, 2015

© ℗ © 2015 Listen & Live Audio, Inc.

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Despite loss, Pats early favorites to win 2019 SB

The New England Patriots lost 41-33 to the Philadelphia Eagles in Super Bowl LII on Sunday, but Las Vegas still believes they are the favorites to win next year’s title.
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LeBron: Cavs can get bounced early in playoffs

Playoffs? After the Cavs suffered another blowout loss Saturday, LeBron James tabbed his struggling team “not ready” and cautioned, “We could easily get bounced early” if the postseason started today.
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Redmayne, Maisie Williams talk gender equality at “Early Man” premiere

Oscar-winning actor Eddie Redmayne says Hollywood’s gender equality campaign has been ‘a long time coming’ and a ‘huge amount of change’ is still needed. Rough cut (no reporter narration).


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Naomi Campbell Celebrates MLK Day Early with Tribute Hat

Naomi Campbell wanted people to know two things a week before Martin Luther King Jr. Day — she loves the guy … and don’t talk to her. Paps got the supermodel Monday night at JFK Airport in NYC, where she was covered in black attire from head to toe –…

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Rams’ resurgent season ends early with loss to Falcons

In their first playoff game in L.A. in nearly 40 years, the Rams ran into a veteran Falcons team that stifled Todd Gurley and ended their run.
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A Prairie Heritage: The Early Years – Vikki Kestell

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A Prairie Heritage: The Early Years

Vikki Kestell

Genre: Religious

Publish Date: March 1, 2017

Publisher: Faith-Filled Fiction

Seller: Draft2Digital, LLC


Faith-Filled Fiction at Its Best! Enjoy or share the perfect gift, the first three books of this enduring saga: A Prairie Heritage, The Early Years . The compelling saga of family, faith, and great courage. One family  . . . steeped in the love and grace of God, indomitable in their faith, tried and tested in the fires of life, passing forward a legacy to change their world. The compelling saga of family, faith, and great courage. Immerse yourself in the world of the American prairie of the 1800s and witness this family as they demonstrate the courage and overcoming spirit born of faith in God. This boxed set includes the full editions of A Rose Blooms Twice , Wild Heart on the Prairie , and Joy on This Mountain bundled together and offered at an affordable price. A Prairie Heritage: Book 1: A Rose Blooms Twice Book 2: Wild Heart on the Prairie Book 3: Joy on This Mountain Book 4: The Captive Within Book 5: Stolen Book 6: Lost Are Found Book 7: All God's Promises Book 8: The Heart of Joy—A Short Story “Vikki writes the kind of faith-filled fiction that hooks you within the first few pages, will not let you go until you have finished, and leaves you wishing for more.” —Janis Braun, Seattle, Washington “Her books are not just for 'chicks'! I was amazed how engrossed I became in the lives of Vikki's characters, and how much I could relate to their situations.” —Ed Dunne, Los Angeles “Be prepared to put life on hold. That's all I have to say!” —Rebecca H., New Jersey “You will laugh, you will cry but, most of all, you will be uplifted.” —LaTisha Holland, St. Augustine, FL

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George goes off early, Adams is perfect, and Thunder hold on late

For the first time in three tries, Oklahoma City defeated Minnesota behind big nights from Paul George and Steven Adams.
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Mila Kunis sold illegal merch in early years

While starring on “That 70’s Show,” Mila Kunis and her friend sold unofficial NSYNC and Backstreet Boys t-shirts on eBay.


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Fats Domino, Early Rock ’n’ Roller With a Boogie-Woogie Piano, Is Dead at 89

Known for his two-fisted piano playing and nonchalant vocals, he had more than three dozen hits, including “Blueberry Hill” and “I’m Walkin’.”
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Early Morning Shakes – Whiskey Myers

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Early Morning Shakes

Whiskey Myers

Genre: Country

Price: $ 5.99

Release Date: February 4, 2014

© ℗ 2014 Wiggy Thump Records

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Jennifer Lawrence Delivers Moving Speech About Feeling ”Trapped” and Objectified in Early Career

Jennifer Lawrence, ELLE's 24th Annual Women in HollywoodDuring tonight’s star-studded event honoring Elle’s Women in Hollywood, several famous faces took to the stage to deliver powerful speeches about the injustices they have faced over the…


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Early 20’s Fun: Sex Is Their Hobby

These young horny ladies love getting into all types of sexual situations and welcome new challenges. Watch how they expose their young taut bodies in some hardcore sex, girl/girl action, solo action, and even some sex machine debauchery. These young sluts know no bounds!!

Watch the Full Length, High Quality Movie!

These young horny ladies love getting into all types of sexual situations and welcome new challenges. Watch how they expose their young taut bodies in some hardcore sex, girl/girl action, solo action, and even some sex machine debauchery.

Stars: Talon

Categories: Gonzo Amateur

Scene Number: 1

Orientation: Straight

Studio Name: AMK Empire

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Oklahoma, Ohio State look to answer early playoff questions

Oklahoma, Ohio State look to answer early playoff questions
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Gucci Mane’s Supervised Release Ends 2 Years Early

Gucci Mane not only has a bride-to-be, he also has his s*** together — so a judge is letting him off probation 2 years ahead of schedule.  Gucci’s lawyers filed docs in Atlanta asking the judge to end the rapper’s supervised release early…

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Fleetwood Mac at 50: Mick Fleetwood shares tales of blues and friendship from the band’s early days

For many, the story of Fleetwood Mac begins with the 1974 arrival of Lindsay Buckingham and Stevie Nicks, the talented yet combustible American duo who ignited an explosive string of hits that continue to define the band. But Mick Fleetwood wants to move past those rumors. Fans of the group’s pop jewels would hardly recognize their original incarnation as one of the most respected British blues bands of the ’60s. Now the founding drummer is telling the tale of those formative years in Love That Burns: A Chronicle of Fleetwood Mac, Volume One 1967–1974, a lavish new book by Genesis Publications due out Sept. 19. Featuring never-before-scene photos, insightful interviews from band members and intimates, and even a vinyl 7-inch of rare early recordings, it brings this often forgotten chapter of Fleetwood Mac’s history to life. The band initially coalesced around Peter Green, a 20-year-old guitarist whose formidable chops had earned him Eric Clapton‘s former slot in the seminal London blues outfit John Mayall’s Bluesbreakers. It was while playing with Mayall that he forged a musical alliance with Fleetwood and bassist John McVie. They ultimately splintered off to form a new project—which Green named in honor of his rhythm section. After experimenting in the studio, the group made their live debut on Aug. 13, 1967 at the Windsor Jazz & Blues Festival with the lineup of Green, Fleetwood, guitarist Jeremy Spencer, and bassist Bob Brunning. McVie, who was literally watching in the wings, would join for good soon after, as would a third guitarist, Danny Kirwan. From there, they began notching chart entries in the U.K. that include the original version of Santana’s “Black Magic Woman,” and the sublimely soulful instrumental “Albatross.” In what would become something of a recurring theme in their career, serious interpersonal problems soon threatened to tear the group apart from within. By the dawn of the ’70s, Green and Kirwan departed due to struggles with mental illness exacerbated by drug use, while Spencer parted ways with the group following a religious conversion. With the abdication of their primary creative forces, Fleetwood and McVie soldiered on with guitarists Bob Welch and Bob Weston, as well as the multi-talented Christine McVie, who happened to be married to the bassist. Fittingly, Love That Burns closes with an image of the El Carmen, a Mexican eatery in Los Angeles where Fleetwood and the McVies held an “audition” over dinner with Buckingham and Nicks. But that’s a different book. Fleetwood spoke to PEOPLE about those early days in the Swinging Sixties, reconnecting with his past, and the friendship that formed the heart and soul of one of the biggest bands in rock history. Over the years you’ve become the unofficial archivist of the band. Was there a time when you made a conscious decision to hold onto things because you knew they’d be historically significant? I held onto a chunk of stuff, though part of the story is that in truth it wasn’t as much as I thought. But the book company, Genesis, is hugely conversant with researching and finding stuff that maybe I had elements of, but not the negatives and all that. So we ended up with, in a way, upping the whole approach. These presentations are really a rarity when you get into the workings of how they come together; it’s a real piece of art in itself. All the care and attention and research became an education in how to take it a step further. “Well, we could do this, what if we do that? What if we find these people…” If ever there’s a Volume Two, I’m very well prepared for that. I used to get ribbed even back in the day with the other band members. “What are you taking the pictures for, Fleetwood?” I’d go, “Hang on a sec!” They would just be snapshots of stuff, so I’ve done that. My father loved taking pictures so to that extent, I had something that was relevant. But we’ve ended up trying to tell a story about this strange band from whence we have come. And that starts with 1967, 50 years since we’ve done our first show at the Windsor Jazz Festival. The book is a perfect way to mark the anniversary. Was that the intent all along? The fact that we ended up doing it with Genesis is really a story in itself that goes back many, many years when I saw a book they did with George Harrison [1980’s I Me Mine] which was gorgeous and stunning and meaningful. It was a fantasy that one day….[laughs] Then it sort of went off the radar. But it came back a couple of years ago when I was in a shop in LA and I saw a book they had done with Jimmy Page from Led Zeppelin [Jimmy Page by Jimmy Page]. We opened it up and said, “There it is! It’s them guys again!” We called the book company up and said, “Would you be interested?” And we’ve ended up here two years later. It’s a document that is driven by pictorial images for the most part, with some editorial. I’ve done an autobiography and in many ways this gets to the point quicker. There are so many things that came out as images, you had to very selective in the end result. It has to then tell the story. And that’s what we’ve tried to do, and I’m really happy and proud. It’s a trip. It’s appropriate that it’s 50 years of Fleetwood Mac, but that wasn’t part of the plan. It just inadvertently … “Oh my God!” We just took our time doing it and realized, “Wow, it’s coming out when we’re 50 years old as a band.” So it became even more poignant and more relevant as a document. This book is mostly focused on how we started, as it should be. But in terms of an incredible collage of different moments, and an unbelievable amount of different styles, with Bob Welch and Christine [McVie] joining and Jeremy [Spencer] and Danny [Kirwan] taking over when Peter [Green] left. It’s all featured in this book right up to the moment that Lindsay [Buckingham] and Stevie [Nicks] joined. Me and John were always banging away there, which I think helped bring some kind of continuity to it, but it is an unusual story. I hope that someone picking this [book] up will go, “Wow, what was that? Kiln House? Never heard of it!” That’s an important part of this document, and I do consider it a document that is part of something before it might go off the radar. There’s no doubt, rightly so, that the present day incarnation of Fleetwood Mac is doubtless going to be remembered as, “That was Fleetwood Mac.” This is understandably never going to be that, but it’s nice to know that bits and pieces that might find this period interesting. I’m glad that I’m connecting to this document. The start of the book reads almost like a Dickens story: you come to London at age 15 and immediately meet David Hockney and the Beatles, and have your hair cut by Vidal Sassoon. Was it as incredible at the time as it seems now? Well, in a different way. Anyone who was in London then witnessed, and in some ways was involved in, a whole movement in fashion, music, and art that pushed away what the Second World War had done. It was real, and it’s still here. The tentacles of what happened were that powerful, especially in music. The game has not played out. Those guys like the Beatles and the Rolling Stones are still relevant. I blundered into being around the Beatles because I was going out with Jenny [Boyd], and of course she was Pattie’s sister who was going out with George. All of that extra stuff became more relevant looking back. Now I go, “Wow!” At the time I thought, “Oh, this is cool …. Whatever.” I was just a struggling player. But what was relevant then was this band of players that I was around, ostensibly the original four—and then five—members of Fleetwood Mac, with Danny [Kirwan] joining quite soon after we started. We were just ensconced and focused on what we were doing. We had no idea it was going to be attached to what was going on in London. It wasn’t very fashionable. It wasn’t pop music. We were living out our dream following our blues train down the rails, and then it became part of something very relevant. We were very authentic about what we were doing. You had trailblazers; the Rolling Stones came from that world, and very quickly morphed into skilled songwriters. The Yardbirds were before us bunch, too. We came and really emulated Elmore James and early Delta Blues stuff that reflected in those early recordings. And then we took our journey that was led by Peter Green with “Oh Well” and “Rattlesnake Shake,” and “Albatross,” and all the weird songs that came out of the period were all represented in our story. It’s funny when you think of everything to come, but I understand you weren’t a big fan when you first heard Peter play. That’s one of my confessions, considering he’s my favorite guitar player and in many ways mentored me and gave me my self-worth as a player. I always say that I was a guy who happened to play drums versus “a drummer that found himself.” I just lucked out. When I first heard Peter, he auditioned for a band called the Peter B’s Looners with Peter Bardens, who was the guy who knocked on my door and started my journey as a drummer. He said, “I heard you playing in the garage!” It was like one of those fairy tales. The whole thing has been a bit like that. It was me and Dave Ambrose, a great bass player who went on to play with Brian Auger. Me and Dave said, “He’s good, but he doesn’t play very much.” But Peter Bardens, to his great credit, said, “You’re both wrong. This guy has something unusual.” And very quickly we learned that we nearly made a terrible mistake. Anyone who listens to and enjoys Peter Green’s approach—not only the tone but also the approach and the power of condensing passion without just pissing it down the drain and over extending those moments—knows he was a master of the adage “less is more.” In an interview in the book, John McVie talks of you cementing your friendship on a bumpy flight to London from Dublin during an early gig with John Mayall’s Bluesbreakers. What are your memories of that trip? You are well-informed! Freesias! That’s a longstanding joke. Occasionally John will get a collage of freesias, the sweet-smelling flowers. On that flight, for some reason I turned up at that airport [with them]. I was thanking him for something and I said, “I have something for you.” And John’s very upright. Very different from me, I’m an old drama queen. He’s like, “I don’t understand how you can wear pink socks!” or whatever. I got into that a little bit, but he was very straightforward. So I turn up with the flowers and he’s like, “What’s all this about?” And it became this longstanding joke. So now from time to time he’ll get some freesias. And he gets it, hence him saying that. It was me reaching out. He became very much a supportive [force]. When I first joined John Mayall’s Bluesbreakers, I took over from a very, very, very talented drummer called Aynsley Dunbar. He was a genius drummer, like John Bonham. And I’m going, “I don’t understand why he’s moving on.” The reality was that he was so clever, it got to a point where he was too complicated to be playing [the blues] and John Mayall made the decision that he wanted to change. And Peter phoned me up and said, “I got you the gig in John Mayall’s.” I was painting walls at the time, and I’m going, “Why would you be getting rid of this genius drummer?” Aynsley had a huge following. In those days people would come and cheer, “Aynsley Dunbar!” “Mick Taylor!” “Eric Clapton!” “Peter Green!” It was hero-worshipping at these pubs and clubs where we used to play. It was a whole thing in London. We used to follow people and cheer for them. So I’m suddenly there and not Aynsley. He did this incredible drum solo, and I couldn’t cut that sort of mustard at all. At one of my first gigs there were some hecklers in the back of this little theater saying, “Where’s Aynsley.” And I’ll always remember, John McVie came up to the mic, holding his Fender Jazz bass as if to say, “Any more of that s— and you’re going to get this wrapped around your neck!” I was always very grateful. John’s very not forward onstage, it was probably one of the few times he would come up to a microphone to say “Hello” or “Goodnight,” or anything. John is … John. But he went straight up to the mic and said, “If you don’t give this guy a f—ing chance…” and told them all to shut up. And they did! That was my first or second show I ever did with him. I remain grateful—hence he gets the flowers. You mention Delta Blues and Elmore James forming the bedrock of the music you played with John Mayall and later with Peter Green in early Fleetwood Mac. What was it like having the opportunity to play in the actual Chess studios with people like Willie Dixon and Buddy Guy? It was extreme. That’s a very powerful moment. Fleetwood Mac was playing with our heroes. It was much to the credit of Mike Vernon, of our little record label, Blue Horizon. He went to see all of these blues shows in England and, I suspect, knew Willie Dixon—or at least how to get to him—and he arranged that whole thing. “You mean we’re going to Chicago and making an album with all of these guys that Willie Dixon put together? What do you mean?! Oh wow, Chess Records!” We’d be like little kids listening to that stuff back in the day, even before Fleetwood Mac, so it was very important. We paid some real attention to that moment in the book; I’m glad you brought that up. It amplifies the very nuts and bolts of what this was all about. We were a blues band, a bunch of kids that played the blues and aspired to as good as we could, and we were blessed as a band with Peter Green and Jeremy Spencer. In the beginning, if you listen to Elmore James and put Jeremy on, he was Elmore James. He became not just a copyist, but he actually lived somehow that style of slide playing. We didn’t get to play with Elmore, because he passed away, but on [sessions for] Blues Jam at Chess, there’s pictures in the book of little Jeremy, who’s five foot nothing with a huge guitar, with J.T. Brown, who was Elmore’s sax player. That is powerful stuff to see that. It was huge for the band, and that just amplifies what was going on. We were playing with our heroes. For Jeremy it was: “Elmore’s not here but I’m playing with J.T. Brown, doing an Elmore James song!” I remember J.T going, “God damn, this weird little guy! I’m closing my eyes and it’s like I’m back in my band!” I remember Peter went down to a place where, quite frankly, white folks didn’t go. Willie Dixon took him down to one of the blues clubs and Peter apparently got up and played, and everyone’s looking him down. There were no white folks in there, and I was told by one of our road managers who had gone down there that Peter cut the mustard. He was a magical, powerful player who resonated with people who were our heroes. So the whole trip to Chicago was extreme and certainly has a place in this book. What kept you going when Peter left? Was there ever a point when you wondered if you should pack it in? The first lesson was abject, extreme sadness. I just thought, “God, what are we going to do?” We rented a house from a friend of mine, which was Kiln House. It was a form of closing the ranks. We were very frightened. What was the formula for survival? I think, “We better close ranks or this is over.” Then that whole method of survival was probably repeated many times, which is why we’re still here. Part of the reason was always wanting to continue having a partnership with John and two or three other band members. So it was, “Let’s not throw this away. Let’s give this a go and see if we can keep going.” When you’re in a rhythm section and you don’t have someone to play with, what do you do? Play in your living room? And I’m not making light of it, but I’m giving a reason that I think was probably more important: “Let’s see if there’s a way to keep your job.” And that became a model that we never gave up. We were very blessed along the journey with people who were part of the survival, which eventually led to a major, major chapter in Fleetwood Mac that everyone knows about. But they don’t know about the period in these pages to that extent—and they never will. Some people who aren’t here—Bob Welch isn’t here anymore—but there are people and moments that should be accoladed, and this book is part of it. Fifty years down the road, it’s a few pages that needed to be seen. The book really gives its due to Peter Green, even down to the name The Love That Burns. How did you arrive at the title? It’s one of Peter’s loveliest songs that he used to sing and it became very relevant. I see him when we go to England but we’re not connected. That’s a whole other story. This is about the music and what we were doing, not what happened to the people and all the blood and guts. But there was a moment, I did an interview with him [for the book] that went on about three hours, just so that Peter had a little bit of a voice. But I took license at one point and I asked him, “Why did you ask me to play drums?” He could have picked anybody. I knew him and we’d played together, but it wasn’t planned. Everyone thinks that the three of us dumped John Mayall and formed Fleetwood Mac. It was nothing of the sort. He was pressured into putting a band together and said, “Would you like to play?” I said, “Well, why did you ask me?” One would imagine it was something like, “Well you’re a pretty good drummer…” but it was totally nothing to do with music at all. He said, “Don’t you remember? You were really sad. That’s when you broke up with Jenny.” I eventually married her later on, but I was devastated. He said, “You were so sad. You had nothing to do and you needed to pull your socks up.” The point being, that is the power of what is encompassed on and off through the whole history of Fleetwood Mac. It’s a mass of fear and loathing and love. [Afterwards] I burst into tears because it was so moving. He said, “I was your friend.” Later on, in a comedic way I say, “S—, I thought it was because maybe I was a halfway decent drummer!” [laughs] But there’s a lot of charm to that, hence the title made even more sense because the truth is, for better or for worse, that is still going on. And that’s a whole other story. This article was originally published on PEOPLE.com
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Pumpkin Spice Season Is Already Here! 11 Ways You Can Celebrate Early

Pumpkin Spice ProductsSorry summer, but some shoppers are so ready for fall.
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News in Brief: Man Arriving Late Forced To Use Excuse He Was Saving For Leaving Early

HARTFORD, CT—Silently berating himself for his carelessness and lack of forethought, local office worker Jason Lochrie, who arrived over an hour late to work Wednesday morning, reportedly had no choice but to use an excuse he had been hoping would allow him to leave early. “Damn it, I was all set to get out of here at 3:30 by telling everyone I had a dermatologist’s appointment, but when I showed up after the start of our 10 a.m. meeting, I was forced to use it right then and there,” said a visibly frustrated Lochrie, who admitted he briefly considered repurposing the same alibi several hours later before determining that there was no way he could convince his colleagues and supervisor that he had scheduled two different doctors’ visits on the same day. “If I had made it in just a half hour earlier, I probably could …




The Onion

Early Sales Predictions For The Game’s ‘The Documentary 2’ Are In

(AllHipHop News) It appears L.A. rapper The Game is competing against pop princess Selena Gomez for the #1 album in the country at the moment. Hits Daily Double has the early predictions for the two performer’s first week album sales.

[ALSO READ: The Game Disses Young Thug During Concert Performance (VIDEO)]

According to the industry website, Game’s latest effort The Documentary 2 is looking to sell between 60,000-70,000 albums with close to 75,000-85,000 sales plus streaming. Gomez’s Revival is slightly ahead of Game’s pace at the moment. The former Disney star’s second solo album is currently predicted to move 75,000-85,000 units, 85,000-95,000 SPS. Toby Keith’s 35 MPH Town could be in the running as well.

The Documentary 2 is being released in two parts. The first installment hit stores on October 9. The Documentary 2.5 is scheduled to be released on October 16. If the sequel to Game’s 2005 LP takes the top spot on the album chart, it will be the fourth number one album of his career.

[ALSO READ: Stream The Game’s New Album “The Documentary 2”]

Filed under: News Tagged: Album sales, selena gomez, The Game
Hip Hop News, Interviews and Music: Allhiphop.com

The Awesome but Buggy 360fly Cam Is for Early Adopters Only

The 360fly is a water-water-resistent virtual reality action sports camera that works with your phone and Google Cardboard. We tested the $ 400 camera at the California Academy of Sciences Steinhart Aquarium.
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Michael Rowe on Early Winter: “I want to be honest in what I film”

2015-09-05-1441436560-1993541-20772Early_Winter_2.jpg

This year’s Venice Film Festival (La Biennale di Venezia) shines the spotlight on romance. But it’s not about your typical, run of the mill love stories, more like passion with a twist. Whether it is a group’s love of mountain climbing, as in Everest, or the devotion child soldiers bestow on their commandant in Beasts of No Nation, or even a futuristic view of attraction as a virus in Equals, love always seems to come at a price here on the Lido.

No film explores that more deeply, and darkly, than Michael Rowe’s Early Winter, screening in the Venice Days program. Rowe’s lead characters are two functioning people, complete with their own flaws and very human set of mistakes, yet when David (Paul Doucet) and Maya (Suzanne Clément) come together, they bring out the worst in each other, and themselves. Or perhaps that’s just how all couples are, once the fairy tale of romance wears off and day to day life sets in…

Discovering the filmmaker behind the work is what I love most about what I do. In person, Rowe is a kind, honest and thoughtful man. In fact, I expected someone different, darker perhaps, more angry. But that’s the thing about human beings, we’re not just one thing, one personality throughout; we are a blend of many moods, many thoughts and conflicting ideas. It is what makes life, and cinema, so interesting.

I’ll preface this by saying that I watched it when I was five but your film reminds me of Scenes from a Marriage, by Ingmar Bergman… That film has always stayed with me, my parents made me watch it.

Michael Rowe: I hadn’t thought of Bergman, I love Bergman. That’s a wonderful film, terrifying.

Your film is terrifying too. Two people who need each other but are so damaging to one another. Who have been your filmmaking influences?

Rowe: Influences in general are Bergman, of course, and Cassavetes, Roy Andersson, Catherine Breillat, there are others but those are my main ones. And in literature Raymond Carver is a big influence.

What is your background?

Rowe: I’m from a small town two hours from Melbourne, in Southern Australia. In filmmaking terms I consider myself Mexican, I don’t consider myself Australian. I’ve lived in Mexico for twenty-two years. Filmmakers like Carlos Reygadas, Amat Escalante, who is a good friend, Fernando Eimbcke, I think we influence each other in our work. And Michel Franco.

How did you direct in French?

Rowe: I do have some notions, I can understand the language, I studied four years of French, years ago. I wrote the dialogue in English and then sat down with the actors and with their help, translated it into French.

Why did you make your female character, Maya so unlikable, she’s quite a horrible person. Why not make him that way?

2015-09-05-1441436620-8773000-20760Michael_Rowe__Early_Winter.jpg Rowe: Because that’s the way she was. I don’t think about politics when I’m writing, it comes from somewhere else. And I think that if you have two people in a film, it’s about those two people it’s not about all women all men. I think we undergo a tyranny in the world of culture, this pseudo sociological analysis and criticism that we’re subjected to. Everything has to be able to be analyzed and be politically correct from a Marxists, feminist, socialist POV. No, I mean, people are bad — men and women — and people are good — men and women — and most of us are good and bad, in different contexts.

It is also about the situation. She’s trapped in a way…

Rowe: Yeah, she has a horrible life, she’s with this guy who is not the love of her life, and she’s got these kids and she lives a long way from home. She does her best, and she doesn’t have a particularly easy personality — it’s real life.

Was she difficult to write?

Rowe: All writing is difficult for me. It’s the part I hate. Because you are on your own, you’re completely in the dark, you’re six months away from knowing if it works or not. You can’t ask advice of anyone because no one knows. It’s a difficult and lonely process. I don’t like it but it’s the only process that’s important. The most creative process by a hundred percent, compared to directing which is also nice, it’s much nicer you have people around you. It’s much more social, I love it. Writing I suffer through it a lot but want to tell my version of truth. I want to be honest in what I film and I can’t be honest if I’m filming something that I didn’t write. It’s very important to me to really be the creator. I think the heavy creative work is in the writing.

How did you find your two lead actors?

Rowe: I cast Paul [Doucet] and he brought tears to my eyes in the casting, in a scene with no dialogue. He’s awesome. I knew he was in. There was another actress attached to the film and she couldn’t confirm dates. First of all we had to push the whole shoot by ten months because she was having a baby, and said a month after the birth she would be ready to shoot. We waited and after those ten months when she couldn’t confirm dates again I thought, we’re not going to use her. I sat down with Paul, we create together, when I film it’s just the actors and me, and I said, “who do we have in Canada that could pull off this role?” And Paul said Suzanne Clément and I said, “totally!” as soon as he said it, I thought it would be amazing. I think that sometimes things happen the way they’re meant to happen. We had to wait ten months in order to get Suzanne, that’s fine. That’s what we had to do. I would have waited two years. She’s the best possible actress for the role.

How do you feel about cinema as a means to help us understand the world?

Rowe: I believe it should. I like to try to do that in my films. How to understand ourselves, how to understand the world, I think it has that potential and I think that’s always what I’m aiming for.

Although you say you’re not into being politically correct, what are some themes or subjects you won’t touch in your films?

Rowe: I don’t like violence and I won’t do that kind of a film.

So you won’t be making the next Transformers?

Rowe: No, I don’t know…

You would make a very different Transformers, it would be a bit Kafka-esque.

Rowe: It would be so interesting! If they would give me Transformers I would do something really cool. But yeah, I don’t like violence. Sometimes I’d like to do comedy just because I would be so much nicer to myself during the six months of writing. It would have to be a very serious comedy. What I’m interested in is finding out how we can live our lives in the best way possible. Trying to get light moments in there, but I don’t think I can do that in a comedy. And I don’t know if my natural temper is that way.

The world isn’t much of a comedy these days…

Rowe: That’s the thing, it’s a little heavy and it’s not gonna get much better in the next twenty years… It’s not a moment for that. Comedies distract you and make life a bit more bearable but I don’t like looking away from problems. Comedies don’t teach. You laugh and then you go home and the problems are still there.

Is there a film you remember watching as a child?

Rowe: I remember seeing E.T. in a cinema when I was about 11 or 12 and I remember thinking that was the best imaginable possible film ever.

Three words that describe you?

Rowe: What a difficult question! Gentle, I wanna say, and if I reduce it to a single word it will lose — someone-who-feels-other-people’s-pain-very-intensely — “empathetic” is the actual word but it’s not the same thing… And loving.

Images courtesy of Venice Days, Giornate degli autori, used with permission.

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Early Jazz Theory – David Burnand

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Early Jazz Theory

a method for improvising in styles from the 1920s and 30s

David Burnand

Genre: Music

Publish Date: July 26, 2013

Publisher: David Burnand

Seller: David Burnand


The purpose of this series is to introduce the improvisational idiom associated with jazz of the 1920s and 30s. Despite the stylistic changes that occurred as Hot Jazz developed into Swing, the examples provided demonstrate an underlying unity of approach to the melodic interpretation of harmony, and one which continued within Boogie Woogie,  R&B, Rock ‘n Roll, Skiffle and Country music, even if modern jazz took a different route.

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Late Nights & Early Mornings – Marsha Ambrosius

Marsha Ambrosius - Late Nights & Early Mornings  artwork

Late Nights & Early Mornings

Marsha Ambrosius

Genre: R&B/Soul

Price: $ 7.99

Release Date: February 25, 2011

© ℗ 2011 J Records, a unit of Sony Music Entertainment

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The Early 2000s Would’ve Been Nothing Without Jessica Simpson

Can we even remember a time when Jessica Simpson wasn’t in our celebrity consciousness?

These days, you probably encounter her most in relation to her very cute clothing line and very cute children. But back in the 2000s, Simpson obviously rose to fame as a pop vocalist and celebreality TV show icon. 

In honor of the star’s birthday on July 10, The Huffington Post took a look back at some of the most defining moments of the first era of Simpson’s career. 

Take a walk down memory lane (and get some dope vintage tunes stuck in your head for the next like two weeks!!!).

Simpson breaks into the pop scene with hit single “I Wanna Love You Forever,” 1999.

A classic throwback to Jessica’s early innocent girl vibe. The song debuted in 1999, a wholly more innocent year of history that also included the release of “10 Things I Hate About You” and “Never Been Kissed.” 

Simpson was only 19 at the time, which might make you rethink a lot of things. (Genetics are literally insane.)

Also, keep an eye out at the 0:25 mark for what we’re 99 percent sure is an appearance by a very young Ashlee Simpson. 

The Simpson-Lachey fascination takes off with “Where You Are,” 2000.

On the list of very important turn of millennia goings on, Jessica Simpson and Nick Lachey’s romance ranks high.

Their early ’00s chemistry is hard at work in this video, in which Simpson yearns for Lachey and imagines them walking around together near some trees. 

 The pair got together in 1999 and dated (with a brief break) until their marriage in 2002. They divorced in 2006. 

Jessica’s Chicken of the Sea tuna fiasco sets the celebrity news world on fire, 2003.

The Simpson-Lachey marriage, of course, led to a very important TV show of our time: “Newlyweds: Nick and Jessica. The series gave the hungry public a little peek into their young domestic lives. The most famous scene of the show came in its very first episode, when Jessica gets confused about whether Chicken of the Sea tuna is tuna or chicken. The mistake blew up the celebrity news cycle and, we would argue, solidified Jessica’s ditzy blonde public persona of the time. Watching the clip now, it seems so, so artificial. We obviously can’t prove it, but we would guess a producer behind the wings knew viewers at home would be very entertained by a rich famous person getting mixed up about such a simple, everyday thing. (‘Cause that was also, like, the premise of the show. Nick and Jessica are just like us!)

If it wasn’t staged, whatever, who doesn’t say dumb stuff sometimes? And also, why is Nick, who was supposed to be her loving husband at the time, being so rude about it? Those are our thoughts on that whole situation more than a decade after it was culturally relevant. “Can they live?” – sort of Kim Kardashian.

Back then, “SNL” hopped on the making-fun-of-the-mistake chain with a sketch in which Jimmy Fallon and Justin Timberlake play Nick  Lachey and Jessica Simpson. So … just a little reminder that that happened, and that the entertainment landscape looks very different in 2015. 

 

The “With You” music video happens, 2003.

And now, one of the most brilliant music videos we’ve ever seen.

We can’t say we know exactly where we were as a culture when this video came out. But our instinct tells us people were not severely concerned that it features Simpson washing dishes in a sudsy sink, lying on the ground putting lacy underwear on her head, lounging in a jersey ’cause she’s just a sporty kind of gal, eating RIBS very MESSILY and trying to hit golf balls with her boobs literally getting in the way. (For context about Internet discussion of bogus gender stuff, the video came out in 2003. Jezebel didn’t launch until 2007.)

This video demonstrates Simpson’s Marilyn Monroe-level skill of playing into the character her audience so obviously wanted her to be (did you catch her playfully eating the Chicken of the Sea tuna?). If after watching this you really think Simpson wasn’t in control of herself vs. sexy American girl image, I am giving you some side eye.

Jessica cries (wearing goggles after eye surgery) while watching Ashlee Simpson perform “Shadow” on “The Ashlee Simpson Show,” 2004.

According to scientists*, it is impossible to not cry while listening to this song.

Whatever publicist crafted the younger Simpson’s alt image should truly win publicist award of the past two decades.

*jk didn’t ask any scientists.

Jessica stars in “Dukes of Hazzard,” 2005.

The world lost its sh-t about the daisy dukes.

In conclusion, remember when low waist jeans were a thing? 

Happy birthday, Jessica! 

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‘Orange Is the New Black’ gets early release, creates fan frenzy online

Fans must have been on good behavior as they waited for the third season of “OITNB,” because the prison dramedy got an early release.




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Orange Is the New Black Season 3 Kicked Off (Early!) With Its Most Emotional Episode Yet

Did anyone else get Christmas-morning feelings when they received the Netflix alert last night that season three of Orange Is the New Black was released hours early? You're not alone. But those feelings of elation…




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“Orange is the New Black” gets early release

Season three of “Orange is the New Black” debuted early on Netflix, keeping the stock near all-time highs reached earlier this week.


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The Good Soldier: Jack Noble Early Years Bundle (Noble Beginnings & A Deadly Distance) – L.T. Ryan

L.T. Ryan - The Good Soldier: Jack Noble Early Years Bundle (Noble Beginnings & A Deadly Distance)  artwork

The Good Soldier: Jack Noble Early Years Bundle (Noble Beginnings & A Deadly Distance)

L.T. Ryan

Genre: Action & Adventure

Publish Date: March 15, 2014

Publisher: Liquid Mind Media

Seller: Liquid Mind Media


From USA Today Bestselling Author L.T. Ryan – Jack Noble Books 1 & 2 in a special limited time bundle! NOBLE BEGINNINGS (JACK NOBLE #1) – Over 300 5-Star Reviews! In March of 2002, while the eyes of the world focused on Afghanistan, Jack Noble finds himself on the outskirts of Baghdad, Iraq. A Marine in name only, Jack is on-loan to the CIA. Normally an integral part of the team, he finds that he is nothing more than a security detail in Iraq. Jack and his partner Bear have a run-in with four CIA special agents over the treatment of an Iraqi family. Within hours Jack and Bear are detained. All Jack wanted was to finish his enlistment and move on with his life. All he did was intervene and save a family from unwarranted violence at the hands of four CIA agents. But he soon discovers that he did far more than intervene. He has placed himself dead square in the middle of a conspiracy that reaches the highest levels of the U.S. government. This Jack Noble political thriller is not for the faint of heart! A DEADLY DISTANCE (JACK NOBLE #2) – Over 175 5-Star Reviews! Washington, D.C. Midday. A man waits at a bus stop, his intentions unknown. Two government operatives have been stalking him for days, waiting for him to make his move. Unexpectedly, the man takes off running and heads for a deserted warehouse. Jack Noble and his partner, Frank Skinner, believe the man to be part of a terrorist organization that is involved in smuggling drugs and guns and men into the country. But it turns out their plan involves far more export than import, and hits a lot closer to home. As the case in this explosive action thriller unfolds, the man behind it all reaches out to Jack with a simple message… 37 hours.

iTunes Store: Top Free Books in Fiction & Literature

“We were awful” – Pink Floyd’s Waters on band’s early days

Pink Floyd’s founder members Roger Waters and Nick Mason unveil a special plaque at London’s Westminster University, formerly known as Regent Street Polytechnic, where they first met and formed the band. Rough Cut (no reporter narration)


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First 8 Minutes of Aloha Released Early to Combat Bad Reviews: Is It Really Cameron Crowe’s ”Worst Film”?

Bradley Cooper, Emma Stone, AlohaAloha is good. No, really…it is! Sony insists that you see for yourself and not listen to those dratted critics!

The latest romantic dramedy from Cameron Crowe doesn’t open wide…


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Just Played Black Mesa (Early Access)

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The Half-Life 2 mod turns into a game and provokes our abusive relationship with the franchise.
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New York’s MoMA explores Yoko Ono’s influence through her early art

The Museum of Modern Art puts Yoko Ono’s early work on display. Alicia Powell reports.


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Kate admitted to hospital in the early stages of labour

The Duchess of Cambridge is admitted to St. Mary’s Hospital and is in the early stages of labour. Rough Cut (no reporter narration).


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‘Early Shaker Spirituals’: Theater Review


Oscar winner Frances McDormand reunites with the Wooster Group to replicate a 1976 recording of 19th-century hymns sung by Shaker women.

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Weird Al’s 8 greatest parodies, from his early rhymes to ‘Word Crimes’

Grammy-winning singer has parodied everyone from Michael Jackson to Robin Thicke.

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The 4 Stages of Being Woken Up Too Early by Your Kids

1. Denial/Isolation
This isn’t happening. This IS. NOT. HAPPENING. This is just a horrible dream. It is way too early for them to be awake. The baby doesn’t really need milk. She’ll probably go right back to sleep in like a minute… maybe five minutes. Ten minutes, tops. Maybe if I pull my covers over my head, they’ll go away. There. I’m invisible. He’ll never find me. I’m in my fortress of solitude. I’m ensconced in an impenetrable layer of…

Oh. He found me. But 3-year-olds are reasonable people. He’ll understand that I’m just too tired to get up. After he finishes climbing over me and tapping me repeatedly on the eyelid, he’ll get back in his own bed and sleep until 9.

2. Anger
WHY ARE YOU STILL TAPPING ME??? GO BACK TO BED!! IT’S TOO EARLY!!! IF YOU DON’T GO TO SLEEP RIGHT NOW, YOU WILL BE IN TIME OUT UNTIL YOU’RE 38!! STOP TAPPING ME!!!!!!!!!

3. Bargaining
OK, listen. If you just let me go back to sleep for 10 minutes, you can watch “Daniel Tiger’s Neighborhood” for an hour. Two hours. The entire day. I will personally call Daniel Tiger and invite him to our house and he will play make believe with you and teach you a catchy little song about letting mommy sleep until 10. And if you can get your baby sister to go back to sleep, I will turn our SUV into a life-sized replica of Trolley. You have my word.

4. Depression
I am never going to feel well rested, ever again. I’m going to be forever sleep-deprived until I die a slow, sleep-deprived death, curled up in a ball on the floor.

5. Acceptance
This is my life right now — two adorable kids and no sleep. Time to go make coffee and then drink it after it gets cold because both kids will poop as soon as I fill my mug.

This post originally appeared on I was promised more naps. Connect with Bethany on Facebook.
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‘Vacation’ Hitting the Road Early, Gets Prime Summer Date (Exclusive)


In its new home, the reboot takes on ‘Mission: Impossible — Rogue Nation.’

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Kendrick Lamar Releases To Pimp A Butterfly 8 Days Early

UPDATE: The explicit version is now available, too. Hit the jump for more.

At a moments notice, Kendrick Lamar delivers the most anticipated album in rap music, To Pimp A Butterfly, eight days before its slated March 23 release date.

But here’s the catch: it’s the edited version.

In any case, K. Dot’s 16-track follow-up to his critically acclaimed debut LP, good kid, m.A.A.d city, can he heard in some variety. Check it out here.

Here’s the explicit version.

Photo: YouTube

The post Kendrick Lamar Releases To Pimp A Butterfly 8 Days Early appeared first on Hip-Hop Wired.

Hip-Hop Wired

Justin Bieber — Celebrating 21st Early With A Sweet ’65

Justin Bieber is getting his 21st b-day started by partying with a 50-year-old … his buddies surprised him with a sick ’65 Lincoln Continental. Sources close to the situation tell TMZ … Biebs was rollin’ up and down the Sunset Strip Thursday night…

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Iggy Azalea Granted Injunction to Stop Distribution of Her Early Music

The judge agrees that the pop star raised “serious questions” about the validity of a recording contract
Music News Headlines – Yahoo News

Iggy Azalea Granted Injunction to Stop Ex Distributing Her Early Songs

Iggy Azalea has gotten a judge on Monday to issue a preliminary injunction that prevents some of her songs from being released by music companies…
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‘An Honest New Year’s Eve’ May Be The Last Push You Need To Just Stay In And Go To Bed Early

Of all the adjectives commonly used to describe New Year’s Eve parties, “honest” has never made the list, which explains why this short by New York comedians Tracy Soren and Jessie Jolles is so entertaining.

“An Honest New Year’s Eve” hits on all the major conundrums of the night, like: “Who am I going to make out with at midnight?”

And, of course, there’s the inevitable realization that another year has passed and you’ve done nothing with your life. But don’t think about that too much, because here’s a joke for you:

Knock, knock!
Who’s there?
ALCOHOL.

Comedy – The Huffington Post
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